Épisodes

  • Guthman Competition Winners 2025

    Guthman Competition Winners 2025
    May 29 2025
    Nick Rothwell is joined by Jeff Albert, Associate Professor at Georgia Tech, and Paul McCabe, Senior Vice President of Research and Innovation at Roland, to discuss the 2025 Guthman Musical Instrument Competition - an annual event showcasing new technologies and innovations in music.Chapters00:00 - Introduction01:10 - Jeff Albert And Georgia Tech05:02 - Paul McCabe And Roland's Future Design Lab10:17 - Judging The Guthman Competition12:06 - Getting Hands-On With The Instruments13:45 - Getting The Back Stories From The Creators 15:11 - A Wide Range Of Instruments And Technologies17:37 - Face-To-Face Demos And Performances18:45 - The Origins Of The Guthman Competition21:33 - The 2025 Winner: Chromaplane24:55 - 3rd Place: Adult Corythosaurus30:34 - How The Instruments Are JudgedThe Guthman Musical Instrument CompetitionThe Guthman Musical Instrument Competition began in 1996, founded by Georgia Tech alumnus Richard Guthman in tribute to his wife Margaret, a talented pianist. Originally a jazz piano contest, it grew steadily over a decade, drawing students from dozens of US states.As Georgia Tech's music landscape evolved, introducing a Music Technology Master’s in 2006 and launching the Georgia Tech Center for Music Technology in 2007, the competition shifted focus. In 2009, it was re-imagined as the Guthman Musical Instrument Competition, celebrating innovation in musical instrument design. Now an international event, it attracts inventors from across the globe. From experimental prototypes to market-ready products, entrants showcase their creations live, competing for recognition as the most groundbreaking idea in music technology.https://guthman.gatech.edu/Jeff Albert BiogAn Associate Professor and Interim Chair at Georgia Tech, Jeff Albert’s areas of research and creative practice include improvisation and interaction, jazz performance, performance paradigms for live computer music and audio production. He has performed in concerts and festivals in the U.S and throughout Europe, and contributed as a performer, producer, or engineer on over 60 recordings, including the 2017 Grammy winner for Best Traditional Blues Album. He has been named a Rising Star in the DownBeat Critics Poll and his album Unanimous Sources was named a Top 10 album of 2020 by Jan Garelick in the Boston Globe. Albert received his B.M. from Loyola University New Orleans, and his M.M. from the University of New Orleans. In May of 2013, he became the first graduate of the PhD program in Experimental Music and Digital Media at Louisiana State University, where he was a founding member of the Laptop Orchestra of Louisiana (LOLs).https://jeffalbert.com/Paul McCabe BiogPaul McCabe is the Senior Vice President of Research and Innovation at Roland, where he has spearheaded the development of the Future Design Labs. Under his leadership, this global R&D team of engineers and researchers has been dedicated to exploring and harnessing emerging trends, fostering innovation, and shaping the global creative landscape for the next 50 years. In addition to his work at Future Design Labs, Paul also brings his expertise to Roland's Central Marketing Group, where he provides executive leadership to Consumer Research and Insights. Throughout his career, Paul has held numerous leadership positions, including VP of R&D and Strategic Partnerships, VP of Global CX and VP of Global Marketing. At Roland Canada, he served in various key roles such as President & CEO, COO, Product Manager, Marketing Communications Manager, Technical Marketing and Product Specialist.https://mccabepaulj.com/https://www.instagram.com/mccabep/Nick Rothwell BiogNick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul / Kapadokya), Shobana Jeyasingh, AWA Dance, Luz&Mannion Dance (Flamenco) and Undercurrent Theatre, programmed physical media sculptures with Simeon Nelson and Rob Godman, live coded in Mexico and in Berlin with sitar player Shama Rahman, collaborated with the body>data>space collective in Prague, Paris and Dresden, written software for Studio Wayne McGregor, Beinghuman in Kathmandu, the Pina Bausch Foundation and Nesta's FutureFest, consulted for Tate Modern, and developed algorithmic visuals for large-scale outdoor projections in Poland, Estonia, the Cambridge Music Festival and Lumiere (London / Durham). He has taught design at CODE Berlin and currently runs the Computer Science undergraduate course at University of the Arts London.Project Cassiel - https://cassiel.comCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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    43 min
  • History Of Samplers

    History Of Samplers
    May 9 2025

    Oli Freke talks us through the history of samplers, from the introduction of the Mellotron in 1963, through to current day sampling software, while highlighting the golden era of sampling from the late 80s to early 90s.

