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Craft and Chaos

Craft and Chaos

Auteur(s): TruStory FM
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A Weird Show for Weirdos Who Make Things How do you make art when the world feels like it’s on fire? Welcome to Craft and Chaos, the podcast for creative minds trying to thrive in the madness. Whether you write, paint, build, perform, or daydream ideas that keep you up at night, this show is your companion through the wild ride of making something out of nothing. Join Misty, Pete, Kyle, and Ryan — a ragtag team of creative types — as they dive into the joy, frustration, and beautiful mess of the artistic process. From the spark of inspiration to the reality of “I actually made this,” they’ll share honest stories, epic wins, total flops, and the weird, wonderful chaos that comes with being possessed by a new idea. This isn’t just about craft. It’s about surviving the noise, embracing your weird, and making cool stuff anyway. Wherever the strangest podcasts are found.©TruStory FM Art Sciences sociales
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  • Permission Granted: Skip the Hard Part and Come Back Later
    Jan 22 2026
    Look. We're back. New year. New host. And we opened the show with Ryan reading the dictionary definition of the word "we," which is either a bit or a cry for help — the line is thin and we're not here to judge. The point is: Mandy Fabian is here now, Misty is off surviving life at full speed, and we're all still pretending we know what we're doing creatively. (We don't. That's the show.)Here's the thing about creative work that nobody tells you until you've already panicked about it seventeen times: you don't actually have to know what happens next. The writers of Star Trek: The Next Generation — a show that ran for seven seasons and won actual awards — would literally write "tech the tech" in the script when they didn't have the specific quantum warp polaron nonsense figured out yet. Grey's Anatomy? "Medical, medical, medical." These are real strategies used by professionals who got paid. The details came later. The momentum mattered now. This is permission. Take it.We also answer a listener question that hits painfully close to home: what happens when you suddenly have all the time in the world to be creative and your brain immediately responds by doing absolutely nothing? Turns out "I can do anything" metabolizes into "I can't do anything" faster than you'd think.We talk egg timers, scheduled creativity, and why imposing fake limitations on yourself might be the only way to survive unlimited freedom. And then, because we are who we are, we spend the last chunk of the episode pitching wildly different plays based on the same prompt — a veterinarian's office, three actors, and the opening line "Do you want the honest version or the one that'll let you sleep tonight?" Somehow we ended up with alien kittens, a ketamine heist, and a sentient skin rash that makes people act out telenovelas. This is the show. We're so glad you're here.Smart People Who Said Smart Things:Ronald D. Moore — The "tech the tech" guyShonda Rhimes — The "medical, medical, medical" queenMadeleine L'Engle — "Inspiration more often comes during the work than before it." Correct.Don Roos — Screenwriter behind the one-hour egg timer method: commit to one focused hour, let it grow if it wants toSteven Pressfield — Author of The War of Art, originator of "the resistance" as a concept for that voice in your head that tells you you're garbagePlaces That Let Creatives Do Weird Things on Deadlines:Muse Fest at Space 55 (Phoenix) — Nine muses, nine responses, one week, no stakes, maximum creativityPhoenix Theater's 24-Hour Theater Project — Kyle wrote a 15-page script overnight and it was about a sentient skin rash. We'll explain.Series Fest / Tribeca / Frameline — Festivals Mandy is submitting her pilot toProjects You Should Know About:StorySprawl — Pete's invite-only collaborative writing project where you never write what comes next, someone else does, and it's apparently liberating as hellYou Are Here — Mandy's indie TV pilot, shot micro-budget over three days. Coming soon?The Black Cape Saga — Ryan's upcoming words! Mark your Goodreads!Go Help Yourself — Misty's podcast. Still running. Go listen if you miss her. We do.Tools for People Who Need Structure:Obsidian — Kyle is migrating his notes here from Zoho Notebook and found a file from eight years ago that just said "This is where the good ideas go." Still waiting.The One-Hour Egg Timer Method — One hour. No phone. No errands. If it turns into three hours, great. If not, you did the hour. That's the whole thing. Sean Carlin has a good write-up here.Public Domain Watch (From the Fake Sponsor):Nancy Drew, Miss Marple, Sam Spade — All entered public domain January 2026. Do something interesting with them. Please. No more horror movies. (00:00) - Welcome to Craft and Chaos(02:45) - Creative Hijinks(23:00) - Sponsor: Jess Plus None • A Film by Mandy Fabian(27:03) - You Don't Have to Have All The Answers Right Now(44:12) - Listener Question(57:23) - "Sponsor:" Nancy Drew & The Public Domain(58:58) - When You Have No Time At All
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    1 h et 12 min
  • How to Kill Dynamic Ad Insertion with Kyle Olson, Pete Wright, and Horses
    Jan 14 2026

    In this Very Special Episode, it’s just Pete and Kyle pulling the curtain back on one of the show’s most reliably chaotic features: those “ads” that don’t so much sponsor the show as wander into it, sit down uninvited, and start making sustained eye contact. The spark is a listener question—who on earth is making these things?—and the answer turns into a funny, slightly unsettling tour of how Craft and Chaos builds its weird little universe without losing the thread of why it exists in the first place.

