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What if a building could be more than an object on a pedestal and instead feel like a living character on screen? We sit down with two architectural filmmakers, Nikolas Struger from ravens At Odds and Veeral Patel who show how to move beyond glossy hero shots and capture the heartbeat of design: process, people, and emotion. From software and cycling photography to architecture practice and brand strategy, their varied paths lead to the same conclusion—storytelling is the missing bridge between architects, clients, and the public.

We unpack the craft behind compelling architectural film, starting with strategy. Short, vertical cutdowns can spark curiosity and build trust, while longer pieces on your site deliver depth and nuance. Preproduction is everything: treatments to align on tone and references, storyboards that map scenes to sun paths and locations, and schedules that protect the moments you can’t fake. On set, preparation meets improvisation as documentary instincts catch the unplanned gestures that make a space feel alive.

This conversation goes beyond formats to focus on value. Forget chasing view counts. Strong films create social proof, clarify process, and strengthen pitches by reducing perceived risk. We discuss budget tiers, when to choose interviews over pure visuals, and how music, sound design, or even silence can carry narrative. Nik and Veeral share examples of process-driven edits, client-led arcs, and long-form projects that track a home through years of delays, decisions, and everyday life—proof that architecture resonates most when it reflects human stakes.

If you’re tired of slick reels that say little, you’ll find practical guidance on planning light, collaborating with crews, and structuring stories that audiences remember. Subscribe, share with a colleague who needs a narrative upgrade, and leave a review telling us: which project in your world deserves a film—and why?

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A city can make you breathe easier—or grind your teeth—before you’ve even named why. We follow that feeling from a flimsy townhouse hinge to the rhythm of a street that forces a ute to crawl, exploring how materials, widths, and mixed uses quietly choreograph daily life. In this episode we pull apart modernism’s big promises, tip our hats to classical street smarts, and ask what a genuinely New Zealand urban vernacular might look like—one with corrugate, brick, and crafted facades that hold up to weather, touch, and time.

The heart of the chat is human-scale design. We talk walkability you can feel, where a tight lane and rougher surface set a natural speed limit, and where a dairy under a flat means your day stacks neatly without a dashboard. Medellín’s gondolas and covered escalators show how access can reverse decline when you cut the time penalty for the very people who make a city run. Christchurch’s rebuild sits in the balance: a missed chance for bold spines of transit and tighter hubs, yet proof that even partial wins matter when applied consistently. And yes, fares and parking prices quietly steer behaviour more than slogans ever will.

Inside the front door, priorities tell on us. The “double garage with everything” inflates into a third of a house, while the rooms we actually live in shrink. We argue for smaller, better spaces—nooks, ladders, odd corners that make memories—over storage for cars. Materials matter too: brick can beat timber on cost and presence, corrugate deserves a smarter role in city scales, and layered skins can bring the street back to hand-level detail. If there’s a takeaway, it’s this: design works when it speaks plainly to how people move, meet, and make a day. Subscribe, share with a city-loving mate, and tell us—what one change would make your street slower, safer, and more alive?

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When we consume architecture, which speaks louder - the frozen moment or the flowing narrative? This question sits at the heart of our fascinating conversation with Clare Chapman, editor of Home Magazine, and Simon Devitt, renowned architectural photographer.

Despite both guests being masters of still imagery, our discussion reveals how moving image is transforming architectural storytelling in ways that complement rather than replace traditional photography. As Simon eloquently explains, "Video kind of can mimic how the mind maps space, whereas stills can't really do that. But stills hold another power that video can't possibly entertain... allowing the viewer to use their imagination."

The conversation weaves through surprising revelations about how we consume architectural media today. While 6-second videos dominate social feeds, Home Magazine readers spend an astonishing 90 minutes with each issue. This paradox highlights our simultaneous hunger for both instant gratification and deep engagement with architectural stories.

We explore the power of client perspectives in architectural media, with both guests agreeing these authentic voices often communicate more powerfully than architects themselves. As Clare notes, hearing homeowners discuss their spaces creates "that emotional connection" that's difficult to achieve through professional commentary alone.

Perhaps most fascinating is the discussion around authenticity in an age of photorealistic renders. Simon observes that "we are starting to question is that real or is it not?" This has created new value for content that documents genuine, built work across multiple formats - something increasingly important as consumers become more sophisticated in their media consumption.

Whether you're an architect seeking better ways to communicate your designs, a media professional navigating changing platforms, or simply someone who appreciates thoughtful discussion about how we experience buildings, this episode offers valuable insights into the evolving language of architectural representation.

Subscribe to the Design Principles Pod for more conversations exploring the intersection of design, media, and technology in our built environment.

