My Damage
The Story of a Punk Rock Survivor
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My Damage
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Narrateur(s):
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Auteur(s):
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Keith Morris
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Jim Ruland
À propos de cet audio
My Damage is more than a book about the highs and lows of a punk rock legend. It's a story from the perspective of someone who has shared the stage with just about every major figure in the music industry and has appeared in cult films like The Decline of Western Civilization and Repo Man. A true Hollywood tale from an L.A. native, My Damage reveals the story of Morris's streets, his scene, and his music-as only he can tell it.
Ce que les critiques en disent
I came late to Southern California and its Punk Rock scene, but after reading Keith Morris's memoir, feel I was there from the start. My Damage is like Neal Cassady's The First Third read aloud by William Burroughs for his private enjoyment: clear and unapologetic as a bell, fast as you can go, a rolling dumpster on fire, and a treasure trove for any student of West Coast Punk history. Lonely, funny, brave, tragic, anonymous, and famous all at once, until the moon disappears and everything goes to sleep. And wakes up again to dream a new song.” Viggo Mortensen
Kill your idols, please. Check that tired rock star shit at the door. Keith Morris is nothing less than a living, breathing symbol. He's a snot-voiced, Southern California archetype and prototype, an influential fuckup whose ripple effect in punk has been felt every single day since he spat out, I'm about to have a nervous breakdown' in 1979. Without My Damage's middle-finger-shaped piece snapped into place, no history of L.A.'s punk rock puzzle is complete.” Todd Taylor, Razorcake
Kill your idols, please. Check that tired rock star shit at the door. Keith Morris is nothing less than a living, breathing symbol. He's a snot-voiced, Southern California archetype and prototype, an influential fuckup whose ripple effect in punk has been felt every single day since he spat out, I'm about to have a nervous breakdown' in 1979. Without My Damage's middle-finger-shaped piece snapped into place, no history of L.A.'s punk rock puzzle is complete.” Todd Taylor, Razorcake
Praise for Keith Morris and My Damage
"Keith Morris is a human firecracker. You can literally hear his leg kicking under the table as you rip through the pages. If his life were the bars, these words are the file hidden in the cake. He is as truthful as funny, and if you don't read this book you might as well join an REO Speedwagon cover band.” Ryan Adams
Keith Morris, survivor of bouncers and blacklisters, thrown down the stairs yet still standing tall, damaged, patched up, last laugher of all, this is the punk rock story I've always wanted to hear.” Exene Cervenka of X
"In My Damage, Keith Morris lets loose with a shotgun blast of funny, often harrowing vignettes/opinions in every chapter, chronicling growing up in Los Angeles' South Bay and the evolution of not just Southern California punk (and his part), but rock music in general, from the late 1960s up to the present. I found it so readable I finished half the book in one night's sitting." Chris D., author, singer/songwriter of the bands The Flesh Eaters and Divine Horsemen, and in-house producer at Slash/Ruby Records (1980 1984)
Even though Keith was so wasted most of the time, that nebb'd up surfer who lived on The Strand made me want to be a punk singer.” Greg Graffin of Bad Religion
"Keith Morris is a human firecracker. You can literally hear his leg kicking under the table as you rip through the pages. If his life were the bars, these words are the file hidden in the cake. He is as truthful as funny, and if you don't read this book you might as well join an REO Speedwagon cover band.” Ryan Adams
Keith Morris, survivor of bouncers and blacklisters, thrown down the stairs yet still standing tall, damaged, patched up, last laugher of all, this is the punk rock story I've always wanted to hear.” Exene Cervenka of X
"In My Damage, Keith Morris lets loose with a shotgun blast of funny, often harrowing vignettes/opinions in every chapter, chronicling growing up in Los Angeles' South Bay and the evolution of not just Southern California punk (and his part), but rock music in general, from the late 1960s up to the present. I found it so readable I finished half the book in one night's sitting." Chris D., author, singer/songwriter of the bands The Flesh Eaters and Divine Horsemen, and in-house producer at Slash/Ruby Records (1980 1984)
Even though Keith was so wasted most of the time, that nebb'd up surfer who lived on The Strand made me want to be a punk singer.” Greg Graffin of Bad Religion
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