“The best form of marketing is just producing more work—because you never know when the next idea will catch fire.” —Joe Hart

Joe Hart is the Edgar Award-winning and Wall Street Journal-bestselling author of seventeen novels, dozens of short stories, and several novellas. His work has been translated into eight languages and optioned for film. His latest novel, WYNDCLYFFE, was just released earlier this month.

Among other things, Joe and Carter discuss the importance of word-of-mouth for book sales, why dark thrillers have been so successful lately, and writing strong protagonists who aren’t boring. At the end of their conversation, they make up a suspenseful story using a line from Karen Slaughter’s This Is Why We Lied.

“The desire was always there, but the drive wasn’t. I allowed other things to interfere instead of saying, ‘This is something you really want to do.’" —Dwayne Goetzel

Dwayne Goetzel is a lawyer who specializes in trademarks, domain names, copyrights, licensing, and litigation relating to those fields. He is an attorney, father, writer, and someone who’s navigated several career choices. He has written nine novels.

Among other things, Dwayne and Carter discuss continuing writing during publishing struggles, the value of being a part of the writing community before being published, and copyright as it relates to authors. At the end of their conversation, they make up an unpredictable story using a line from Mark Bowden’s Black Hawk Down.

“It was the craziest overnight five-year success story ever.” —Leigh Dunlap

Leigh Dunlap went to film school at the University of Southern California to study screenwriting, which led her to a job selling socks at Fred Segal and eventually to an assistant’s desk at a Hollywood talent agency. That’s where she really learned how to write—while reading hundreds of scripts sent in for actors. Her first screenplay, A Cinderella Story, with Hilary Duff, was made by Warner Brothers. Since then, Leigh has written two other movies (The Standoff and 16-Love) that were produced. Bless Your Heart is her debut novel.

Among other things, Leigh and Carter discuss gaining experience by working at a talent agency, changes in writing during the pandemic, and writing scripts versus novels. At the end of their conversation, they make up a brief story using a line from Michelle Jabes Corpora’s His Face is the Sun.

“I don’t know what it’s about until it’s done—and sometimes it’s on a shelf before I realize what certain things mean.” – Lori Roy

Lori Roy’s debut novel, Bent Road, was awarded the Edgar Allan Poe Award for Best First Novel by an American Author. Her work has been twice named a New York Times Notable Crime Book. Until She Comes Home was a New York Times Editors’ Choice. Let Me Die in His Footsteps received the 2016 Edgar Allan Poe Award for Best Novel, making Roy the first woman to receive an Edgar Award for both Best First Novel and Best Novel—and the third person to have done so. Gone Too Long was named a People magazine Book of the Week, and Lori was featured as an Inspired Woman by J Jill and Oprah Magazine.

Among other things, Carter and Lori discuss doing research to capture the accuracy of your setting, the benefits of maintaining social media presence, and interacting with readers in person. At the end of their conversation, they make up a great story using a line from Jess Lourey’s The Reaping.

Robert Bailey is the Wall Street Journal bestselling author of THE BOOMERANG, the Jason Rich series, the McMurtrie and Drake legal thrillers, the Bocephus Haynes series, and the inspirational novel, THE GOLFER’S CAROL. Robert’s novels draw inspiration from his decades as a civil defense trial lawyer in his hometown of Huntsville, Alabama. Robert obtained a Bachelor of Arts in History from Davidson College in North Carolina, and went to law school at the University of Alabama.

Among other things, Robert and Carter discuss learning to trust your editor, working as a lawyer while writing full time, and publishing struggles even after having published several novels, . At the end of their conversation, they make up a creative story using a line from Karen Slaughter’s This Is Why We Lied.

“There are no shortcuts, right? It doesn't matter what you're writing—you just have to do it.” — Mailan Doquang

Mailan Doquang is an architectural historian turned thriller writer. Mailan received her Ph.D. from the Institute of Fine Arts, New York University. She has published extensively on the art and architecture of medieval France, in addition to teaching at some of the top universities in North America. Her debut novel is BLOOD RUBIES.

Among other things, Mailan and Carter discuss Mailan’s transition from academia to writing fiction, learning to cut unnecessary words, and the imposter syndrome that emerges at writing conferences. At the end of their conversation, they make up a descriptive story using a line from Stephen King’s Desperation.

"The only way your journey in publishing ends is if you stop trying." – Kaira Rouda

Kaira Rouda is a USA TODAY, Amazon #1 and international bestselling author. She has worked in marketing, real estate, and other career fields, including being the society columnist for the Columbus Dispatch for ten years. Kaira’s work has been translated into more than a dozen languages. Three of her novels have been named Amazon Editor’s Picks, and her novels have won several awards, including Suspense Magazine’s Best Book of 2021 Award.

Among other things, Kaira and Carter discuss setting your novels in the suburbs, writing accurate portrayals of teenagers, and learning how to be proud of yourself and celebrating your victories. At the end of their conversation, they make up a twisted story using a line from Martin Edwards’ The House on Graveyard Lane.

"I just don’t buy into the whole failure thing—you either succeed or you learn." – Laura Resau

Laura Resau is the author of The Alchemy of Flowers, her debut novel for adults, and eleven acclaimed books for young people. Her books have won five Colorado Book Awards and spots on “best-of” booklists from Oprah, the American Library Association, and more. Trilingual, she’s lived in Provence and Oaxaca, and studied cultural anthropology and languages. She teaches graduate creative writing at Western Colorado University.

Among other things, Laura and Carter discuss how cultural curiosity sparks imagination, naiveté when finding an agent and editor, and navigating the realms of children’s/teen fiction and adult fiction. At the end of their conversation, they make up a tense story using a line from Ali Land’s Good Me Bad Me.