Florence, South Carolina 1944: Lieutenant Raymond Sellers bids farewell to his brother Jimmie, the weight of what lies ahead hanging heavy in the air. The brothers have always been inseparable—Raymond, the steady protector, Jimmie, the wild-hearted dreamer. But as Raymond embraces his pregnant wife Evelyn one last time, war is about to test the bonds of family in ways they never imagined. As a summer storm shakes the windows, Evelyn brings her baby into a world at war.

It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories. Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations.

Mary Mulligan has two problems: her wisdom teeth…and everything else. Her only daughter is moving overseas. Her husband would rather go golfing than spend time with her. And Mary’s left to wonder why she abandoned her career ambitions when loneliness is all she has to show for it. Plus her teeth really, really hurt. But that’s one problem she can fix—never mind the stories that say if she gets her wisdom teeth removed, the last thirty years of her life will be erased. In fact, Mary wouldn’t mind if the Mulligan curse were actually true.

A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

What does it take to escape the plotlines mapped onto us? Searching for clues in the work of her literary foremothers, Lipson untangles what it means to be a girl, a woman, a lover, a partner, a daughter, and a mother in a world all too ready to reduce us to stock characters.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

Gemma Guillory has lived in the Australian Outback enclave of Rainier her entire life. She knows the tiny, red-dust town’s ins and outs by heart, knows the people like they are her family, their quirks as if they were her own. She also knows her once charming town is now remembered for one reason and one reason only: three innocent people died there at the hands of a serial killer. The last stop on the Rainier Ripper’s trail of deaths fifteen years ago was her picturesque little tea shop.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

Kathryn Walker enjoys an enviable life. Her husband is an accomplished doctor, her children are bright and successful, and she devotes herself to charity work that uplifts her Suburban Colorado community. Settling into a new year, her life couldn’t be better. . . Until April.

Devon Mayes thought she was done with the small conservative town she once called home. She fled when she was eighteen after her best friend Summer took her own life, leaving Summer’s twin brother, Keaton, lost in his grief. But when tragedy strikes again, Devon has nowhere to turn but back to the place that first broke her heart. Being back in Arkana means struggling with the old guilt that shrouds her bisexuality and her feelings for Keaton. There’s so much she’s still hiding from him—and so much of their shared past that’s now resurfacing.

Deirdre Morgan is a Reconstructor working at the Rust-city Criminal Investigations Agency. She is one of the Touched, people with extrasensory perception serving society but always kept on the fringes, feared and mistrusted for what they can do. Deirdre has been transferred from one team to another, until she becomes a part of Agent Sebastian Cadwalder’s unconventional squad.

When buried bones are unearthed by a storm in North Yorkshire’s picturesque coastal town of Whitby, Black is drawn into an investigation that takes him back to the late eighties and the fiery demise of a popular pub. Frank is no stranger to vulnerability. With a shattered daughter, he lives with it. With an outsider in Detective Inspector Gerry Carver, he works with it. And in Charlotte Wilson, a young, eighteen-year-old musician discarded and buried near the old whalebones of Whitby, he recognizes it.

Magnolia "Mack" Bishop is staring down the barrel at single motherhood--thanks to an unsolicited personal picture her husband texted another woman that quickly went viral among every mom group in town. But she's determined to not let it distract her from the professional victory she's inches away from: securing Charleston's prestigious Historic Preservation Design Fellowship, the apple of every local designer's eye.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and her rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show—putting her teaching job at risk—and her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.