Épisodes

  • Evie Wyld in Review Bookshop, Peckham
    Mar 26 2020
    For several years, Evie Wyld combined writing fiction with running an independent bookshop - Review, in Peckham, South London. “It seems like the perfect marriage, doesn’t it?” Evie says of the dual role of writer-bookseller, “but sadly you don’t absorb the books through your skin.” Although something about her routine must have worked because the two novels that Evie wrote between serving customers and managing the store - After the Fire, A Still Small Voice and All the Birds, Singing - led to widespread acclaim and, in 2013, she was named as one of Granta’s Best of Young British Novelists. The Observer calls her ‘one of our most gifted novelists’. Evie has now stepped back from the day-to-day of running Review but maintains a close involvement with the shop. She has also written a third novel, The Bass Rock. It is an epic, bracing novel, full of anger and heart - one that Max Porter has called a ‘triumph… haunting, masterful.’ In this episode - released to coincide with the day of its publication - Evie and Ben explore the The Bass Rock: they traverse its gothic landscape, touchstone themes and overlapping timeframes; they also browse Evie's bookshop; and, along the way, discuss everything in between - from the Me Too movement to tickling.   ...   A full transcript of this episode featuring Evie Wyld follows below:   Ben Holden: Evie, thank you so much for hosting us here in your lovely home. Evie Wyld: Pleasure. Ben Holden: Can we talk initially though about Review, about the bookshop, where we'll head over to in a bit? I'm just curious how your involvement with the shop came about and the history of the place, etc. Evie Wyld: Well, Ros Simpson opened the shop about 12 years ago now when there really wasn't all that much in Peckham, and she just opened this nice little shop and I happened to live down the road from it, and I sort of wandered in a bit sort of fecklessly one day and was like, “Have you got any work?” [laughs] and she, she hired me - on the spot. And then I worked behind the till for about 10 years. I wrote my first book there when it was a lot quieter; we didn't quite have the footfall that we have today. And I worked there up until I got pregnant, and then we got my friend Katia Wengraf to manage it, who is a brilliant bookseller, and is much better than I ever was actually. Ben Holden: How so? Evie Wyld: I was much more of a silent, sort of glowering presence I think in the shop. I was much more Black Books and she's very good at remembering everyone's name and suggesting… Ben Holden: “If you like this, you'll like that” Evie Wyld: Yeah, and more than books really; she kind of orchestrates great friendships and relationships in Peckham, so she just sorts you out, whatever your problem is basically, she’s one of those people. And she was, at the time that we hired her, a milliner. She was making her own really beautiful hats. So the idea was, this would be a job that would enable her to carry on with that, but she loves bookselling so much that now she is a full on career bookseller. Ben Holden: So how did you juggle the writing and the shop over the years? Evie Wyld: Well, I mean, initially, with the first book, it was…we have a nice tall counter, and I just propped my laptop up and wrote a book, and ate sandwiches when no one can see [laughs]. And then with the second book, it was quite a lot more work, because with the second book, Ros had moved away to Ireland so I had more responsibility. I was managing it. And so then it was just a case of writing early in the morning, late at night, I guess. And then yeah, the third one, I was out. So then I discovered that writing with a baby is much harder than writing with a job. [Laughter] Ben Holden: And were you inspired in those early times, writing in the shop, by all the sort of plethora of books around you and voices? Evie Wyld: I'd love to say I was… Ben Holden: Or was it a hindrance? Evie Wyld: No, I don’t think it was either. I think it's one of those things that it seems like a perfect sort of marriage doesn't it? Ben Holden: There is a certain romance, kind of booky romance to this. Evie Wyld: Yeah, there is. Sadly you don't absorb the books through your skin [laughs]. So I think I looked at it much more like, it probably changed the way that I sold books rather than changed the way I wrote. A bit like if you're a butcher who rears the pig and butchers the pig you're going to sell it with more love perhaps than you would otherwise [laughs]. Ben Holden: So your new book – we’ll go to the bookshop later and have a have a proper browse - your new book, The Bass Rock, can you tell us a little bit about the novel and maybe you might read the opening for us? Evie Wyld: Sure. The Bass Rock is a volcanic plug just off the coast of Scotland, off the coast of North Berwick. It's this big, dark, sort of malevolent presence and it has borne witness to centuries, millennia of, of murder of...
