Malcolm Pembroke never expected to make a million pounds without making enemies. Nor did he expect his latest wife to be brutally murdered. All the clues suggest the killer comes from close to home, but after five marriages and nine children, that still leaves the field wide open. When he find his own life in danger, Pembroke entrusts his safety to his estranged son, Ian, an amateur jockey; and through him discovers a compulsive new outlet for his financial expertise.

Philip Nore is nearing the end as a jockey. George Millace is finished in photography. The differnce is, Millace is dead, and Nore has discovered his secret: a set of files which would blow the top off the racing world. Hated by a dying grandmother he has never known and abused by a trainer he knows only too well, Nore is no stranger to shabby morals. And when he begins to decipher the dead man's photographs, he uncovers corruption on a scale he had never imagined.

Alexander Kinloch, artist, has worked out a good pattern for his life. His home is a small bothy on a remote mountain in Scotland; he paints on commission, from which he derives both pleasure and a decent income; he lives alone and likes it. One day, however, Alexander's peace is violently shattered when he returns home to find a group of strangers waiting for him. Afer a scuffle, he is left for dead with only the wind and the words "Where is it?" ringing in his ears.

Free choice? There's no such thing, according to Lee Morris. Choice is pre-ordained by your personality. Stratton Park racecourse faces ruin in the hands of a squabbling family. Lee is slowly sucked into the turmoil, unwillingly on the surface but half-understanding the deep compulsions that influence his decisions. One road leads to safety, another to death. How do you know which is which?

Derek Franklin is an injured jockey. The last fence at Cheltenham has left him on crutches. But his brother’s death means even bigger trouble. He inherits a jewellery business, a mistress – and some very shady business associates. Franklin likes to play things straight. But with £1.5 million in diamonds gone missing, he finds honesty can be a deadly virtue.

To a jockey, losing his license is the equivalent of being struck off, or disbarred, or cashiered. When steeplechase rider Kelly Hughes lost his license his first feelings were of bewilderment and disbelief, for he was not guilty of the charges. Nor, to the best of his knowledge, was the trainer he had ridden for, who lost his livelihood as well. When his first stunned state of shock subsided, Kelly began to wonder why he had been framed, who had done it, and how it had been achieved.

To the Jockey Club, the racing world would be a better place without Julius Apollo Filmer. An expert in corruption with a devastating line in witness intimidation, and proving to be a slippery character to put behind bars. Baffled, they call in undercover security agent Tor Kelsey to keep an unflinching eye on Filmer and his associates. A mission that takes him from the finest of English racecourses to the wild Canadian interior, on a luxury transcontinental train journey to end them all.

Peter Darwin was hoping for some quiet leave from the Foreign Office. Instead he found himself in the village of his childhood, at the service of a veterinary surgeon whose operating theater was rapidly acquiring an unwanted reputation as an abattoir. The sudden unexplained death of a string of valuable racehorses from one small area in Gloucestershire was a mystery the police couldn't solve. But Darwin was local. He remembered people and what was at stake. And now he knew enough to get himself killed.

On the first day of Royal Ascot, the crowd rejoices in a string of winning favorites. Ned Talbot has worked all his life as a bookmaker – taking over the family business from his grandfather – so he knows not to expect any sympathy from the punters as they count their winnings, and him his losses. He’s seen the ups and downs before – but, as the big gambling conglomerates muscle in on small concerns like his, Ned wonders if it’s worth it any more.

When Kit Fielding, champion steeplechase jockey, finds out that his chief patron, Princess Casilia, is facing an increasingly serious threat, he goes unhesitatingly to her aid. Neither realises that his instinctive support is the first step towards a frightening battle involving violent risk, with the honour of the princess's family as the prize and Kit's own destruction as the forfeit.

Family ties mean trouble, but when jockey Kit Fielding comes to the aid of his twin sister and her husband, Bobby Allardeck, even death threatens. Putting behind him an age old feud, Kit tries to find out who is behind a vicious newspaper campaign which is jeopardising Bobby's career as a racehorse trainer. Combining his investigations with riding winners he makes some startling discoveries.

A beautiful Italian girl driving home in an open top sports car, a little boy playing on a South Coast beach and the senior steward of the Jockey Club on his way to a press reception in Baltimore. One after the other they suffer the same nightmare ordeal - kidnapping. But there is one thing connecting these particular cases. For the Italian girl is a jockey, and the little boy an only son of a racehorse owner.

Valentine, a blind, confused old man on his deathbed, seeking his peace with God, makes his last confession to a visiting friend, Thomas Lyon, mistaking him for a priest. This puts Thomas in a moral dilemma. Wild horses wouldn't drag from a priest the secrets of the confessional. Engaged in directing a film set in the world of racing, Thomas finds that the solution to this quandary could mean the difference between life and death.

When a sick friend asks Edward Lincoln to investigate the comprehensive failure of a string of racehorses, he agrees to help out. But it is impossible for him to go about the task quietly and unnoticed because he is now a world-class star of action films, in which he always plays the hero. And the apparently easy survey of the string of racehorses blows him through a smokescreen into circumstances, where, to survive, he has to make himself become the man everyone else already thinks he is.

John Kendall knows how to survive. He's written six handbooks on the subject. Now he wants to become a novelist, preferably without starving to death. But when cold and hunger set in, Kendall impulsively accepts an unlikely job. He is to research and write a biography of Tremayne Vickers, a famous racehorse trainer. Staying at Vickers' home in rural Berkshire, Kendall soon learns to like his host and friends, learns to ride racehorses, learns about murderers ...