    Chapters
    00:00 - Introduction
    01:08 - The Mellotron
    02:28 - Pre-Digital Samplers
    03:18 - Pierre Schaeffer And The Phonogène
    04:03 - Peter Zinovieff And EMS
    05:44 - The University Of Illinois' PLATO
    06:08 - Harry Mendell's Melodian
    07:21 - Wendel Sampling Computer
    08:29 - The Fairlight and Fairlight II
    15:20 - The Fundamentals Of Sampling
    19:43 - The Synclavier
    23:47 - Digital Delay Lines (DDLs)
    26:04 - EMU Systems Emulator
    31:01 - Ensoniq Mirage
    32:39 - Other Notable 1980s Releases
    34:46 - Akai S1000 and Roland S Series
    38:14 - Sampling And Legal Issues
    41:16 - Modern Day Sampling

    Oli Freke Biog
    Oli Freke is a London based musician, artist and author who has had a life-long passion for electronic instruments, synthesizers and electronic music. Currently working for the BBC, he has previously enjoyed success with electro band Cassette Electrik supporting the Human League on tour, written music for television and produced dance music since the 1990s.

    His Synth Evolution range of posters, celebrating the synthesizer and electronic music culture, launched in 2017 and led to the definitive, hand-illustrated book, ‘Synth Evolution: From Analogue to Digital (and Back)’, featuring every commercial synth of the 20th century.

    www.synthevolution.net
    www.linktr.ee/olifreke

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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    44 min
  • Martin Kohlstedt - Piano And Electronica

    Martin Kohlstedt - Piano And Electronica
    Mar 27 2025

    Composer, pianist and producer Martin Kohlstedt talks to Caro C about his approach to combining piano and electronic instruments, improvisation in the studio and on stage, plus the work he is doing to reduce the carbon footprint of touring.

    Chapters
    00:00 - Introduction
    01:42 - Combining Piano And Electronics
    05:10 - Organic, Improvised Performances
    09:29 - Incorporating The Voice Into Recordings
    10:23 - Favoured Hardware Choices
    12:56 - Touring Equipment
    15:54 - Selecting A Live Team
    17:10 - The Recording Process
    20:14 - Launching The Edition Kohlstedt Label
    23:39 - Film, TV and Other Commissions
    25:11 - The Process Of Collaboration
    27:14 - The Influenced Of Nature
    30:15 - Supporting Ecological Projects
    32:07 - Planning The Touring Schedule
    35:52 - Kinship With Other Artists

    Martin Kohlstedt Biog
    Martin Kohlstedt is a composer, pianist and producer known for his work in instrumental music and electronica. His albums, including Tag and Nacht, Strom, Ströme, Flur and Feld, along with their respective reworks, have earned international recognition and led to global concert tours.


    Kohlstedt’s music blends electronica with acoustic and analogue elements, incorporating classical piano, ambient sounds, field recordings, and score design. His work is characterised by the seamless integration of diverse influences and soundscapes. Whether performing at festivals, in intimate piano concerts, or creating movie scores, his music is dynamic and immersive, evolving in real-time during live performances.

    He describes his approach as modular composition, where his pieces are never fixed. Improvisation plays a key role in his process and he values audience interaction, the freedom to experiment and to collaborate with people, spaces and contexts. Throughout his career, Kohlstedt has worked with notable partners such as the Leipzig Gewandhaus Choir, artists like Douglas Dare and Sudan Archives and labels including Warner Classics. In addition to his own compositions, he creates music and scores for films, plays, podcasts and audiobooks. Kohlstedt also runs his own label, Edition Kohlstedt that supports a reforestation project near his hometown.

    https://martinkohlstedt.com/


    Caro C Biog
    Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.

