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Bastard Out of Carolina

Auteur(s): Dorothy Allison
Narrateur(s): Elizabeth Evans
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Description

A modern literary classic, now available in a 20th anniversary edition with a new afterword by the author.

The publication of Dorothy Allison's Bastard Out of Carolina was a landmark event. The novel's profound portrait of family dynamics in the rural South won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to William Faulkner, Flannery O'Connor, and Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics.

Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family - a tight-knit clan of rough-hewn, hard- drinking men who shoot up each other's trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather, Daddy Glen, "cold as death, mean as a snake", becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney - and leads to a final, harrowing encounter from which there can be no turning back.

©1992 Dorothy Allison (P)2012 Audible, Inc.

Ce que les auditeurs disent de Bastard Out of Carolina

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  • 4.5 out of 5 stars
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Histoire
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  • Au global
    5 out of 5 stars
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  • Histoire
    5 out of 5 stars

Fantastic

Extremely well written and the narration is *chef’s kiss*. Thought provoking and emotional. Thoroughly enjoyed the afterword as well.

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  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars

I wept

This book made a grown man cry. And more than once. So I had to stop listening to this one in public on several ocassions. And stop for a breather at some points too lest I crumble.

I listened to only half of the afterword because I wanted to let the import of the story sink in without commentary of context.

This review is about both the book and the film because I saw the film first and it influenced my appreciation for the original. The only differences that I noticed (I saw the film over 8 years ago) was that the child doesn't masturbate in the movie, nor develop masochistic bondage fantasies based on her experiences, in the film the only sexual context being manipulative. non-volitional non-penetrative sex then finally a violent rape by her step-father. If you think that the terror and torture of Pasolini's 120 Days of Sodom makes it a great movie (I do, despite 'hating' the events portrayed, and thus I wrote a five page review of it when I wrote a girl film review blog, finding it the most disturbing, yet great film I had ever seen) you will 'like' this book.To say that the film's most coercive sexual abuse scene is highly disturbing is an understatement, and much the same scene is in the original. There are several such unwilling encounters, but one horrific and it translated well from text to moving images.

I won't reveal the family secret/surprise at the end (which actually I found irrelevant and maybe even unneccessary, but maybe not). I don't remember it being in the film. But several of the film scenes were almost word-for word from the book and the characters the same. For example, when the girl Bone sits on the balcony and her sick aunt asks if her step-father ever touched her 'down there' and the tween replies 'no' and they sing Gospel songs together.

What I also liked about this book is that everyone is weak (except the protaganist, actually I think it would have been an improvement to the story if she had some character faults). The uncles and aunts, the civic servants, the teachers, the doctors and nurses, the Woolworth's manager, of course the villain and even mother who does the 'unforgivable'. Yet I felt compassion for all of them as a deeply flawed human beings. Much of the story is about family relationships. It is not non-stop abuse. There is also poverty, mental illness, class consciousness, sexual perversity, alcoholism, racism etc. And every day life as a working-class family.

Not sentimental or doctrinaire, so one of the best works of fiction I have 'read' in a long time, and a rarity in that the easy to follow writing, the sympathetic narration and the compelling story are all on the same exemplary level.

But be prepared to have your blood pressure raised, to become indignant, outraged, saddened. And to weep.

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