The 30 Greatest Orchestral Works
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Narrateur(s):
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Robert Greenberg
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Auteur(s):
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Robert Greenberg
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The Great Courses
À propos de cet audio
Over the centuries, orchestral music has given us a category of works that stand apart as transcendent expressions of the human spirit. What are these "greatest of the greats"? Find out in these 32 richly detailed lectures that take you on a sumptuous grand tour of the symphonic pieces that continue to live at the center of our musical culture. These thirty masterworks form an essential foundation for any music collection and a focal point for understanding the orchestral medium and deepening your insight into the communicative power of music. While seasoned music lovers will find the lectures a revealing journey through the repertoire, the course welcomes newcomers to orchestral music, offering a very accessible point of entry to this magnificent repertoire.
You'll encounter symphonies, concertos, tone poems, symphonic poems, and suites, delving into the works through extensive musical excerpts. The course covers the major eras and stylistic periods in Western music from the early 18th- to the mid-20th centuries and highlights a wide range of European and American works. Among these: Haydn's Symphony no. 104, Beethoven's Ninth Symphony, Stravinsky's The Rite of Spring, and Shostakovich's Symphony no. 5. Throughout these lectures, you'll learn about the major musical forms found in orchestral writing and how they're used in conveying expressive meanings. Knowing how these forms work allows you to grasp the structure of the music as you hear it, and also to appreciate how the greatest composers used them, extended them, and finally departed from them in sublimely original ways.PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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Poursuivre la série
Loved it start to finish
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Admittedly, I find Prof. Greenberg's overly chummy presentation style a little irritating, but you acclimatize quickly and his deep knowledge base more than makes up for it, nor do you need to listen straight through. Although the course is sequenced in a generally chronological order, there is no necessity to listen sequentially; each lecture is a free-standing unit and you can jump to whatever piece most interests you without fear of losing a narrative thread.
Each lecture provides biographical information about the composer, historical and cultural context when relevant, and a movement-by-movement breakdown of the piece under examination. Lengthy musical excerpts round out the lectures.
A great resource as you build out your classical library, and as a reference to return to when listening to any of these 30 pieces addressed in the series:
Vivaldi—The Four Seasons
Bach—Brandenburg Concerto No. 2
Bach—Violin Concerto in E Major
Haydn—Symphony No. 104
Mozart—Piano Concerto No. 24 in C Minor
Mozart—Symphony in C Major, “Jupiter”
Beethoven—Symphony No. 3
Beethoven—Piano Concerto No. 4
Beethoven—Symphony No. 9
Schubert—Symphony No. 9
Mendelssohn—“Italian” Symphony
Schumann—Symphony No. 3
Brahms—Symphony No. 4
Brahms—Violin Concerto
Tchaikovsky—Symphony No. 4
Tchaikovsky—Violin Concerto
Bedřich Smetana—Má Vlast
Dvořák—Symphony No. 8
Dvořák—Concerto for ’Cello
Rimsky-Korsakov—Scheherazade
Richard Strauss—Thus Spoke Zarathustra
Mahler—Symphony No. 5
Rachmaninoff—Symphony No. 2
Debussy—La Mer
Stravinsky—The Rite of Spring
Saint-Saëns—Symphony No. 3
Holst—The Planets
Copland—Appalachian Spring
Shostakovich—Symphony No. 5
Shostakovich—Symphony No. 10
Great introduction to core classical repertoire
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Opinionated and incorrect
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