    URL: http://carocsound.com/

    Twitter: @carocsound
    Inst:     @carocsound

    FB: https://www.facebook.com/carocsound/

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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    39 min
  • Robert Aiki Aubrey Lowe

    Robert Aiki Aubrey Lowe
    Feb 27 2025

    Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on.

    Chapters
    00:00 - Introduction
    01:35 - Finding A Musical Voice
    04:38 - Choosing Modular Synthesis
    10:18 - Avant Garde Artistry
    17:14 - Current Modular Setup
    23:19 - Other Favourite Modules
    28:11 - Composing For TV And Film
    34:03 - Combining Hardware And Software

    #morphagene #spectraphon #dxg #optomix #proworkout #arbhar

    Robert Aiki Aubrey Lowe Biog
    Robert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad.


    Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others.

    https://robertaikiaubreylowe.bandcamp.com/


    Caro C Biog
    Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.

    URL: http://carocsound.com/

    Twitter: @carocsound
    Inst:     @carocsound

    FB: https://www.facebook.com/carocsound/

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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    41 min
  • Tony Rolando - My Life in Modules

    Tony Rolando - My Life in Modules
    Jan 28 2025

    In this occasional series exploring modular synthesis and live performance, William Stokes talks to Tony Rolando, electronic musician and founder of modular company Make Noise. Tony talks about his beginnings in the industry and how Make Noise has relaunched in 2025 with a new team and a brand new module release, which he then showcases in an exclusive performance alongside four additional modules.

    Chapters
    00:00 - Introduction
    05:22 - Creating Social Media Posts
    12:10 - Recent Innovations In Modular
    14:02 - Revisioning Jettisoned Music Technology
    21:08 - Module 1: Maths
    30:17 - Module 2: Morphagene
    47:42 - Module 3: Qpas
    57:57 - Module 4: Bruxa
    01:12:52 - Module 5: New Universal Synthesizer System
    01:27:40 - The Performance

    Tony Rolando Biog
    Tony Rolando is a self-taught musician and electronic musical instrument designer who started his career building electronics for artists, such as the light controlled mixer for Simon Lee’s “Bus Obscura,” working for Moog Music and playing in bands. He has recently released music with Important Records and the Asheville, NC based Ceremony of Seasons.

    Tony is the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008, known for modules such as the Morphagene and 0-Coast, popular with artists like Thom Yorke and Robert Lowe, aka Lichens. They operate out of Asheville, NC and have global distribution through a number of music tech dealers.

    https://tonyrolando.bandcamp.com/
    www.makenoisemusic.com

    William Stokes Biog
    William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more.


    As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom.


    Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.”


    Stokes currently lectures in Music Production at City, University of London.


    https://www.vokagentle.com/


    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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    1 h et 38 min
  • Emulator II 40th Anniversary