    Voir plus Voir moins
    47 min
  • Tessa Hadley in Redland Library, Bristol
    Mar 17 2020
    “It’s strange and haunting to be back here after a very, very long time,” says Tessa Hadley of heading inside seminal childhood destination, Redland Library. " I can still remember the feeling of entering the new book, the first page like a threshold, that excitement and thrill… And  at some point thinking ‘I want to make my own stories...’” Those stories that Tessa has gone on to write - thus far, three collections of short stories and six acclaimed novels - continue to garner widespread acclaim. She engenders similar wonder today in her own readers. Her peers are unanimous in their praise. She is ‘one of the best fiction writers writing today,’ Chimamanda Ngozi Adichie declares. In the words of Hilary Mantel, Tessa ‘recruits admirers with each book: she is one of those writers a reader trusts.’ And few writers give Zadie Smith ‘such consistent pleasure’. Tessa’s writing came to prominence partly via the pages of The New Yorker magazine, to which she continues to contribute short stories. Her most recent novel is Late in the Day and her awards include the Windham-Campbell Prize. She lives in London but chose to meet with Ex Libris in Bristol. Tessa first went to Redland Library with her school, as an infant. Before long, she was going there by herself - devouring the entire children’s section of books before, around the age of 12, foraying further into the library, travelling alphabetically around the adult shelves (Elizabeth Bowen’s writing, first encountered on those forays, remains a key inspiration). Redland is a striking building, established in the 1880s. Like so many libraries in the UK, it has faced challenges during recent years of austerity. Yet the place has not buckled and remains a vital destination. A proper palace for the people. Joining Tessa to put all of that into vital context is Councillor Asher Craig, who also grew up visiting the library as a kid and now is responsible for the library services in Bristol. Asher explains Redland’s situation today and lays bare those challenges of recent years. The two share fond, nostalgic memories of growing up in Bristol. They pore over sepia photos from the archives of the old place in its pomp, compare notes on Anne of Green Gables, and delight - all these years later - in exploring the shelves anew.   ...   A full transcript of this episode, featuring Tessa Hadley, follows: Few writers give me such consistent pleasure as Tessa Hadley.  These are Zadie Smith’s words, but I second them wholeheartedly: “I'm a big fan, as are many other readers. Indeed, Hilary Mantel has observed that Tessa recruits admirers with each book. She is one of those writers a reader trusts”. Damn right.  And Chimamanda Ngozi Adichie calls her “one of the best fiction writers writing today”. Tessa Hadley is the author of three collections of short stories - that's how I first discovered her work via those stories in the pages of the New Yorker magazine, to which she frequently contributes. She has also written six acclaimed novels, most recently, ‘Late in the Day’. Tessa lives in London and is professor of creative writing at Bath Spa University. She has chosen though to meet today in Bristol, at Redland Library, which she would frequent as a child. It's a handsome old place, built in the 1880s. It's faced a few challenges during recent years of austerity that have led to campaigns by Friends groups for its preservation. But Redland has not buckled and stands proud. Indeed, today, it's in scaffolding, they're doing some more works to keep it strong as ever. Like so many libraries up and down the land, it's a vital destination, a proper palace for the people - it has been for well over a century. Joining us with Tessa to put all of that into some context is local Councillor, Asher Craig, who also grew up visiting the library. Without further ado, let's head on in and get talking with them both.   Interview Ben Holden: Tessa, Asher, thank you very, very much for joining us and meeting here in Redland Library. Tessa, I know it's a special place for you and you immediately chose it as the venue for today. Can you tell us what it signifies and perhaps also a bit of background, describe the place - it's a very striking library. Perhaps you could evoke it a little bit for our listeners. Tessa Hadley: Built in the late 19th century of sort of big, chunky red stone, and with handsome great, grand windows letting in lots of light on the books inside; it's quite a tiny library, although books are small so you can pack an awful lot of books into a small library. Exactly as I remember it from my childhood - you come in through the front door, and both Asher and I, it was that metal door handle on the door that brought memories of long ago rushing back. You come in through the door and the children's section, I think it's still as it was, is laid out to right and left. And then ahead of you, up the stairs is the adult section. ...
