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Last Call at the Hotel Imperial
- The Reporters Who Took On a World at War
- Narrateur(s): Suzanne Toren
- Durée: 18 h et 52 min
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Last Call at the Hotel Imperial
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Description
WINNER OF THE MARK LYNTON HISTORY PRIZE • A prize-winning historian’s “effervescent” (The New Yorker) account of a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism
“High-speed, four-lane storytelling . . . Cohen’s all-action narrative bursts with colour and incident.”—Financial Times
NEW YORK TIMES EDITORS’ CHOICE • WINNER OF THE GOLDSMITH BOOK PRIZE AND THE RALPH WALDO EMERSON AWARD • FINALIST FOR THE PROSE AWARD
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, BookPage, Booklist
They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles, sometimes gliding through countries in the splendor of a first-class sleeper car. While empires collapsed and fledgling democracies faltered, they chased deposed empresses, international financiers, and Balkan gun-runners, and then knocked back doubles late into the night.
Last Call at the Hotel Imperial is the extraordinary story of John Gunther, H. R. Knickerbocker, Vincent Sheean, and Dorothy Thompson. In those tumultuous years, they landed exclusive interviews with Hitler and Mussolini, Nehru and Gandhi, and helped shape what Americans knew about the world. Alongside these backstage glimpses into the halls of power, they left another equally incredible set of records. Living in the heady afterglow of Freud, they subjected themselves to frank, critical scrutiny and argued about love, war, sex, death, and everything in between.
Plunged into successive global crises, Gunther, Knickerbocker, Sheean, and Thompson could no longer separate themselves from the turmoil that surrounded them. To tell that story, they broke long-standing taboos. From their circle came not just the first modern account of illness in Gunther’s Death Be Not Proud—a memoir about his son’s death from cancer—but the first no-holds-barred chronicle of a marriage: Sheean’s Dorothy and Red, about Thompson’s fractious relationship with Sinclair Lewis.
Told with the immediacy of a conversation overheard, this revelatory book captures how the global upheavals of the twentieth century felt up close.
Ce que les critiques en disent
“As effervescent, for more than four hundred pages, as its winsome and hyperactive characters, and it blends scholarly attention to ideas like psychoanalysis and Wilsonian liberal internationalism with novelistic renderings of these writers’ dizzying trajectories abroad.”—The New Yorker
“As they follow Vladimir Putin’s invasion of Ukraine, Americans are getting an inkling of what it felt like eight decades ago when fascist dictators were on the brink of plunging Europe into war. . . . Back then the best source of news was an intrepid band of young American newspaper correspondents whose exclusive dispatches brought home word of the coming cataclysm. . . . [Ms. Cohen] takes their story to a new level with prodigious research and sparkling prose. The book is a model of its kind.”—The Wall Street Journal
“Deborah Cohen has done a remarkably powerful, enlightening and entertaining job of bringing back to life a quartet of long gone reporters. . . . Cohen writes with easy authority and a powerful narrative drive. This is a great book about great and flawed people caught up in a world going mad.”—Chicago Tribune