    Emulator II 40th Anniversary
    Dec 17 2024
    In celebration of the 40th anniversary of the groundbreaking E-mu Systems Emulator II sampler, Dave Rossum, Kevin Monahan and Paul Wiffen share inside stories of the development and manufacture of the instrument, their struggles to get around the technological limitations of the time and how the instrument was widely adopted by bands, artists and pop culture.Chapters00:00 - Introduction01:50 - The Origins Of The Emulator03:59 - The E-mu Name 04:57 - Kevin's Background08:09 - Paul's Background11:19 - The Motivation For Creating Emulator II 16:26 - Specific Challenges25:19 - The Challenges Of Adding Hard Drives30:35 - How Did The Iconic Industrial Design Come About?35:11 - Having Two Disc Drives 38:22 - How Artists Responded To The Emulator II46:46 - Using Sampling To Create Novelty Sounds 56:08 - Kevin's Contribution To Ferris Bueller's Day Off 57:37 - The Legacy Of The Emulator II And Sampling #EmulatorII #Drumulator #SP12"This is all part of musical creativity, which is what I love about my job so much, is that I get to be at the forefront of inventing these tools that then the musicians can go figure out what to do with and blow my socks off" - Dave RossumDave Rossum BiogDave Rossum is a pioneering figure in the field of electronic music and audio technology, celebrated as the co-founder of E-mu Systems. Rossum’s early interest in engineering and music led him to study at the University of California, Santa Cruz, where he developed a deep understanding of both electronic circuits and music theory.In 1971, Rossum co-founded E-mu Systems with Scott Wedge. Initially focusing on modular synthesizers, the company became a cornerstone of the burgeoning electronic music scene. Rossum’s technical brilliance was pivotal in designing groundbreaking instruments, including the E-mu Emulator, one of the first affordable digital samplers, and the E-mu SP-1200 drum machine, which played a critical role in the development of hip-hop and electronic music.Rossum’s work extended beyond instruments to innovations in sound synthesis and sampling technologies, many of which remain influential. After E-mu was acquired in the 1990s, Rossum continued to innovate. In 2016, he launched Rossum Electro-Music, a company dedicated to creating advanced modular synthesizer tools, such as the Morpheus filter and Assimil8or sampler, which appeal to contemporary electronic musicians.Renowned for his combination of scientific rigour and musical sensitivity, Dave Rossum is regarded as a visionary who helped shape the sound of modern music and remains an influential force in the industry.https://www.rossum-electro.com/ Kevin Monahan BiogKevin Monahan was a key figure at E-mu Systems, contributing to the company’s legacy of groundbreaking innovations in electronic music technology. Monahan played a pivotal role in the development and marketing of E-mu’s iconic products during the company’s peak in the 1980s and 1990s, helping bridge the gap between technical engineering and the creative needs of musicians.As a product specialist and public face for E-mu Systems, Monahan was instrumental in introducing instruments like the E-mu Emulator series, the SP-1200 sampler, and the Proteus sound module to musicians around the world. His deep understanding of the technology, combined with his ability to communicate its potential to artists and producers, made him a vital part of E-mu’s success in both the professional and consumer music markets.Beyond his technical expertise, Monahan’s passion for music and sound design made him a respected voice in the industry, helping to shape the culture and tools of electronic music during a transformative era. His contributions to E-mu’s success are remembered as an important chapter in the evolution of music technology.Paul Wiffen BiogPaul Wiffen is a renowned keyboard player, sound designer, and music technologist. With a career spanning decades, Wiffen has worked as both a musician and a consultant for leading synthesizer manufacturers, blending his technical expertise with a keen musical sensibility. At the height of the Emulator II's success, he was London's most prominent programmer of the instrument.As a keyboardist, Wiffen has collaborated with prominent artists like Paul McCartney and Peter Gabriel, as well as recording the bass line on the Band Aid single. As a sound designer he's been involved in several film scores, from Blade Runner with Vangelis to Jungle Fever with Stevie Wonder. His sound design work for manufacturers is equally notable —he played a significant role in programming and demonstrating groundbreaking synthesizers such as the Elka Synthex, OSCar and the Korg Z1, helping to shape the sound palettes of the 1980s and 1990s.Known for his engaging live demonstrations at trade shows and clinics, Wiffen has also been an advocate for electronic music technology, helping musicians unlock the potential of new instruments and old.Rob Puricelli BiogRob Puricelli is a Music ...
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    1 h et 9 min
  • Suzanne Ciani: Space, Time and Buchla

    Suzanne Ciani: Space, Time and Buchla
    Nov 28 2024

    Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes, including early performance struggles due to her determination to present shows in quadraphonic, a career resurgence thanks to Moogfest and why she loves working with the Buchla interface.

