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Pretty Girls Make Graves

Dark Academia, Book 1

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Pretty Girls Make Graves

Auteur(s): Steffanie Holmes
Narrateur(s): Bridget Bordeaux
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À propos de cet audio

Don’t go outside on Devil’s Night.

I’m always the good girl. I never stand out. I follow the rules.

At Blackfriars University, there’s one whispered rule: Stay inside the night before Halloween. Hide under your blankets and hope the Orpheus Society isn’t the monster outside your window.

If they get you, you won’t just be humiliated. They’ll put you six feet under.

But I’ve screwed up.

I found bones in a shallow grave. Another good girl, just like me.

Now I’ll do whatever it takes to get to the truth.

I’ll catch the eye of the cruel aristocrat with a haunted gaze.

I’ll tempt the dark priest with forbidden tastes.

I’ll be their shameful little secret. Their plaything. Their sacrifice.

Maybe I don’t want to be a good girl anymore.

Maybe it’s time to break all the rules.

Pretty Girls Make Graves is a dark romantic suspense and part one of the Dark Academia duet. If you enjoy tales of clever heroines, ancient rites, secret societies, cruel princes and wicked priests, dusty libraries and decadent parties, twisted relationships and buried secrets, then prepare to enter the halls of Blackfriars University. You may not return.

©2021 Steffanie Holmes (P)2022 Steffanie Holmes Romance Suspense romantique Suspense
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Les plus pertinents
Honestly the narrator should be embarrassed by those attempts at English / Irish accents. At one point the narrator didn’t know whether the accent should’ve been cockney or northern - it was embarrassing. Also the author should’ve done some research on English idioms; no one in 21st century England talks the way the William or Monty did - the author should be embarrassed too.

Also, the FMC gets pissed on (literally) by a group of male bullies and she ends up falling for one of the participants - it’s pathetic. Idk why authors feel the need to write such pathetic FMCs. This ends in a cliffhanger and I doubt I’ll pick up book two.

embarrassing portrayal of 21st century England

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