Gratuit avec l'essai de 30 jours
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Em
- Narrateur(s): Kim Thúy
- Durée: 2 h et 59 min
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Em
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Description
LONGLISTED FOR THE 2021 SCOTIABANK GILLER PRIZE
Kim Thúy's Em is a virtuosic novel of profound power and sensitivity, and an enduring affirmation of the greatest act of resistance: love.
In the midst of war, an ordinary miracle: an abandoned baby tenderly cared for by a young boy living on the streets of Saigon. The boy is Louis, the child of a long-gone American soldier. Louis calls the baby em Hồng, em meaning "little sister," or "beloved." Even though her cradle is nothing more than a cardboard box, em Hồng's life holds every possibility.
Through the linked destinies of a family of characters, the novel takes its inspiration from historical events, from Operation Babylift, which evacuated thousands of biracial orphans from Saigon in April 1975, to the remarkable growth of the nail salon industry, dominated by Vietnamese expatriates all over the world. From the rubber plantations of Indochina to the massacre at My Lai, Kim Thúy sifts through the layers of pain and trauma in stories we thought we knew, revealing transcendent moments of grace and the invincibility of the human spirit.
Ce que les critiques en disent
LONGLISTED FOR THE 2021 SCOTIABANK GILLER PRIZE
NOMINEE FOR THE 2021 GRAND PRIX DU LIVRE MONTREAL
SHEILA FISCHMAN SHORTLISTED FOR THE 2021 COLE FOUNDATION PRIZE FOR TRANSLATION
SHORTLISTED FOR THE 2023 SCOTT MONCRIEF PRIZE
SHORTLISTED FOR THE 2023 DUBLIN LITERARY AWARD
“Just like tender, strong and graceful Vietnamese silk threads, Kim Thúy masterfully weaves us through Vietnam’s twentieth-century history while binding us to the lives of its people so that their experiences expand our worldview. Em is an original, innovative, poetic and haunting novel that deserves to be read, shared, studied and discussed.” (Nguyễn Phan Quế Mai, author of The Mountains Sing)
“Em may be [Kim Thúy’s] finest yet. More assured in her writing and less concerned about blurring the boundary between factual and fictional truth, Thúy is mesmerizing in this tale."—Maclean’s