    Chapters
    00:00 - Introduction
    01:06 - The First Female To Score A Movie
    04:01 - Having More Than 20 Albums
    04:36 - Golden Apples Of The Sun
    07:55 - Live Performance Struggles
    11:57 - A Love Of Programming
    14:09 - Interacting With A Buchla
    17:14 - A New Way Of Performing Music
    22:32 - The Buchla 250 MARF
    25:36 - Making A Comeback At Moogfest
    29:36 - Creating Spatial Content
    38:40 - A Meeting Of Art And Science
    41:36 - Future Plans

    "I didn't build the machines, I certainly didn't design them, but I could interact with them and use them, you know, and that's what I liked".

    #buchla #moog

    Suzanne Ciani Biog
    Suzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well.


    She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla and Dave Smith and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM, The Golden Ear Award and the SEAMUS Award.


    Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola’s pop-and-pour sound, designed logos for Fortune 500 companies and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani’s life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms.


    Ciani is a graduate of Wellesley College and holds a Masters in Music Composition from the University of California, Berkeley.


    http://sevwave.com/
    https://transversales.bandcamp.com/album/golden-apples-of-the-sun-3


    William Stokes Biog
    William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more.


    As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom.


    Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.”


    Stokes currently lectures in Music Production at City, University of London.


    https://www.vokagentle.com/


    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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    44 min
  • Krust - Drum & Bass Pioneer

    Krust - Drum & Bass Pioneer
    Oct 31 2024

    Krust, also known as K or DJ Krust, chats about his early involvement in the Bristol music scene in the late 80s to early 90s, the development of the Drum & Bass sound and setting up the Full Cycle and Dope Dragon labels with Roni Size.

    Chapters
    00:00 - Introduction
    01:28 - Early Influences And Getting Started
    07:28 - Getting Immersed In Rave
    08:45 - Launching A Label
    10:23 - Learning The Equipment
    12:12 - Jungle DJ / Producers
    16:11 - Creating A Sound Palette
    17:58 - Making Use Of Hardware
    19:52 - Preparing A Track
    23:23 - Dealing With Burnout
    28:20 - Helping Musicians
    31:06 - Crafting The New Album
    41:15 - The Current Jungle / DnB Scene
    48:36 - Current And Future Projects

    Interviewee Biog
    Bristol-born b-boy Kirk Thompson is best known as DJ and producer Krust, an artist whose ideas and frequencies rumble and resonate deep within jungle’s DNA. With an indelible legacy as a key figurehead in the Bristol sound, he has never compromised since emerging in 1989 as a member of Fresh 4. As a founding member of Full Cycle, the first non-London label to truly mould and manipulate the jungle schematic, and Reprazents, one of the first D&B acts to infiltrate the popular psyche and win critical Mercury Music Prize acclaim, his designs continue to help shape our understanding of what drum & bass is.


    He is regarded as one of drum & bass and jungle's founders and pioneers noted for his unique musical style. Epic experimentalism of Krust’s can be heard in his 1997 single ‘Soul In Motion’ and similarly ground-breaking ‘98 single ‘True Stories’ for Talkin Loud. An in-demand remixer, Krust has reworked tracks for Bjork, Korn, Moloko, Claude VonStroke, DJ Krush, Adam F, Shy FX, Alex Reece, DJ Ron, DJ Rap and many more. His recent album entitled Edge of Everything was released in 2020 on Crosstown Rebels and received critical acclaim. It was nominated for a album of the year with AIM Award and DjMag.


    In addition to making music Krust has helmed Adapt The Canvas, a lifestyle coaching consultancy that holds workshops and seminars giving advice on time management, overcoming personal challenges, creative thinking, wellness and the development of the working mindsets, which have taken place in music colleges, universities and The Barbican, London. His Weekly podcast Conversation for Creatives reaches a global audience of creatives and can be checked out on his Instagram and Spotify profiles.

    https://crosstownrebels.bandcamp.com/album/the-edge-of-everything
    https://www.instagram.com/dj_krust/
    https://podcasters.spotify.com/pod/show/adaptthecanvas


    Caro C Biog
    Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.

    URL: http://carocsound.com/

    Twitter: @carocsound
    Inst:     @carocsound

    FB: https://www.facebook.com/carocsound/


    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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    51 min