David Armstrong interviewed Golden Age great, Joe Simon in 1998 on set at San Diego Comic Con about his entry into Hearst comic strips in the 1930s, comic books in Funnies Inc and becoming Timely/Marvel Comics' first editor, meeting Jack Kirby at Victor Fox comics, Wonder Comics with Will Eisner's Wonder Man, Eisner and Iger's split, creating Captain America, leaving Timely for DC Comics, his relationship with Jack Liebowitz, Sandman & Boy Commandoes, his friend Charles Nicholas, Al Harvey, creating Romance Comics with Jack Kirby, their special contrast at Prize/Crestwood, leaving comic books and his encounter with Jim Steranko at the Harvey Thrillers line. Armstrong also interviewed Platinum and Golden Age superhero comic book medium cofounder, Vincent (Vin) Sullivan in 1998 on set at Long Island, New York about his beginnings as a sports cartoonist, entry into comic books with Major Malcolm Wheeler-Nicholson's New Fun comics, their bullpen, meeting Creig Flessel, distribution through Independent News, encouraging Bob Kane to create his superhero (Batman), working with Whitney Ellsworth, overseeing Jerry Siegel and Joe Shuster's early comics, editing Action Comics 1 with the first appearance of Superman, editing the covers of Adventure comics, his failed cartoon strip with Jimmy Durante, observing Donenfeld and Liebowitz's take over of the company, leaving DC to start Magazine Enterprises, his editor Ray Krank, international distribution, and looking back at the comic book industry 50 years later. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.

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In 1955, comic book companies were struggling to stay afloat after a rough five years of censorship, a changing readership, and the invention of television. During an editorial meeting at National Periodical Publications, somebody suggested bringing back the company’s superheroes. National settled on a redesign of an old character—The Flash—and the world would never be the same. This created Marvel Comics and the Marvel Age. Michael Lites, Bill Field, Alex Grand, Kevin Garcia, Flaming Carrot creator Bob Burden, and Philip Nelson (Nelco Comics) investigate how the reintroduction of this superhero became a smash hit and inspired a resurgence of imagination that saved the industry.

#dccomics #silverage #marvel #marvelcomics #stanlee #jackkirby #steveditko

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Panel description: Before Gotham had shadows, writer Bill Finger cast them. Comics scholar Alex Grand (*Understanding Superhero Comic Books*) moderates a lively conversation with Athena Finger (Bill’s granddaughter and advocate), historian Bill Field (Field of Comics), and playwright/filmmaker Leonard Schwartz (Bill Finger: Rise of the Bat), and now with Mark Evanier (Bill Finger Awards). Together we trace Finger’s career across comics, television, and film, and show why crediting Batman’s co-creator still matters to today’s storytellers and fans.

#Batman #DCComics #BillFinger #ComicBooks #ComicsHistory #Gotham
#BatmanCreator #Superheroes #ComicCon #ComicBookPanel

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Rob Liefeld returns to the CBH podcast talking about Youngblood hitting its stride, Extreme Studios becomes a hothouse of new series: Brigade, Bloodstrike, and nearly two dozen more, all while he mentors rising talents Dan Fraga, Norm Rapmund and more. Mounting costs inside Image spark sharp discussions with Jim Lee, Todd McFarlane, and Mark Silvestri, nudging Liefeld to open Maximum Press for experiments like Battlestar Galactica and Avengelyne. He talks about his exit from Image and his stint on Marvel’s Heroes  Reborn, where his Captain America made headlines amidst Marvel’s bankruptcy. Recharged, he launches Awesome Comics, partners with Alan Moore for an Award‑winning Supreme, and joins Golden Age legend Joe Simon to shield Fighting American in court. A family walk through Greek ruins now feeds the mythic spark in Cable, Deadpool, and their Fortnite cameos. Royalties still arrive, proof that owning your stories keeps the dream alive, which is a lesson his friend Robert Kirkman echoes with Walking Dead and Invincible.

#RobLiefeld #Youngblood #ExtremeStudios #ImageComics #CreatorRights #HeroesReborn #CaptainAmerica #MaximumPress #AlanMoore #Deadpool

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Alex Grand and co-host Jim Thompson interview Don McGregor on his career in a final fourth of a four parter discussing his work with Dean Mullaney at Eclipse, Ragamuffins, working at DC Comics with Nathaniel Dusk, Julius Schwartz, Dragonflame with David Anthony Kraft, work for hire with Marvel, Black Panther's Quest for Marvel Comics Presents, Detectives Inc sequel with Gene Colan, the Detectives Inc Movie, Topps, Zorro, Dracula, Jurassic Park, Golden Eye, Lady Rawhide, Tom Yeates, Ultimate Ragamuffins and beyond! Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Edited & Produced by Alex Grand.

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Alex Grand and co-host Jim Thompson interview comic writer Don McGregor, in a third parter on discussing Black Panther fighting the KKK, antagonism with editorial, Archie Goodwin & Jim Shooter, the personal issues he was dealing with in the middle to later 1970s that affected his writing output, writing Michael Golden's first Marvel work, Dagger, and Sabre with Eclipse. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Edited & Produced by Alex Grand.

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Ditkoverse publications are here: http://www.igg.me/at/ditkoverse1

Alex Grand speaks with Steve Ditko’s nephew, Mark Ditko, and longtime Ditko collaborator Mort Todd about their DitkoVerse publishing venture, a project dedicated to “remastering” and re-presenting classic Steve Ditko stories in high-quality editions . They describe their upcoming Indiegogo campaign, which kicks off a broader plan to keep Ditko’s independent work in continuous print leading up to what would have been his 100th birthday in 2027. The initial releases include Mister A—relettered and published in color for the first time—along with Fantastic Giants (featuring Charlton monster stories), Static (a superhero title), and a revised edition of Avenging World, Ditko’s philosophical opus. Mort Todd, who worked with Ditko as far back as the mid-1980s, explains the painstaking restoration process—cleaning up original black-and-white artwork, recoloring, and updating lettering in a way that stays faithful to Ditko’s intent. Mark emphasizes that the family’s focus is on honoring Steve Ditko’s desire to keep his work available and of high quality. The interview also touches on personal anecdotes—such as Ditko’s private yet supportive nature—and highlights their shared commitment: all funds raised will go directly into producing and distributing further reprints and unreleased material so future generations can appreciate Ditko’s unique blend of storytelling, philosophy, and artistry.

00:00 Intro and greetings
00:28 Settlement with Disney
01:01 Receiving Legend Award
02:15 Launching DitkoVerse Project
03:46 Mort Todd involvement
05:02 Why use Indiegogo
11:00 Exclusive fan rewards
11:37 Starting titles lineup
14:00 Avenging World spotlight
15:37 Restoration process details
16:16 Balancing family legacy
19:16 Beyond Marvel overview
22:43 Editorial approach discussion
28:00 Social media impact
31:00 Mort Todd anecdote
35:02 Mark Ditko anecdote
40:05 Indiegogo campaign info
01:00:48 Wrap up thoughts
01:03:00 End of interview

My book, Understanding Superhero Comic Books available at https://a.co/d/iIE3fWH .

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David Armstrong interviewed Golden Age great and Graphic Novelist, Will Eisner in 1997 on set at San Diego Comic Con about the early history of comic books, comic strip reprints, his entry into comics, WOW What A Magazine!, his partnership with Jerry Iger, the growing concept of early comic books with original material, starting the Eisner and Iger shop, partnering with Everett M. Arnold at Quality Comics on the Spirit Newspaper Insert, departing the Iger shop, serving in World War 2, its effect on his storytelling and starting PS Magazine. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.

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