Jake Tapper: bourbon on ice

Jake discusses his stint working for Hooters Restaurant, names the US President with the best sense of humor, names his favorite Eagle football player and why, describes how politics is a day-job that he leaves behind when with friends and family, confesses to the aggressive note he sent to his mother-in-law who is a fan of the Dallas Cowboys, reveals some Frank Sinatra stories, and shares a piece of advice for aspiring writers.

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Michael Connelly: Old Fashioned (2 1/2 ounces rye, bitters and sugar over large ice cube with cherry and orange peel)

Michael Connelly describes his first meeting with Clint Eastwood who was playing piano throughout their discussion of an upcoming movie project, reveals the biggest difference between working with Netflix and Amazon, remembers the strange and unsolved crime he witnessed when only 16 years-old that that helped inspire him to become a crime novelist, names the novels and movies that most influenced him, offers a terrific piece of advice.

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Michael Lewis: Sazerac (coat a chilled glass with absinthe, mix 2 1/2 ounces rye, sugar, bitters and chill with ice, add to glass with a twist)

Michael reveals an incredible professional connection with Steve Bannon, tells how he’s recently been in touch with Sam Bankman-Fried while SBF has been incarcerated, names the key ingredients he needs to have to make a great book, describes the reaction of his boss at Salomon Brothers when he was first working on Liar’s Poker and writing articles for the Wall Street Journal in the 1980s, determines who has committed the greater crime between Michael Milken and SBF, relates the filmmaking process for The Blind Side and The Big Short, and suggests which professional sports leagues you should own and which you should short.

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Cheryl Hines (dry vodka martini: 3 ounces vodka, dash dry vermouth, olives)

Cheryl names which actor should play her husband Bobby in an inverted version of Curb Your Enthusiasm, describes her most embarrassing audition ever (hint: involves a famous horror movie franchise and Michael Jackson), reveals her thoughts on religion and spirituality, offers her prediction whether Ethel Kennedy would have put down the current Kennedy civil war, muses whether this memoir will make anyone come to like her and Bobby more or less, casts the actors to play Trump, Vance, Biden, Harris, Waltz in the docudrama.

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Laura Dickerman: Last Word (1 1/2 ounces gin, 3/4 ounce green chartreuse, 3/4 ounce maraschino liqueur, 1/2 ounce fresh lime juice, Luxardo cherry)

Laura tells some George Plimpton stories from her days as an intern at the Paris Review that inspired, in part, her debut novel HOT DESK, discusses some of the important differences in the publishing world during the 1980s and present day, reveals that the idea for her novel was a sentence in an email from her editor/publisher brother, identifies her favorite books to teach her high school English classes, and shares 3 pieces of advice for anyone trying to write their debut novel.

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Ken Follett (champagne)

Ken names the #1 event in history that he wishes he could witness (hint: it occurred in 16th century London), declares the worst century in history to be alive, describes the secret door to his home library/office and the reason he uses three computer screens concurrently in his writing process, lists his favorite writers, and makes the offer to Taylor Swift and Travis Kelce that he and his rock band will play their wedding for free.

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Megan Abbott: gimlet (2 1/2 ounces gin, 1/2 ounce lime juice, dash simple syrup, garnish with lime wheel)

Megan names Detroit’s best quality, shares her love and analysis of the hard boiled crime fiction of Raymond Chandler and Dashiell Hammett, discusses the differences between writing for film and writing a novel, describes her first encounter with novelist James Ellroy, reveals her fandom of Dateline and Keith Morrison, and hints at some upcoming projects.

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Megan Marshall: Caipirinha (lime, sugar, cachaca)

Winner of the Pulitzer Prize for biography, Megan discusses the distinctions between biography and narrative history, her frustration with historical fiction that is irresponsible and inconsistent with the historical record, her own transition from poetry to biography and the mentors who helped along the way, the evolving notion of feminism, and her favorite book from childhood that she often rereads.

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