Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

"Abandon all hope you who enter here." ( "Lasciate ogne speranza voi ch’intrate.") Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is led down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.

One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listen will reveal Dante's visual imagination and uncanny power to make the spiritual visible.

How should parents raise children, and how should schools educate children? Why are we attracted to things that are forbidden? What is time? How can we understand God, or the nature of evil? What is true friendship? To answer these questions, Professors Cook and Herzman look to the Confessions of St. Augustine of Hippo.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.

A BBC Radio 4 dramatisation of Milton's epic poem telling the story of the fall of man and also its sequel, Paradise Regained. First published in 1667, Paradise Lost describes Satan's plot to ruin God's new and most favoured creation, mankind, and recounts the temptation of Adam and Eve and their banishment from the Garden of Eden. Paradise Regained, published in 1671, tells of the temptation of Christ by Satan as he wanders in the wilderness for 40 days and nights.

Fr. Robert Barron's comprehensive work goes straight to the core of the Catholic faith. He first examines the foundations of Christ's incarnation, life and ministry, and then works through the essentials of the Catholic tradition: from sacraments, worship and prayer, to Mary and the saints, and on to salvation, heaven and hell. Throughout this epic journey, Fr. Barron uses art, literature, personal stories, Scripture, theology, philosophy and history to present a complete picture of the Church to the world.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people.

It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there lurked several rogue androids. Deckard's assignment: find them and then..."retire" them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

At the heart of these stories, as with all the best of Lovecraft’s work, is the belief that the Earth was once inhabited by powerful and evil gods, just waiting for the chance to recolonise their planet. Cthulhu is one such god, lurking deep beneath the sea until called into being by cult followers who – like all humans – know not what they do.

Paterson Joseph, John Hurt, Lesley Manville and Harriet Walter are among the cast of BBC Radio 4's epic full-cast dramatisation. Adapted for radio by Timberlake Wertenbaker, Leo Tolstoy's epic story follows the fortunes of three Russian aristocratic families during the Napoleonic War. First broadcast on New Year's Day 2015, the drama also features Alun Armstrong, Natasha Little, David Calder, Phoebe Fox, Sam Reid and Joanna David. Duration: 10 hours approx.