Blackbirds

Not for the faint of heart or kids but exciting

Blackbirds is the second Chuck Wendig book I have tried to read. The first was Blue Blazes but I abandoned it. Chuck Wendig, however, comes highly recommended from multiple sources I respect. Blackbirds is the story of a young woman who sees the way people die if she comes in skin to skin contact with them. She has tried to fight fate in the past to save people, but it has always knocked her down and put her in her place.The book is a paranormal thriller. What could you possibly not like…and what can you like?

Chuck is great at building a descriptive world. You can smell, see, hear, and unfortunately taste it. This world is one of dirty hotel rooms, dirtier dive bars, and hitchhiking a small town grimy America. You might not want to experience the taste that goes with that. The book hooks you and is action packed. You need to know what happens next.

That being said his characters are not lovable. They are psychopaths, sociopaths, con artists with attachment disorder, etc. I know a Miriam, she didn't see people’s deaths, but as I experienced Wendig’s crass scavenger that will do/did everything in her power to push people away, I cringed. I recognize I probably have some negative transference, but Miriam’s still hard to like. When I say she’s crass I don’t mean she uses some profanity, this isn't a common use of typical profanity. This is very creative thought out ignorant descriptions in an extremely ignorant and vulgar fashion. It, however, is purposeful and serves the storyline. But...this is not for children, or the faint of heart. It’s also rather violent.

Emily Beresford did not do a bad job, in fact, I think in many ways she may have captured Miriam's crass spirit a little to well. I had a literal negative physical reaction to the way she said some of Miriam's lines. Remember, Wendig created her this way. I did, however, end up getting this on whispersync and chose to read most of it.

I will again say it is a well written, good thriller. It has twists I didn't see and a luke warm uplifting ending. Maybe Wendig is saving that for a series finale but I just don’t quite think uplifting happy rainbows is his style. I haven’t decided if I’m reading the next book. I feel dirty. I think I will take a shower and decide later.

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A Story of Fate and the F-word

Would you recommend this audiobook to a friend? If so, why?

I have been following Chuck Wendig for a few years now, and I have come to enjoy his writing style immensely. The story of Blackbirds is dark, following the story of a troubled young woman who can see when you die, and can't do anything to change it. The writing is fluid, the characters are interesting, and the plot is riveting.

My only critique is that the main character sounds much like Chuck, or at least sounds like the voice he presents during interviews and on his blog. This is not a bad thing, per say; but, it distracted me from remembering that the character was in fact a troubled woman, and not the middle aged self proclaimed pen monkey that entertains almost daily.

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A sympathetic but not likable psychic

Miriam Black has the power (or curse) of knowing exactly when and how someone will die. The moment she touches someone, she sees a vision of their death and knows to the hour when it will happen. And she can't change it - she's tried. As with any story about time travel or precognition, the story comes around to the inevitable question of causality. Miriam knows, from past experience, that trying to interfere with someone's death just means she ends up playing a role in it. Then she meets someone whose death she really wants to prevent, and the question becomes, is fate actually immutable, and will she cheat it?

The most compelling aspect of Wendig's writing, and probably the most annoying, is Miriam's voice. She is a cynical, chain-smoking harlot with a deathwish and a mouth that can make a sailor blush. We get dribs and drabs of her background - an uptight, puritanical mother who naturally turned her daughter into the sinful, rebellious manifestation of everything she was trying to prevent, and the crushing burden of seeing people die over and over, peacefully in bed or violently squished between vehicles, young and old, whether she knows them or not, and finally, the death that she thinks earned her her "gift."

None of this really makes Miriam likable. She doesn't want to be likable. She revels in being unlikable. She's taken up a vagrant lifestyle, following people around when she knows they're going to die soon, and stealing their stuff, a psychic vulture. She runs into a nice guy named Louis, a truck driver, and a not so nice guy named Ashley, a con artist. Ashley figures out what Miriam can do, and Ashley also turns Miriam on. Unlike sweet, gentlemanly Louis.

At this point, all I could say was, "Run, Louis!" but obviously that's not the way the story is supposed to go.

Miriam is brought to the attention of a creepy bald drug dealer and a murderous pair of assistants, thanks to Ashley, and so Louis is dragged into the situation, and so Miriam has to figure a way out of the visions she's already seen.

Props to Chuck Wending for an ending that did not feel like a cheat, and for a witty, funny, profane voice. But Miriam's awfully hard to like, and while I'm somewhat interested in where her story will go next, I can only take her in small doses.

4 les gens ont trouvé cela utile

Meh...

Beyond the stunning beautiful cover art...the story started out great, but has a major flaw in the main character. Without giving too much away, would Miriam REALLY stay with such an absolute jerk? Even when threatened with what he did? I doubt it. If Miriam is really this femme-fatale-road-weary-general-badass, I seriously doubt she'd let anybody push her around. It felt like a cop-out on behalf of the author...like he couldn't figure out a more plausible motivation. Beyond that, I found Wendig's writing style enjoyable and the narrator was wonderful.

8 les gens ont trouvé cela utile

violence deception horrid women

I wouldn't have finished except I wanted to give an honest review. This had no fun for me. All horrid characters. 6 women in whole book, 5 at least semi psychopathic. About the same for the men though I didn't count.
If you like horror and a lot of violence with no humor but with a suspenseful plot, you might like it. Not at all for me.

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Dark but interesting

The book had an interesting premise, and some good characters, and it was very well performed. That said, the main character was very angsty, and the book get very dark at times.

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I liked the story but the cursing was excessive,

I liked the story but the cursing was excessive, but creative, even for the type of character being presented. The book comments "...she curses like a sailor. " I never met a sailor or soldier that cursed that much.

1 personne a trouvé cela utile

Engrossing, if not particularly enjoyable

This is one of those weird cases where I'm not sure if I really ENJOYED this book, but I couldn't put it down. Miriam Black has a really crude attitude and vocabulary that didn't really resonate with me. I wouldn't consider her badass so much as a bad-mouther -- she has enough self defense to keep herself safe(ish) in her transient lifestyle, but she talks rougher and cruder than her skills can really support. But regardless of my relative apathy towards her and most of the characters, the book moved quickly and was action packed, simply pulling me along in it's wake. This book culminated with a feeling of setting a stage for much more expansion in the next installment, similar to the end of a TV pilot, and I would be interested to see if the series improves for me.

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Not For Everyone

This series gets good reviews from many, so I gave it a shot. I'll give the author credit for being a good story teller, but it was too raw and grotesque for my taste.

3 les gens ont trouvé cela utile

Too much Palahniuk and Larsson for his own good

I imagine Chuck Wendig's pre-writing chats with himself went something like this, "How can I create the hottest, most bad-ass chick and put her into a story? I want to write a lead character that I'd totally want to be with."

So, with a healthy dose of Chuck Palahniuk's overwritten gross-out style and a basic template for a main character that is essentially nothing more than a potty-mouthed Stieg Larsson protagonist, we get Blackbirds. And with it, Chuck Wendig's dullard dream date, Miriam Black.

Not that this is only frat boy fiction--Wendig knows the word "macadam," after all, and uses it three times. Yes, this novel has aspirations beyond just giving us a hollow shell of a female lead who does very little other than rob people and talk tough. It courageously takes us into a world of stereotypical secondary characters (nearly all of whom are mawkish and cut-and-pasted from someone's tired rogue's gallery) and even ventures into the taboo territory of sexual violence against women and short, stocky lesbians.

Blackbirds has it all--including a massive plot gaffe towards the end of the book where Miriam is touched by an assailant and should be able to read his/her death but does not.

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