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Camille Miceli: From Chanel and Vuitton to a Pucci Revival

Camille Miceli: From Chanel and Vuitton to a Pucci Revival

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What does it really take to reinvent an icon without erasing its history? In this episode of Compelling, host Katy Wellesley Wesley speaks to Camille Miceli, Artistic Director at Pucci, about how she is reimagining one of Italy’s most recognisable maisons for new generations. From a childhood spent between fashion shoots with her stylist mother, to observing glamorous dinners that her parents hosted; to formative years at Chanel with Karl Lagerfeld and then Louis Vuitton with Marc Jacobs, Camille traces a career shaped by curiosity, mentorship and risk‑taking rather than rigid planning.She explains why she insists Pucci’s prints be redrawn by hand, how she has reduced the calendar to two tightly edited collections a year, and why “Pucci imperfection is perfection” when it comes to human touch in design. With luxury fashion under increasing scrutiny for its environmental impact and overproduction, her choice to focus on made‑in‑Italy craftsmanship, small circuits and minimal waste offers a quietly mindful model for sustainability at the top end of the market. This is a generous, candid conversation about joy, discipline and building a living archive that still feels irresistibly new.“Yvan’s dinner” as mentioned by Camille and Katy as the place they had recently met, was at their mutual friend Yvan Benbanaste’s at Society Room - Yvan is a sensational designer of men and women’s wear - offering fully or semi-tailored clothes. (00:00) - Welcome to Compelling (00:52) - Introducing Camille Miceli and Pucci (02:21) - Growing Up Between Fashion and Art (04:08) - First Internships and Lessons from Azzedine Alaïa (07:00) - Chanel, Press Offices and Learning the Business (13:01) - Moving to Louis Vuitton and Discovering Creative Direction (22:20) - Returning to the Pucci Archive (23:31) - Why Pucci Imperfection Is Perfection (26:00) - Rethinking Seasons, Waste and Sustainability (29:46) - Understanding the Pucci Client and Resort Life (37:09) - Building Collections Through Prints, Colour and Silhouette (38:53) - Community, Teamwork and Leadership at PucciCamille Miceli: After an internship with Alaïa at the end of her studies, Camille began her career in 1989 working in public relations at Chanel. In 1997, Camille joined Louis Vuitton as RIW Communication Director, and 2002, she became Fashion Jewelry Creative Director & Fine Jewelry Consultant. In 2009, she was appointed as Creative Director for Fashion Jewelry and Creative Consultant for Leather Goods at Christian Dior Couture. Since 2014, Camille has held the position of Accessories Creative Director at Louis Vuitton. In 2021 she joined as Artistic Director at PUCCI. "A new journey" is how Camille Miceli defines the House's new direction, focusing on a modern way of thinking, living, and moving - well beyond style. She reinvents an ultra-contemporary way of dressing in the spirit of the House.Visit PucciKaty Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris six years ago, Katy developed a strong interest in the intersection of art and luxury. To deepen this focus, she recently completed an Executive Master’s in Luxury Management and Design Innovation, a joint program between ESSEC Business School and Parsons School of Design. She now works as a consultant to brands, artists, foundations, and collectors. Among her clients is the legendary art publisher Cahiers d’Art, where she heads Commercial Partnerships.Compelling is proudly in partnership with Cahiers d’Art.Compelling is produced in collaboration with Cahiers d’Art, the iconic Paris-based art publisher founded in 1926, home of the Catalogue Raisonné of Picasso and most recently the Frank Gehry Drawings Catalogue Raisonné. At the heart of it's publishing program is the Cahiers d'Art Revue, one of the most significant and longest-standing annual art publications of the last century. In 2026, Cahiers d’Art will celebrate its 100th anniversary with a series of major publications, projects and exhibitions in collaboration with leading global institutions, including the Peggy Guggenheim Collection in Venice, the MoMA in New York City and the Musée Picasso in Paris.Visit Cahiers d’ArtArt direction by Eddie Harrop StudioWebsite and Production by Story Ninety-Four
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