The City of Falling Angels
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Narrateur(s):
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John Berendt
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Auteur(s):
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John Berendt
À propos de cet audio
THE CITY OF FALLING ANGELS opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective--inquiring into the nature of life in this remarkable museum-city-- while gradually revealing the truth about the fire. In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking 'suicide' prompts his skeptical friends to pursue a murder suspect on their own; the First Family of American expatriates who lose possession of the family palace after four generations of ownership; an organization of high-society, party-going Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning each other's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others--stool-pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.
Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding to the elements of chaos, corruption and crime, and contributing to the ever-mounting suspense of this brilliant audiobook.
Bonus feature includes an exclusive interview with the author!©2005 High Water Incorporated; (P)2005 Random House, Inc. Random House Audio, a division of Random House, Inc.
Ce que les critiques en disent
Funny, insightful, illuminating . . . [Venice] reveals itself, slowly, discreetly, under Berendt's gentle but persistent prying. —The Boston Globe
Berendt has given us something uniquely different . . . . Thanks to [his] splendid cityportrait, even those of us far from Venice can marvel. —The Wall Street Journal
Berendt has given us something uniquely different . . . . Thanks to [his] splendid cityportrait, even those of us far from Venice can marvel. —The Wall Street Journal
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