Simon Morris looks at three films that use comedy in different ways to make a point – the divorce comedy The Roses, a film about a traumatic event, Sorry, Baby, that uses humour as a healing tool and French farce How To Make A Killingwhich uses comedy to make you laugh!

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How To Make A Killing sees Laure Calamy (Call My Agent) caught up in a tangle of gangsters, refugees, a big bundle of money – and a gigantic black bear. French farce at its most farcical – and French. See you at the Swinger’s Club on Thursday!

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Sorry, Baby was a big hit when it debuted at Sundance – the story of a young woman getting over a traumatic event. Star, writer and director Eva Victor had never made a feature film before. Produced by Barry Jenkins (Moonlight).

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The Roses is a gentler remake of the pitch-black Eighties divorce comedy The War Of The Roses. But stars Olivia Colman and Benedict Cumberbatch turn out to be worthy successors. Directed by Jay Roach (Meet the Fockers).

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The Ballad of Wallis Island is a British charmer about a lonely millionaire who just wants to put his favourite folk duo back together. His solution? A reunion concert for an audience of one. Starring and written by Tim Key (See How They Run), Tom Basden (After Life) with Carey Mulligan (Promising Young Woman).

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Workmates is the latest from husband and wife team writer-star Sophie Henderson and director Curtis Vowell. Can theatre best mates Lucy – Sophie – and Tom – Matt Whelan, get from the friend-zone to love?

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Simon Morris looks at three apparent romances, which all seem to ignore the usual rules. New Zealand comedy Workmates insists they’re just good friends, British music dramedy The Ballad of Wallis Island proves that band breakups aren’t good for love, while action thriller Caught Stealing is more interested in money than “boy meets girl”.

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Caught Stealing is a change in pace for ultra-serious director Darren Aronofski (Noah, Black Swan) – an action thriller, starring Austen Butler (Elvis), Matt Smith (Dr Who) and Zoë Kravitzn (The Batman).

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