Delicatessen (1991) is one of the most unique dystopian films ever made. It is a dark comedy set in post‑apocalyptic France where a butcher feeds tenants human meat to survive. In this episode, we unpack the film’s surreal humor, its commentary on factory farming and routine, and why Jean‑Pierre Jeunet’s vision feels disturbingly relevant in 2025.

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In this episode, we dive into Ursula K. Le Guin’s haunting short story The Ones Who Walk Away from Omelas, a philosophical parable that poses a chilling moral dilemma: would you accept a perfect society if its happiness depended on the suffering of a single child? We unpack the story’s allegorical power, exploring themes of utilitarianism, complicity, scapegoating, and moral courage. Why do some stay? And why do others walk away? Join us as we confront the uncomfortable questions Omelas asks—and what our answers say about us.

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This week on Dystopedia we unpack White Bear, one of Black Mirror’s most disturbing episodes. At its core, it asks uncomfortable questions: Do we mistake revenge for justice? Why are we so fascinated by punishment and true crime? And what does it say about us when cruelty becomes entertainment?

We break down the illusion of justice, the disproportionate nature of punishment, and the uncomfortable pleasure audiences take in watching others suffer.

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In this episode, we dive into Demolition Man — the 90s cult classic where dystopia wears spandex and punches through walls. Behind the explosions, one-liners, and Taco Bell or Pizza Hut supremacy lies a surprisingly sharp critique of sanitized society, state control, and the cost of peace through conformity. We unpack how this B-grade action flick satirizes political correctness, surveillance culture, and the erasure of individual freedom — all while Stallone and Snipes chew the scenery like it's freeze-dried steak. Is Demolition Man a dumb movie with smart ideas, or a smart movie pretending to be dumb? Tune in as we crack open the cryo-pod and find out.

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This week, we dive back into the world of Harlan Ellison to explore the sharp, strange, and often overlooked short story Repent, Harlequin! Said the Ticktockman.

It’s a punch in the face, but that’s the point.

In this episode, we ask: When did time become money? Can structure and critical thinking coexist? And what happens when being late becomes a crime?

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This week on Dystopedia, we’re going back to 1948 to look at Shirley Jackson’s chilling short story, The Lottery. It’s deceptively simple, and that might be the scariest thing about it. A tale about tradition, obedience, and the quiet horror of just following the rules. It’s uncomfortable, unsettling, and leaves you wondering what we’re all capable of under the right circumstances. We’ll dive into Cold War paranoia, women’s inequality, human psychology, and the disturbing comfort of just doing what we’re told.

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In this episode, we journey through the haunting wasteland of The Road—Cormac McCarthy’s Pulitzer Prize–winning novel and its stark film adaptation. We explore the bleak and brutal world McCarthy creates, where civilization has collapsed, hope is scarce, and survival comes at a heavy moral cost. From the ash-covered landscapes to the unflinching depictions of violence, isolation, and love in the face of extinction, we unpack the novel’s darkest themes. How does The Road confront us with the fragility of humanity? What does it say about parental love in a world without a future? Join us as we walk the path of despair, resilience, and the faint glow of a fire still carried.

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In this episode, we slip on the sunglasses and see the world as it really is in John Carpenter’s They Live — a cult classic that mashes up anti-capitalist dystopia with cheesy one-liners and 80s action flair. We break down the film’s sharp social commentary on consumerism, class control, and media manipulation, all wrapped in the glorious absurdity of a B-grade sci-fi beatdown. From six-minute alley fights to secret alien cabals, They Live might just be the smartest dumb movie ever made. Tune in as we explore what makes this film a timeless piece of rebellious pulp cinema.

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