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The path to finding your architectural voice isn't a straight line—it's a series of experiments, failures, resets, and breakthroughs. Sam Brown, founding director of Arête Architects, takes us on a candid journey through his evolution as a designer and the growth of his practice.

Starting with foundational experiences at Victoria University, Mason Wales, and Foster Melville Architects, Sam reveals how these early influences shaped his approach before launching his own practice in 2021. Rather than immediately establishing a signature style, Arête began with experimentation, allowing real-world projects to guide their development. The breakthrough came when budget constraints forced them to rethink conventional approaches, leading to a deep exploration of modular design using structurally insulated panels (SIPs).

What makes Sam's perspective particularly valuable is his willingness to recognize when a design direction has run its course. After successfully developing a family of modular projects—from the Restricted Section to The Dart—Arête deliberately sought new challenges rather than continuing to refine a proven formula. This strategic reset prevents creative stagnation and pigeonholing, allowing the practice to maintain versatility while building a diverse portfolio.

Beyond their bespoke work, Arête developed SIPtris, a series of high-performance modular homes available as products—asking what if warm, dry, energy-efficient homes weren't a premium option but the default for everyone? Throughout their various explorations, one principle remains constant: the integration of performance and aesthetics from day one.

Sam's approach offers a powerful metaphor: your design mind is like a muscle that requires varied exercise. By embracing experimentation, learning from failures, and knowing when to reset, architects can build practices that remain fresh, relevant, and deeply connected to both client needs and environmental responsibilities. What design muscle are you exercising today?

Video link with slides here - https://youtu.be/auPJcFL_FcM

https://www.aretearchitects.co.nz/

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Step into the revolutionary world of mass timber construction with our enlightening conversation featuring Jordan Robinson, Head of Business Development at X-Lam. What begins as a reunion of old architecture school friends quickly transforms into a masterclass on how engineered timber is reshaping our built environment.

Remember when timber was just for stick framing houses? Those days are rapidly disappearing as Cross-Laminated Timber (CLT) and other mass timber products demonstrate capabilities that rival—and sometimes surpass—traditional concrete and steel construction. Jordan walks us through the remarkable journey of how small pieces of timber, often considered waste in conventional lumber processing, are transformed into structural panels capable of supporting buildings up to 10 stories tall.

The conversation shatters common misconceptions about timber construction. Far from being a fire hazard, mass timber chars at predictable rates, allowing engineers to design for specific fire ratings. And while acoustic performance requires thoughtful detailing, solutions exist that make timber buildings comfortable for occupants. Perhaps most surprising is the sustainability story—from the manufacturing process that utilizes timber offcuts to the carbon sequestration benefits, mass timber offers a compelling alternative to high-carbon materials.

What truly captivated us was learning about the seamless integration between digital design, manufacturing, and construction. The ability to model a structure digitally, send the files directly to CNC machines, and then rapidly assemble precision-cut components on site represents a fundamental shift in how we approach building. As Jordan aptly put it, "You can build ball gowns or you can build T-shirts with timber"—meaning the technology supports both stunning showcase projects and practical everyday applications.

Ready to reimagine what's possible in construction? Whether you're an architect, builder, developer, or simply curious about sustainable building practices, this episode offers valuable insights into a material that's been used for millennia but is now being deployed in revolutionary new ways. Join us as we explore how mass timber might just be the future of architecture in New Zealand and beyond.

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The seemingly effortless elegance of minimalist architecture masks the extraordinary attention to detail required to achieve it. Tom Seear-Budd and James Ross, founders of Wellington-based Seear-Budd Ross Architects, pull back the curtain on this process, revealing the meticulous thought behind their refined residential designs.

Having established their practice nearly six years ago after departing larger commercial firms, the pair sought greater autonomy and the opportunity to create more intentional, considered work. What began with barely a month's worth of projects ahead has evolved into a respected studio known for exceptionally clean architectural expressions. Their journey reveals the challenges and rewards of maintaining design integrity while building a sustainable practice.

At the heart of their approach lies an almost obsessive consideration of proportion, light, and spatial choreography. Tom and James share fascinating insights into their design process – from spending days on site imagining how residents might move through spaces, to debating whether rooms can "handle" 300mm versus 250mm floorboards. In one project, they aligned every element in a hair salon to the 105mm floor tile module; in another, they meticulously planned how to choreograph a visitor's experience of views, revealing them gradually rather than all at once.

The conversation explores how their thoughtful approach to openings (preferring fixed glazing with minimal frames over complex systems), material selection (favouring harmony over contrast), and spatial division (intuitive separation of public and private realms) creates buildings of quiet confidence. They emphasise that while their work has gravitated toward higher-end residential projects, their core design principles can be applied at any scale or budget – proving that good architecture isn't necessarily about expensive materials, but thoughtful application of universal principles.

