A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this "fast-paced and frightening debut" (Rachel Harrison) about the long shadows cast by family secrets, perfect for listeners of Grady Hendrix or Ashley Audrain.

Carrie wants a normal life. Carrie Lawrence doesn’t need a happily ever after. She’ll just settle for “after.” After a decade of helping her sister hide her victims. After a lifetime of lies. She just wants to be safe, boring, and not trekking through the woods at night with a dead body wrapped in a carpet. Becca wants to get away with murder. Becca Lawrence doesn’t believe in happily ever after because she’s already happy. She’s gotten away with murder for a decade and has blackmailed her sister into helping her hide the evidence - what more could a girl want?

For two years Lucy and Sam renovated their beautiful Victorian home but spiraling debts are forcing them to sell. The agreement with their real estate agent is that they won’t be home for viewings, but when Lucy gets a voicemail saying the Agent is running late, she realizes she will have to show the prospective buyer around herself. Suffering from extreme anxiety and claustrophobia, Lucy watches the stranger on their doorstep waiting to be let in.

Over the last few years, prominent people—a retired diplomat, beloved basketball coach, the CEO of an empire—have died in a series of fluke accidents and shocking suicides. There’s no apparent connection, no signs of foul play. Behind it all is a powerful group of women, the Sophie Foundation, who meet over wine and cheese to review files of men who behave very, very badly, and then mete out justice.

Alex Armstrong has changed everything about herself—her name, her appearance, her backstory. She’s no longer the terrified teenager a rapt audience saw on television, emerging in handcuffs from the quiet suburban home the night her family was massacred. That girl, Alexandra Quinlan, nicknamed Empty Eyes, was accused of the killings, fought to clear her name, and later took the stand during her highly publicized defamation lawsuit that captured the attention of the nation. It’s been ten years since, and Alex hasn’t stopped searching for answers about the night her family was killed.

Ethan Dove’s family has moved to a new home in a safe community, and it’s exactly the fresh start they need. Not only is his marriage to Emma hanging by a thread, but his son, Dylan, and twelve-year-old daughter, Rose, deserve to have a happy childhood. After Rose is bullied by the boys across the road, Ethan is relieved when the woman who lives next door steps in. Fiona Smith has come into their lives at just the right moment, and when she offers to look after Rose during the school holidays, Ethan and Emma can’t believe their luck.

Everyone has secrets, and Rachel Holloway is no exception. She’s worked hard to keep the past where it belongs: dead and buried. And so far, she’s been very successful. But now the small newspaper where she works wants to produce a podcast on a cold case: the disappearance 12 years ago of young Molly Forster. Some secrets should never see the light of day, and, as far as Rachel is concerned, whatever happened to little Molly is one of them.

Your phone rings. A stranger has kidnapped your child. To free them you must abduct someone else's child. Your child will be released when your victim's parents kidnap another child. If any of these things don't happen: Your child will be killed. You are now part of the chain.

Sisters Nadia and Cass Brenner are heirs to Ocean House, a decades-old empire that builds superyachts for the rich and powerful: emirs, oligarchs, and titans of industry throughout America and Europe. They’re a next-generation success with the design of their soon-to-be-commissioned megayacht for a Chinese billionaire. But the sisters’ entrée into the coveted Asian market is tragically cut short when Cass falls from a fortieth-floor hotel balcony.

Janie Klassyn was only 14 years old when she made the blood pact with her friends. She could never imagine she was setting in motion the horrifying crime that would tear her peaceful prairie town apart. Twenty years later in California, school counselor Emma Grant struggles to keep her past buried. But when she finds a note on her car threatening to reveal her secret, it becomes harder to keep up the deception. Even her teenage stepdaughter suspects that Emma is hiding something.

Nora Holliday is not that kind of woman. Not the kind who has an illicit affair with a married man. But Josh Landon is everything Nora’s alcoholic husband isn’t. And now she and Josh are so infatuated, they can’t stay away from one another. Abby Landon, Josh’s daughter, is home from college nursing a broken heart. She’s seeking solace, not more scandal, so when she catches her dad kissing Nora, she vows to take the homewrecker down.

Mia and Finn are busy turning a derelict house into their dream home when Mia unexpectedly falls pregnant. But just when they think the house is ready, Mia discovers a shocking message scored into a skirting board: I WILL SAVE THEM FROM THE ATTIC. Following the clue up into the eaves, the couple make a gruesome discovery: their home was once a real-life murder house, with the evidence still concealed within the four walls.

One year ago, Lucy’s sister, Nicki, left to meet friends at a pub in Dublin and never came home. The third Irish woman to vanish inexplicably in as many years, the agony of not knowing what happened that night has turned Lucy’s life into a waking nightmare. So, she’s going to take matters into her own hands. Angela works as a paper-pusher in the Missing Persons Unit, but wants nothing more than to be a fully fledged member of An Garda Síochána, the Irish police force. With the investigation into the missing women stalled, she begins pulling on a thread that could break the case wide open.

Missouri, 1955. Loretta Davenport has led an isolated life as a young mother and a wife to Pete, an ambitious assistant professor at a Bible college. They’re the picture of domestic tranquility—until a local girl is murdered and Loretta begins receiving messages from beyond. Pete dismisses them as delusions of a fevered female imagination. Loretta knows they’re real—and frightening.

Whitney had some misgivings when she dropped her increasingly moody teenage daughter, Amelia, off at Lauren’s house. She’d never met the parents, and usually she’d go in, but Amelia clearly wasn’t going to let something so humiliating happen, so instead Whitney waved to her daughter before pulling away from the little house with the roses in front. But when she goes back the next day, an elderly couple answers the door - Amelia and Lauren aren’t there, and this couple swears they never were, that she’s at the wrong house.