Underlake
A Novel
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Narrateur(s):
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Emma Ladji
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Leeanna Albanese
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Charles Linshaw
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Gail Shalan
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Auteur(s):
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Erin L. McCoy
À propos de cet audio
“In the vein of Margaret Atwood and Emily St. John Mandel, McCoy’s novel is a thoughtful, ethereal story that . . . feels as though it came from the eerie depths it describes.” —Booklist (starred review)
“Mesmerizing . . . Through lightless tunnels and shimmering pools . . . this book illuminates how faith, language, and truth can warp or sharpen under extraordinary pressure.” —Susanna Kwan, author of Awake in the Floating City
“Stunning . . . Achingly true to the human need for hope and forgiveness, Underlake reveals the greatest depths are within the human heart.” —Ron Rash, author of The Caretaker
Twelve years ago, Otta escaped her small town, determined to become a marine biologist. Now she’s returned, carrying the guilt of a friend’s disappearance during a deep-sea dive and unsure she’ll ever be able to dive again. Then a stranger, May, appears at her door, insisting that her daughter who ran away is under the nearby lake—alive.
It turns out the small-town legend is true: Three decades ago, the entire valley was flooded to build a dam, but the people who lived there refused to leave. These “refugees of a world obsessed with change” now inhabit an underwater realm. To find the missing girl, Otta and May come face-to-face with communities that have lived in isolation for decades, breeding extremes of delusion and nostalgia. As they push their bodies to the mortal limit, the women must confront the fear, control, and suspicion born of the misguided quest to construct a purer world.
Hypnotic and arresting, Underlake brings a poet’s attention to language, evoking the ethereal work of Marilynne Robinson, Lauren Groff, and Emily St. John Mandel and the imaginative brio of Margaret Atwood. In taking her place as a major new voice in American fiction, McCoy shrewdly explores the American obsession with land, inheritance, and race, asking what we cling to when the world changes—and who gets erased in the name of preserving it.
Ce que les critiques en disent
“Underlake is a novel of gorgeous, pressurized truth. Erin L. McCoy has brought all the layers of love and grief and history to bear, along with an astonishing virtuosity of language. There are images here I know I will never forget as long as I live.”
—Clare Beams, author of The Garden
“Eerie and mesmerizing, Underlake is a journey into the deepest recesses of American society and the human heart. Erin L. McCoy guides the reader through lightless tunnels and shimmering pools, charting an underwater world of communities living in extreme isolation. At each step, this book illuminates how faith, language, and truth can warp or sharpen under extraordinary pressure. This is a spellbinding exploration of the risks we take for love, reminiscent of the survival story in Women Talking and the labyrinthine mysteries of Piranesi. A breathtaking and unforgettable debut about what happens when the water rises and when the water runs out.”
—Susanna Kwan, author of Awake in the Floating City
“In this stunning debut, Erin L. McCoy has found another world beneath our own, where attempts to create a purer society inculcate the worst tendencies of what its inhabitants have disavowed. At times surreal but—from the beginning to its sublime last line—also achingly true to the human need for hope and forgiveness, Underlake reveals that the greatest depths are within the human heart.”
—Ron Rash, author of The Caretaker
“[Underlake is] beautifully written — Erin is a poet, and there is clenched music in every line — and constructs not just a story but a new, murky world.”
—Tom Junod, author of In the Days of My Youth I Was Told What It Means to Be a Man
“In the vein of Margaret Atwood and Emily St. John Mandel, McCoy’s novel is a thoughtful, ethereal story that sometimes feels as though it came from the eerie depths it describes. With flowing prose and an unflinching style, McCoy takes on the mystical ideas of the book as well as the harsh realities behind them, and the reader is given a gorgeously written novel on the power of religious fanaticism, familial love, and the responsibilities we carry in the face of tragedies we cannot control.”
—Booklist (starred review)
—Clare Beams, author of The Garden
“Eerie and mesmerizing, Underlake is a journey into the deepest recesses of American society and the human heart. Erin L. McCoy guides the reader through lightless tunnels and shimmering pools, charting an underwater world of communities living in extreme isolation. At each step, this book illuminates how faith, language, and truth can warp or sharpen under extraordinary pressure. This is a spellbinding exploration of the risks we take for love, reminiscent of the survival story in Women Talking and the labyrinthine mysteries of Piranesi. A breathtaking and unforgettable debut about what happens when the water rises and when the water runs out.”
—Susanna Kwan, author of Awake in the Floating City
“In this stunning debut, Erin L. McCoy has found another world beneath our own, where attempts to create a purer society inculcate the worst tendencies of what its inhabitants have disavowed. At times surreal but—from the beginning to its sublime last line—also achingly true to the human need for hope and forgiveness, Underlake reveals that the greatest depths are within the human heart.”
—Ron Rash, author of The Caretaker
“[Underlake is] beautifully written — Erin is a poet, and there is clenched music in every line — and constructs not just a story but a new, murky world.”
—Tom Junod, author of In the Days of My Youth I Was Told What It Means to Be a Man
“In the vein of Margaret Atwood and Emily St. John Mandel, McCoy’s novel is a thoughtful, ethereal story that sometimes feels as though it came from the eerie depths it describes. With flowing prose and an unflinching style, McCoy takes on the mystical ideas of the book as well as the harsh realities behind them, and the reader is given a gorgeously written novel on the power of religious fanaticism, familial love, and the responsibilities we carry in the face of tragedies we cannot control.”
—Booklist (starred review)
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