Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

In a tight-knit Levantine Christian family in 1960s Cairo, Tarek’s entire life is written in advance. He’ll be a doctor like his father, marry, and have children. Under the watchful eye of the family’s strong women, he starts to do just that–until a patient’s son, Ali, enters his life and turns it upside down. The two men’s unsayable relationship sparks a series of events as dramatic as the Six-Day War and assassination of President Anwar Sadat playing out in the background.

Jende Jonga, a Cameroonian immigrant living in Harlem, has come to the United States to provide a better life for himself; his wife, Neni; and their six-year-old son. In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty - and Jende is eager to please. Clark's wife, Cindy, even offers Neni temporary work at the Edwardses' summer home in the Hamptons.

Early 1900s London: Taken from his homeland, twelve-year-old Celestine spends most of the time locked away in the attic of a large house by the sea. The only time Celestine isn’t bound by confines of the small space is when he is acting as an unpaid servant to English explorer Sir Richard Babbington, As the years pass, he desperately clings on to memories of his family in Africa, even as he struggles to remember his mother’s face, and sometimes his real name . . .

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird.

A Town Called Solace, the brilliant and emotionally radiant new novel from Mary Lawson, her first in nearly a decade, opens on a family in crisis. Sixteen-year-old Rose is missing. Angry and rebellious, she had a row with her mother, stormed out of the house and simply disappeared. Left behind is seven-year-old Clara, Rose’s adoring little sister. Isolated by her parents’ efforts to protect her from the truth, Clara is bewildered and distraught.

When Abraham Verghese, a physician whose marriage is unraveling, relocates to El Paso, Texas, he hopes to make a fresh start as a staff member at the county hospital. There he meets David Smith, a medical student recovering from drug addiction, and the two men begin a tennis ritual that allows them to shed their inhibitions and find security in the sport they love and with each other. This friendship between doctor and intern grows increasingly rich and complex, more intimate than two men usually allow.

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium, all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack.

On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses - until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

The Birth House is the story of Dora Rare, the first daughter to be born in five generations of Rares. As a child in an isolated village in Nova Scotia, she is drawn to Miss Babineau, an outspoken Acadian midwife with a gift for healing. Dora becomes Miss B.’s apprentice, and together they help the women of Scots Bay through infertility, difficult labours, breech births, unwanted pregnancies and even unfulfilling sex lives.

Merchants of Doubt has been praised—and attacked—around the world, for reasons easy to understand. This book tells, with “brutal clarity” (Huffington Post), the disquieting story of how a loose-knit group of high-level scientists and scientific advisers, with deep connections in politics and industry, ran effective campaigns to mislead the public and deny well-established scientific knowledge over four decades.

In Purple Hibiscus, she recounts the story of a young Nigerian girl searching for freedom. Although her father is greatly respected within their community, 15-year-old Kambili knows a frighteningly strict and abusive side to this man. In many ways, she and her family lead a privileged life, but Kambili and her brother, Jaja, are often punished for failing to meet their father’s expectations. After visiting her aunt and cousins, Kambili dreams of being part of a loving family.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.