    Voir plus Voir moins
    52 min
  • Gyles Brandreth in Barnes Bookshop
    Mar 10 2020
    Gyles Brandreth has been entertaining Brits for decades - charming multiple generations on shows such as Just A Minute, The One Show, Celebrity Gogglebox and Countdown.  His many books include a series of novels featuring his fellow wit Oscar Wilde and a recent best-selling celebration of good punctuation, spelling and grammar, Have you Eaten Grandma?  His latest offering is the anthology Dancing by the Light of the Moon, which celebrates the magic of learning poetry by heart. ‘Words have been my life,’ Gyles says during this episode’s conversation. He also describes bookshops as ‘safe havens in an uncivilised world’ and talks of his time in government, during the 1990s, when his remit at the Department of Culture included crafting policy for libraries. Gyles lives in West London and selected Barnes Bookshop, run by Venetia Vyvyan, as his home-from-home venue for Ex Libris. It is a beautiful local bookshop of more than 30 years’ standing. When making that choice, Gyles described Venetia as ‘a model of everything a brilliant independent bookseller should be.’     ...   A full transcript of this episode of Ex Libris, featuring Gyles Brandreth, runs below:   Gyles Brandreth has been entertaining Brits for decades and his broadcasting brilliance continues to charm multiple generations, be it on ‘Just a Minute’, ‘The One Show’, ‘Celebrity Gogglebox’ or his regular appearances on the likes of ‘QI’ and ‘Have I Got News for you’.  Gyles is also an actor and Chancellor of the University of Chester.  He served in government as Lord Commissioner of the Treasury.  It is primarily his writer hat, though, that I want him to don today.  Charles’s many books include a series of novels about his fellow wit, Oscar Wilde, and a recent best-selling celebration of good punctuation, spelling and grammar, ‘Have you eaten grandma’?  His latest offering is the anthology ‘Dancing by the Light of the Moon’, which celebrates the magic of learning poetry by heart.  Gyles lives in West London and has selected Barnes bookshop run by Venetia Vyvyan as his home from home for today.  When making the choice, Gyles described Venetia to me as:  “a model of everything a brilliant independent bookseller should be”.  So here's a really bad, unwitty, little poem for you:  “lest there be repetition, or repetition or dread deviation, oh, and by the way, we happen to be recording this on Valentine's Day, let alone hesitation, let's commence this very minute... the conversation."     Interview   Ben Holden: Gyles, Venetia, thank you so much for seeing us here in beautiful Barnes bookshop today.   Gyles, question number one, obviously, is why Barnes bookshop, it was the first place you wanted to come to today?   Gyles Brandreth: Because I love a bookshop, anyway.  A bookshop for me is one of the safe havens in an uncivilised world.  If one is feeling low, you've got to walk down the high street or side street, or whatever, and find a bookshop.  And suddenly, as you go through the door, you'll feel less low.  As you begin to browse the shelves, your spirits lift.  As you come down into the basement of this bookshop, you think, “Oh, the world's a good place.  After all, everything's all right”.  And that's been part and parcel of my life, all my life.  As a child, I was brought up in London, and Barnes is in south-west London, and it's south of the river.  And, of course, until I was an adult, I'd never been south of the river, didn't think one dared go south of the river; and I was brought up really in the West End; my parents lived in a block of flats, Victorian mansion flats, in Baker Street.  Near us there was a bookshop called ‘Bumpus’, older listeners will remember Bumpus, but almost all your listeners really, whatever vintage, will remember ‘Foyles’.  ‘Foyles’ bookshop still exists on the Charing Cross road, they now have other branches, but when I was a boy, going back a long way now, in the 1950s, as a child, I discovered Foyles bookshop.  It was heaven on earth, because it was chaotic, it was completely chaotic.  Did you go to Foyles in the old days?   Venetia Vyvyan: I did, but I was more of a John Sandoe person, I'm afraid.   Gyles Brandreth: That's good.  We have got middlebrow, I represent middlebrow, and we have highbrow.  Let me tell you what the middlebrow child did, the middlebrow child went to Foyles.  Now, Foyles bookshop was run then by a lady called Miss Foyle, Christina Foyle, who lived to a great age, and she ran this chaotic bookshop, I say chaotic, it truly was.  Books were never properly unpacked, never properly put on the shelf; there were boxes everywhere, books, trailing everywhere, and to get a book was quite a complicated process - you chose your book, you then took your book to one counter where you got a receipt for the book, you took that receipt to a till, you paid at the till, your money was then ...