For those interested in establishing their own architecture practice, Tom and James offer valuable insights from their journey – from the importance of brand integrity and mentorship to their strategic use of high-quality renders for communication and marketing. Their story demonstrates that building a distinctive architectural voice requires not just design talent, but persistence, strategic thinking, and occasional financial sacrifice in service of long-term vision.

Want to see more examples of architecture that demonstrates how simplicity often demands the greatest precision? Follow the Design Principles podcast for conversations with leading practitioners who are shaping our built environment through thoughtful, intentional design.

Episode cover image provided by Seear-Budd Ross.

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What happens when steel becomes soft? When industrial materials take on organic forms? In Gerard Dombrowski's debut solo exhibition "Inflation" at Season Aotearoa Gallery, steel transforms into something unexpectedly fluid and inviting.

We turn the microphone on our own Gerard Dombrowski as he shares the journey behind creating "Inflation"—a collection of hydroformed steel objects that challenge our perception of what's possible with metal. The exhibition features approximately 19 pieces, including wobbly vases, rocking chairs, and cushion-like forms, all arranged as a garden-like landscape visitors can explore.

The conversation dives deep into Gerard's technique of hydroforming—welding steel shapes together, connecting a tap, and using water pressure to expand the metal outward into organic, bulbous forms. It's a process that combines precision with chance, creating objects that appear impossibly soft despite their metallic composition. The rocking chair stands out as a particular achievement: a hydroformed cube with natural roundness that creates a functional rocking motion, complete with cushions and surprisingly comfortable seating.

What makes this exhibition particularly fascinating is Gerard's background in architecture and how it influences his artistic practice. The conversation follows his ambitious vision to scale up the hydroforming technique to create actual buildings—a hydroformed shed as proof of concept, potentially leading to larger structures. This cross-pollination between art and architecture demonstrates how creative experimentation in one field can generate innovative approaches in another.

Beyond the technical aspects, Gerard reveals how the exhibition came together through spontaneous creation rather than detailed planning—a month of "full send in the workshop" that nearly resulted in physical collapse from exhaustion. His story reminds us of the intense physical and mental demands of bringing creative work into the world, especially when pushing the boundaries of materials and processes.

Check out "Inflation" at Season Aotearoa Gallery in Auckland before July 12th, and experience these remarkable objects that blur the boundaries between art, design, and architecture. Sit in the rocking chair, observe the garden of steel flowers, and glimpse a potential future where our buildings might take on unexpectedly organic forms.

Key Links:

• https://www.seasonaotearoa.com/
• https://www.gdw.nz/menu
• https://artfair.co.nz/2025/07/02/meet-the-artist-gerard-dombroski-season/

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Ever wondered what architects mean when they talk about "programme"? In our latest deep dive, we crack open this fundamental concept that shapes everything from the tiniest apartments to sprawling civic buildings.

This episode begins with a seemingly simple question: what exactly is program in architecture? We explore how program operates simultaneously at multiple scales—a house within a street, a road within a city—creating nested relationships that influence design decisions. Through examples like OMA's Seattle Library with its stacked functional boxes unified by a faceted glass facade, we see perhaps the most literal translation of program to architectural form.

The conversation weaves through bubble diagrams (an early design tool), form following function (or is it the other way around?), and experimental approaches that challenge conventional spatial definitions. Gerard shares several fascinating concepts including his "advent calendar house" where floor hatches reveal different functional spaces beneath. We discuss how regulatory constraints and client expectations often limit such experimentation, particularly in residential contexts, while highlighting how program innovation frequently emerges most powerfully in constrained circumstances like tiny houses.

What makes this exploration particularly valuable is recognizing that program isn't just a technical exercise but a powerful design driver. By thinking creatively about how spaces function, relate, and transform, architects can create more compelling environments without relying solely on expensive materials or dramatic forms. Whether you're designing your own space or simply curious about how buildings work, understanding program reveals architecture's deeper purpose: creating meaningful human experiences through thoughtful spatial relationships.

Listen now and you'll never look at a building the same way again. Have you encountered spaces with particularly brilliant programming? We'd love to hear about your experiences in the comments!

Chapters:

• 0:00 - Introduction to Understanding Program
• 9:42 - Defining Program: Bubble Diagrams & Form
• 19:46 - Program as Architecture: Notable Examples
• 29:55 - Form Follows Function: Design Approaches
• 39:54 - Reinventing Walls: Alternative Spatial Definitions
• 48:05 - Program Innovation: Experimental Dwellings

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