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Reborn

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Reborn

Auteur(s): Seth Haddon
Narrateur(s): Gary Furlong
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À propos de cet audio

When the Rezwyn Empire mysteriously cuts diplomatic ties with the Kingdom of Usleth, merchant lord Oren Radek is sent to investigate. But when he discovers a coup brewing against the emperor, Radek's life and his country's safety is suddenly under threat.

Izra Dziove, visionary advisor to the Rezwyn Emperor, is trying to hold the turbulent Rezwyn court together while being plagued by dreams of his fated man. But when Izra's adversaries launch an attack on the diplomatic party from Usleth, he is forced to take action to protect them and prevent a war.

Forced to trust one another, both men must put aside their differences to save the future of both their nations, while also contending with the growing attraction between them—all while trying to understand their mysterious connection and the forces guiding their shared destiny.

Can their fated love change the destiny of nations?

Contains mature themes.

©2023 Seth Haddon (P)2024 Tantor Destin Fantastique Science-fiction et fantasy Épique Redevances Guerre
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The strength of this book is in the characters, but there's also some very strong worldbuilding going on and each of those elements does a lot to round out and enhance the other.
Izra and Oren have a nice playful dynamic. It's very "opposites attract" in a way that lets them soften each other out and they have some really wonderful dialogue together. The supporting characters are fantastic (I'm even more excited to spend time with Luan Zek in Reclaimed, now) and the standout for me is Izra's sister Odrika (Odriga? Audibooks sometimes lose spelling, alas). I also want to mention that playing with "fate" as a concept is a GAMBLE sometimes, either forcing down the stakes or making the characters feel impotent, but Reborn falls into none of those pitfalls. Lots of interesting lore going on, too. It was a really fun read.
Also - the audiobook performance is FANTASTIC. Gary Furlong doesn't just "do the voices" - there's really only about four accents between all the characters - he actually goes to the trouble of acting the dialogue, and tone is enough of an indicator of who's POV we're in in third person limited prose. Chef's kiss, beautiful work.

Very fun for also having big lore and drama

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