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 Earlier this year, author Amy Tan sold her personal archives — 62 boxes worth — to the University of California, Berkeley. When Shin Yu heard the news, she knew she wanted to hear Amy’s thoughts on literary legacy and the stuff she was stashing in her garage. What were the most important things to her to preserve? How did she deal with the discomfort of excavating decades of emotional memory to finally allow herself to let go of control? And what does it mean to her that she’ll be studied by scholars and students, and legions of fans who may be searching for the real Amy Tan?

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