In this podcast we discuss the music called plainchant or plainsong - what it is, how did it arise and what effect does it have? We discuss the modal nature of the music, possible links to earlier Jewish intoning and the importance of resonance in recording. Bernard describes his research project in which subjects record their responses, relating to memory, emotion and transcendence. Three short extracts of the recordings he used are included in the podcast and fuller versions can be accessed through the links below. Some results are included before a diversion into philosopher Vladimir Jankélévitch and and quantum time. To conclude, Bernard talks about ways in which his research could be developed, not least the involvement of brain investigation. For a readable thesis on an under researched subject check out the link below .

Participants:

Bernard Salter, retired Anglican priest, organist and post-doctoral scholar.

Ken Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.uk

Bernard's dissertation is here: https://etheses.dur.ac.uk/15491/

Vladimir Jankélévitch: https://en.wikipedia.org/wiki/Vladimir_Jank%C3%A9l%C3%A9vitch

A full version of plainchant sample A: https://www.youtube.com/watch?v=OvfjgSvq6KA

The full album 'Chant' by monks of Sana Domingo di Silo: https://www.youtube.com/watch?v=B3T8V-IM4Xk

A full version of plainchant sample C: https://www.youtube.com/watch?v=gZFaZWi2uSI

If you prefer female voices try this: https://www.youtube.com/watch?v=gn6gXCW_quc

Opening music: Prelude to the opera Brainland, composed by Stephen Brown.

Closing music: Introit for Christmas Day, from the album 'Chant' by monks of Sana Domingo di Silo, Spain.

Brainland the opera website: www.brainlandtheopera.co.uk

Sketch by KB.

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Joseph Beuys was a radical post-war German artist who worked in unusual media and in the 1970s developed the notion of ‘social sculpture’ based on the concept that everything is art and every aspect of life could be approached creatively. For episode 17 this season Hugh Rickards, a younger neuropsychiatric colleague from the English Midlands, read and discussed his essay 'The lost tribes of neuropsychiatry'. At the end of that Hugh asked if he could ask me about my experience of creating a neuropsychiatry service in the ‘80s and ‘early ‘90s, with the help of a lot of colleagues, in a National Health Service that didn’t know it needed one. When I left clinical practice I took a deep dive into contemporary art, discovered Joseph Beuys and realised that creative clinical work can also be viewed as a kind of art practice, a social sculpture'. We'd recorded that conversation and it is definitiely niche but, hey, this is Brainland...welcome to ‘neuropsychiatry after dark...'

Participants:

Hugh Rickards, Consultant and Honorary Professor of Neuropsychiatry, National Centre for Mental Health, Birmingham, UK. http//:www.birmingham.ac.uk/staff/profiles/clinical-sciences/Rickards-Hugh.aspx

Ken Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.uk

More about Joseph Beuys and 'social sculpture': https://www.tate.org.uk/art/art-terms/s/social-sculpture

Opening and closing music: Prelude to the opera Brainland, composed by Stephen Brown.

Brainland the opera website: www.brainlandtheopera.co.uk

Sketch by KB.

Hosted on Acast. See acast.com/privacy for more information.

In this podcast Kimberly Campanello, a poet, novelist and academic, talks frankly about her early onset Parkinson's disease and how this lead her to pursue her Italian roots in Puglia. On a visit there, to her great grandmother's village, she literally discovered Dante's 'Comedia', which she is currently 'reversioning' - a method that involves processing the original Italian, a range of translations and commentaries, plus her life experience, coloured by her condition. She discussed making creative use of the effects of Parkinson's and the beneficial effects of her writing on her motor function, similar to the benefits of walking on irregular surfaces. We discuss the recent remarkable finding that, not only does PD influence movement, but also use of language, and especially verbs (see the link to the paper below). Along the way Kimberly reads one of her poems based on a canto from Dante and extracts from her published and recently finished novel. We end with a reading from her current poetry collection. This is 'Brainland'! Grreat conversation.

Participants:

Kimberly Campanello, Poet, novelist and Professor of Poetry, University of Leeds. https://www.kimberlycampanello.com/

Ken Barrett, artist, writer and retired neuropsychiatrist. http://www.kenbarrettstudio.co.uk/

Kimberly’s published canti from her Dante versioning:

https://www.stillpointldn.com/articles/kimberly-campanello-two-cantos-from-this-knot/

https://www.pamenarpress.com/post/kimberly-campanello

https://blackboxmanifold.sites.sheffield.ac.uk/

https://www.poetryireland.ie/publications/poetry-ireland-review/back-issues/issue-144

The books discussed [Use the Words You Have (novel) & An Interesting Detail (poetry collection)]:

https://somesuch.co/shop/use-the-words-you-have-by-kimberly-campanello

https://www.bloomsbury.com/uk/interesting-detail-9781526690616/

Kimberly's recent and really interesting Parkinson's disease inspired poem 'Moving Nowhere Here' is here: https://www.youtube.com/watch?v=SzRJTZ2lHgU

Read Paradoxical Kinesia (short prose): https://checkout.somesuch.co/products/somesuch-stories-7

A paper on Parkinson's disease and use of language: file:///Users/kenbarrett/Downloads/Words_in_motion_Motor-language_coupling_in_Parkins-1.pd

Opening and closing music: Prelude to 'Brainland', the opera by Stephen Brown.

Brainland the opera website: www.brainlandtheopera.co.uk

Follow us us on Instagram:#brainlandcollective #brainlandthepodcast

Portraitsketch by KB.

Hosted on Acast. See acast.com/privacy for more information.