One year ago, recent Portland transplant Ellie Oliver had her dream job in animation and a Christmas Eve meet-cute with a woman at a bookstore that led her to fall in love over the course of a single night. But after a betrayal the next morning and the loss of her job soon after, she finds herself adrift, alone, and desperate for money. Finding work at a coffee shop, she’s just getting through the days—until Andrew, the shop’s landlord, proposes a shocking, drunken plan: a marriage of convenience that will give him his recent inheritance and alleviate Ellie’s financial woes.

After years of bickering, Penny and Tate have called a truce: they’ll play nice. They have to. Their mothers (life-long best friends) need them to be perfect, drama-free daughters when Penny’s mother becomes a living liver donor to Tate’s mom. Forced to live together as the Moms recover, the girls’ truce is essential in keeping everything—their jobs, the house, the finances, the Moms’ healing—running smoothly. They’ve got to let this thing between them go. There’s one little hitch: Penny and Tate keep almost kissing.

Grace Henderson has been a star of the US Women’s National Team for ten years, even though she’s only 26. But when she’s sidelined with an injury, a bold new upstart, Phoebe Matthews, takes her spot. Phoebe is everything Grace isn’t—a gregarious jokester who plays with a joy that Grace lost somewhere along the way. The last thing Grace expects is to become friends with benefits with this class clown she sees as her rival.

Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet.

For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she knows she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation, which will be featured on a popular HGTV show, Innside America, Astrid is thrilled. Not only will the project distract her from her failed engagement and help her struggling business, but her perpetually displeased mother might finally give her a nod of approval.