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Jeremy Hutchinson's Case Histories
- Narrateur(s): David Timson
- Durée: 16 h et 25 min
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Description
A compelling portrait of the time when freedom of speech and the need to throw off censorship came to the fore, told through its great trials, from Lady Chatterley's Lover to Howard Marks.
Born in 1915 into the fringes of the Bloomsbury Group, Jeremy Hutchinson went on to become the greatest criminal barrister of the 1960s, '70s and '80s. The cases of that period changed society forever, and Hutchinson's role in them was second to none.
In Case Histories Thomas Grant examines Jeremy Hutchinson's most remarkable trials, each one providing a fascinating look into Britain's postwar social, political, and cultural history.
Accessibly and entertainingly written, Case Histories provides a definitive account of Jeremy Hutchinson's life and work. From the sex and spying scandals which contributed to Harold Macmillan's resignation in 1963 and the subsequent fall of the Conservative government to the fight against literary censorship through his defence of Lady Chatterley's Lover and Fanny Hill, Hutchinson was involved in many of the great trials of the period.
He defended George Blake, Christine Keeler, Great Train robber Charlie Wilson, Kempton Bunton (the only man successfully to steal a picture from the National Gallery), art faker Tom Keating, and Howard Marks, who, in a sensational defence, was acquitted of charges relating to the largest importation of cannabis in British history.
He also prevented the suppression of Bernardo Bertolucci's notorious film Last Tango in Paris and did battle with Mary Whitehouse when she prosecuted the director of the play Romans in Britain.
Above all else Jeremy Hutchinson's career, both at the bar and later as a member of the House of Lords, has been one devoted to the preservation of individual liberty and to resisting the incursions of an overbearing state. Case Histories provides entertaining, vivid, and revealing insights into what was really going on in those celebrated courtroom dramas that defined an age as well as painting a picture of a remarkable life.
Ce que les critiques en disent
"Jeremy was not just a good lawyer; he was fearless in standing up to judges. He was the most formidable advocate of the 1960s and '70s and he had a marvellous sense of mischief." (Geoffrey Robertson)
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