    Voir plus Voir moins
    58 min
  • Candice Carty-Williams in Lewisham Library
    Mar 3 2020
    Candice Carty-Williams is a trailblazer. That trail, in many respects, started at Lewisham Library in South London. This big, cornerstone library provided Candice a ‘safe place’ during her childhood. Passing by the library at night, she’d gaze with wonder at the lights illuminating the library's sign. Later, during her teenage years, the place provided her a sanctuary. It became a home-from-home, a seminal venue. Candice describes in moving and compelling terms for Ex Libris how it feels to return to the library now, after some busy intervening years. Candice makes that return as a bestselling author. Her hit novel Queenie compellingly charts a year in the life of a 25-year-old woman, Queenie Jenkins, as she navigates life, love, race and family. Booker Prize winner Bernadine Evaristo calls the book ‘a deliciously funny, characterful, topical and thrilling novel for our times.’ Like her eponymous heroine, Candice Carty-Williams is someone full of honesty, humour and heart. Her breakout creation has captured the imaginations of countless readers: Queenie was the highest-earning debut hardback novel in the UK last year and was shortlisted, among other prizes, for the Costa First Novel Award. It is now out in paperback (in a range of colours). Joining Ben and Candice for this episode are Lewisham’s Library Manager, Chris Moore, and Rachel New, Outreach Officer for Lewisham Libraries.   ...   A full transcript of this episode of Ex Libris, featuring Candice Carty-Williams, runs below:   Candice Carty-Williams’s novel, Queenie, compellingly charts a year in the life of a 25 year old black woman, Queenie Jenkins, as she navigates life, love, family, friendship, money, bad dates, sex, mental health, social media, work pressures, race, politics, and, well, London.  Queenie is a wonderful creation - funny, clever, unforgettable, and for me, most notably, brim full of heart.  She has captured the imaginations of countless readers.  The book was the highest earning debut hardback novel in the UK last year.  It was shortlisted for the Costa First Novel Award and is now out in paperback.  Candice, like her eponymous heroine, is a trailblazer, no question.  That trail, in many respects, started here at Lewisham library in South London.  Let's go inside and hear more about that with Candice, but also Lewisham Library Operations Officer, Chris Moore, and Rachel New, Outreach Officer for Lewisham libraries.   Interview   Ben Holden: Candice, thank you so much for joining us in Lewisham library, and Rachel and Chris, thank you both too.  Candice, when we asked you where you wanted to meet, of all the libraries and of all the bookshops in the world, you immediately chose Lewisham library. Can you tell us why?   Candice Carty-Williams: I grew up in Streatham initially and then we moved to Ladywell, which is just down the road, when I was around eight, and I got into reading in a big way just because my childhood was quite a lonely one, and so books were sort of my saviour and my solace, and all these worlds to escape into.  And when I was at school, that was the same thing, so I spent a lot of time in the school library.  When I was in secondary school, something happened that, actually, I really wasn't involved in genuinely, but a group of us were excluded, and my stepdad at the time said, “You can leave the house when school begins and come home when school ends, because you can't be here”.  And so I came to Lewisham library every day, which was an amazing thing for me.  And so I have a lot of feels, because it was a really safe place when I didn't feel safe.   Ben Holden: And so you’d come here every day for that period, and you continue to come here after that?   Candice Carty-Williams: Exactly, but I’d come here before.  I mean, who says to a child, “Go and just find somewhere to be for the whole day”?  And luckily, I wasn't involved in any bad situations, because the library was here.   Ben Holden: So you would be here all day and you'd be reading?   Candice Carty-Williams: I'd be reading all day. I was reading, at the time, one book a day, and sometimes I would read two when I was here, just because I read so quickly, I always have, and so it was amazing just to feel safe in this space, because it does, it still feels like a safe place.  And I remember when I was a child, I'd always go past it in the car in the night time, even when I wasn't going to be there in the day, and see the Lewisham Library sign in lights, and think it was the most incredible, glamorous thing that Lewisham had to offer.  And so, of all the places that I thought I could go, because, you know, like a child's mind is kind of like, “What do I do? Where do I go?”, but immediately, I was like, “That place is going to look after me”.   Ben Holden: You know, I like to say that they are society’s safe spaces.  I love the lights, as well.  Carnegie always insisted that there be a light...