    What follows is less “inside baseball” and more “inside the raccoon’s head,” as they talk about the creative logic behind a recurring bit: how surprise keeps reactions honest, why the show’s structure makes the interruptions land the way they do, and how the team balances absurdity with affection so the joke doesn’t curdle into cynicism. It’s a conversation about craft, yes—but also about restraint, collaboration, and the particular joy of making something that’s small, strange, and clearly made by people with fingerprints.

    And if you’ve ever wondered why certain “sponsors” feel like returning characters, why others show up like weather, or why some interruptions feel suspiciously… polished… this episode gives you just enough context to appreciate the chaos more without robbing it of its best trick: catching you off-guard.

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    51 min
  • You Still Have a Tongue (But Not the Way You Think)
    Oct 16 2025
    It all begins — as so many creative disasters do — in a tavern. Not a real tavern, because this is 2025 and nobody can afford to drink anywhere that isn't their own kitchen. No, this is a fictional tavern, conjured by Kyle Olson in an attempt to make Dungeons & Dragons seem exactly as sophisticated as it actually is. And there they are: Pete Wright, sage of sighs; Misty Stinnett, who claims the episode title in minute five like a boss; and Ryan Dalton, wizard of words and human embodiment of, “I’m fine, actually." They're here to discuss beginnings — that thing you agonize over for weeks before giving up and starting with someone waking up in a daze. Misty brings the skull-cracking horror of Verity and the pajama-clad Celine Dion catharsis of Bridget Jones's Diary, proving you can pivot from blood spatter to "All By Myself" without a map. Ryan obsesses over The Dark Knight's opening heist with fantasy-football-lineup energy, then reads from The Gone-Away World about the irony of fire. Pete shows up with Blade Runner because of course he does, and Kyle brings Clive Barker's story about sentient, revolutionary hands, because every D&D party needs someone who makes everyone else wonder ...what?But this isn't just about great openings — it's about what happens when you hand your tender, unfinished creation to another human and they look you in the eye and say, "What if this took place in space?" Misty got that exact note on a script about Black backup singers in the 1960s civil rights movement. Space. Kyle once took script notes from a twelve-year-old. Pete has a "little red wagon of despair" full of projects he won't share because he's terrified of feedback. And Ryan — beautiful, unshakable Ryan — basically shrugs and says criticism can't hurt you... not like knives can. The takeaway? Feedback is brutal and necessary. Choose your readers carefully. Don't ask for notes from people who don't understand your medium. And for god's sake, don't take it personally when someone suggests your heartfelt drama should "maybe happen in space." They’re really saying that they want to be in space. It’s a them-problem.And then, because all good stories must end, they talk about endings. Misty's still haunted by Inception's spinning top (every other day). Pete defends Whiplash's nine-minute drum solo with pizza-topping-argument passion. Ryan ugly-cries over "My friends, you bow to no one" in Return of the King despite having seen it a hundred times. And Kyle drops the mic with Kurosawa's Yojimbo — a samurai stands in a street full of corpses and says, "Town should be a lot quieter now. I'll see ya," then walks off into the credits. It may be the most perfect mic drop in cinema.So here we are. The end of Season One. It started in a tavern and ends with the gang leveling up, earning a long rest, and reminding you to go make weird art. Start strong. Take your notes. Cry a little. Ignore the bad ones. Keep going. And when you reach the end, make it count. Now go. Make something strange. And whatever you do, don't let the hands win.Works Mentioned(In order of appearance, because we care about beginnings too)Verity by Colleen HooverBridget Jones’s Diary (2001)The Dark Knight (2008)The Gone-Away World by Nick HarkawayBlade Runner (1982)“The Body Politic” from The Inhuman Condition by Clive BarkerInception (2010)Whiplash (2014)The Lord of the Rings: The Return of the King (2003)The Night Circus by Erin MorgensternYojimbo (1961) (00:00) - Welcome to Craft and Chaos(02:16) - Beginnings(21:49) - "Sponsor" Clouds(22:56) - Taking Notes(01:01:06) - "Sponsor" Coalition of Procrastinators(01:02:26) - Endings
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    1 h et 16 min
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