Feel the Floor
Restoring the Life and Legacy of Jazz Choreographer Buddy Bradley
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Feel the Floor
Narrateur(s):
Kevin Free
Précommander pour 19,62 $
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Narrateur(s):
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Kevin Free
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Auteur(s):
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Maureen Footer
À propos de cet audio
In Feel the Floor, Maureen Footer shows how Bradley’s revolutionary moves electrified Broadway in the 1920s and conquered London’s West End in the 1930s, introducing new inflections to the era’s tap and jazz dance.
His experiments in rhythm and staging would anticipate bebop, and his influence even permeated classical dance, cross-pollinating with ballet choreographers like Frederick Ashton and George Balanchine.
Mirroring today’s fight for recognition of Black contributors to transatlantic culture, Buddy Bradley’s story isn’t just one of influence. He created the movement language we still speak today.
The white performers Bradley taught to move became legends: Eleanor Powell, Ruby Keeler, Adele Astaire, Jessie Matthews. Bradley was also the first to fuse movement, character, and narrative in the theater, setting the stage for the integrated book musical and the careers of Agnes de Mille, Bob Fosse, and Jerome Robbins.
In post-war Great Britain, as Black American dancers and jazz musicians flocked to London (and a congenial base at Bradley’s dance school), he danced and choreographed with Baby Laurence, Pete Nugent, Frankie Manning, and Mabel Lee, among others.
Footer spent five years in prodigious research, crossing two continents, tracking ancestral history in the Deep South, and enlisting private investigators to uncover Bradley’s buried legacy.
Feel the Floor corrects the false narratives that have erased Bradley’s influence, revealing how one man’s genius transformed musical theater, shaped modern ballet, and rewired the very DNA of American dance.
Ce que les critiques en disent
“An excellent and overdue portrayal of a backstage trailblazer, showing Bradley’s hard work, dedication, and sacrifice to make a life doing what he loved.”
—Library Journal
“Finally! A meticulously researched biography of Buddy Bradley, the visionary choreographer who revolutionized jazz and tap dance, electrified Broadway, and transformed London’s West End. With passionate narrative drive, Maureen Footer restores Bradley’s rightful place in dance history, tracing influences from across geographies, performance genres, and shifting social circumstances. A celebration of artistry, resilience, and cultural legacy, this book is essential reading for anyone passionate about dance, history, and the fight for recognition.”
—Thomas F. DeFrantz, author of Dancing Revelations: Alvin Ailey’s Embodiment of African American Culture
“With exemplary research and insights into the life and work of Buddy Bradley, one of the legends of the dance world, Maureen Footer places into the spotlight an innovative yet often overlooked choreographer. Feel the Floor is an engaging, informative, and accessible biography that will appeal not only to anyone interested in the history of dance but also musical theatre and cinema.”
—Stephen Bourne, author of Black in the British Frame: Black People in British Film and Television 1896-1996
“Descended from free, landowning Southern Blacks, Buddy Bradley claimed his territory as an innovative jazz tap dancer and choreographer. He began in Harlem Renaissance New York, then, when segregation dwarfed his ambitions, he moved to London. There, artists and audiences were eager to see a multilingual choreography, which joined jazz tap to ballet and musical theater. His work was brilliant and wide ranging. So is Maureen Footer’s biography. With historical rigor and narrative elegance, she restores the life and art of an American dance genius.”
—Margo Jefferson, author of Negroland
“Feel the Floor tells the rich, layered story of choreographer Buddy Bradley and his journey from Alabama to Harlem and on to London’s West End. Maureen Footer weaves a compelling tale, showing how Buddy Bradley’s influence on dance on both stage and screen spread across the Atlantic and brought the dance culture of the Black American South to the world.”
—W. Ralph Eubanks, author of When It’s Darkness on the Delta
—Library Journal
“Finally! A meticulously researched biography of Buddy Bradley, the visionary choreographer who revolutionized jazz and tap dance, electrified Broadway, and transformed London’s West End. With passionate narrative drive, Maureen Footer restores Bradley’s rightful place in dance history, tracing influences from across geographies, performance genres, and shifting social circumstances. A celebration of artistry, resilience, and cultural legacy, this book is essential reading for anyone passionate about dance, history, and the fight for recognition.”
—Thomas F. DeFrantz, author of Dancing Revelations: Alvin Ailey’s Embodiment of African American Culture
“With exemplary research and insights into the life and work of Buddy Bradley, one of the legends of the dance world, Maureen Footer places into the spotlight an innovative yet often overlooked choreographer. Feel the Floor is an engaging, informative, and accessible biography that will appeal not only to anyone interested in the history of dance but also musical theatre and cinema.”
—Stephen Bourne, author of Black in the British Frame: Black People in British Film and Television 1896-1996
“Descended from free, landowning Southern Blacks, Buddy Bradley claimed his territory as an innovative jazz tap dancer and choreographer. He began in Harlem Renaissance New York, then, when segregation dwarfed his ambitions, he moved to London. There, artists and audiences were eager to see a multilingual choreography, which joined jazz tap to ballet and musical theater. His work was brilliant and wide ranging. So is Maureen Footer’s biography. With historical rigor and narrative elegance, she restores the life and art of an American dance genius.”
—Margo Jefferson, author of Negroland
“Feel the Floor tells the rich, layered story of choreographer Buddy Bradley and his journey from Alabama to Harlem and on to London’s West End. Maureen Footer weaves a compelling tale, showing how Buddy Bradley’s influence on dance on both stage and screen spread across the Atlantic and brought the dance culture of the Black American South to the world.”
—W. Ralph Eubanks, author of When It’s Darkness on the Delta
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