In 1972, philosopher of science Thomas Kuhn threw an ashtray at Errol Morris. This book is the result. At the time, Morris was a graduate student. Now we know him as one of the most celebrated and restlessly probing filmmakers of our time, the creator of such classics of documentary investigation as The Thin Blue Line. Kuhn was—and, posthumously, remains—a star in his field and author of The Structure of Scientific Revolutions, a landmark book that introduced the concept of "paradigm shifts" to the larger culture. And Morris thought the idea was bunk.

The Ashtray tells why—and in doing so, it makes a powerful case for Morris's way of viewing the world, and the centrality to that view of a fundamental conception of the necessity of truth. "For me," Morris writes, "truth is about the relationship between language and the world: a correspondence idea of truth." He has no patience for philosophical systems that aim for internal coherence and disdain the world itself. Morris wants to establish as clearly as possible what we know and can say about the world, reality, history, our actions, and interactions. It's the fundamental desire that animates his filmmaking. Truth may be slippery, but that doesn't mean we have to grease its path of escape through philosophical evasions. Rather, Morris argues, it is our duty to do everything we can to establish and support it.