Page de couverture de Second Place

Second Place

A Novel

Aperçu

Obtenez gratuitement l’abonnement Premium Plus pendant 30 jours

14,95 $/mois après l’essai de 30 jours. Annulez à tout moment.
Essayer pour 0,00 $
Autres options d’achat
Acheter pour 25,63 $

Acheter pour 25,63 $

À propos de cet audio

Longlisted for the Booker Prize

On O, The Oprah Magazine’s list of 55 of the Most Anticipated Books of 2021

On a sun-soaked Parisian street, M, a mother on the brink of rebellion, wanders into a famous artist’s gallery show. The artist’s paintings speak—quite literally—to her, promising a liberation usually reserved for men. She returns to the coastal home she shares with her husband, but the unsettling impression of the art, and the evasive artist, remains. So she writes to him, inviting him to stay in their second place, a modest cottage salvaged from the land.

When historical catastrophe upends daily life, M’s daughter returns to the marsh, along with her prim, privileged boyfriend. The painter arrives too, accompanied by a lithe, cosmopolitan lover. As the couples become resigned to the perilous indoors, fissures form within the strange group. The painter’s quietly demonic presence wreaks havoc with M, plunging her into existential disarray. As secrets, alliances and private desires come to light, she is forced to choose between her deepest impulses: to comply or to rebel completely.

Like her acclaimed Outline trilogy, Rachel Cusk’s Second Place transcends its form. Inspired by Lorenzo in Taos, Mabel Dodge Luhan’s 1932 memoir about the writer D. H. Lawrence’s fraught visit to her communal property, the novel hovers between past and present, Gothic and contemporary, fable and truth—and continues to haunt us long after we’ve looked away.

Fantastique Fiction Fiction de genre Fiction littéraire Historique Effrayant
Tout
Les plus pertinents
In Rachel Cusk’s Second Place the reader is meant to explore notions of art, the artist, individuality and personal choice. The narrator’s voice was in the way filled with judgement toward characters and the author’s ideas. Also the voice acting was quite awful, especially the accents and tone.

Voice Ruins Personal Experience of Text

Un problème est survenu. Veuillez réessayer dans quelques minutes.