    Voir plus Voir moins
    46 min
  • Val McDermid in Topping & Co, St Andrews
    Jan 14 2020
    Val McDermid was so young when she first visited her local library in Fife that she couldn’t even say the word, calling it the ‘labrador’ (after her family’s pet). Kirkcaldy Library rapidly became, though, a home-from-home. Soon enough, young Val was working her way methodically around the shelves. She would come up with ingenious, cheeky ways to bypass the librarians and gain access to the forbidden grown-up shelves. This education laid the foundations for the illustrious writing career that has followed: with over sixteen million copies sold in more than thirty languages, today Val is often called ‘The Queen of Crime’. Bluntly, this career would not have been possible without the public library system (in Val’s own words). This episode covers those formative years - how the library helped Val not only escape herself but also find a sense of identity - before broadening into an exploration of the library’s continuing legacy for Val, exemplified by her campaigning efforts to save other such ‘palaces for the people’. We also learn about her writing process: Ben unpacks with Val the similarities therein with the professional workings of her fictitious criminal profiler, Tony Hill. How she must always be several steps ahead of her readers… Val speaks to Ben not at the library, though, but within a cosy nook of her favourite indie bookshop - Topping & Company in St Andrews. It’s a beautiful shop. Val is old pals with founder Robert Topping. She loves this place so much that she even arranged for her home bookshelves to be handcrafted by the shop’s go-to joiners. Joining the conversation is Topping’s Senior Bookseller (and poet), Michael Grieve.  Kirkcaldy Library was Michael’s local branch too while growing up. The duo make for warm, kindred spirits amid the shop’s artisan shelves, sliding ladders and seemingly endless signed first editions.   ...   Please find below a full transcript of this episode of Ex Libris, featuring Val McDermid in Topping & Co:   This episode of Ex Libris comes to you from bonny St. Andrews.  We're here to meet the queen of crime herself.  Val McDermid’s books have sold 16 million times over in more than 40 languages.  So it's a garlanded career, and one that is owed to the public library system, in Val’s own words.  I can't wait to ask her more about that debt to libraries.  She has elected, however, to meet in a bookshop.  The scene of today's crime is Topping and Company here on Greyfriars Garden.  Joining the conversation today is Michael Grieve, senior bookseller at Toppings.  Let's head inside now into the book-lined warmth. The fires are on and books are the best sort of insulation after all, not just from the cold.   Interview   Ben Holden: Val, Michael, thank you so much for meeting us and talking here in this lovely nook in Toppings.  Val, why is the shop personally special to you?  I know you have fond attachments to libraries, but it's a beautiful, beautiful store.   Val McDermid: It is a beautiful shop, but my relationship with Toppings goes back a very long time.  I've known Robert Topping since the early 1990s, when he was running Waterstones in Deansgate, their flagship store there.  And when my first books were coming out, Robert was incredibly supportive.  That, for me, sort of forged our friendship and we've stayed in touch ever since.  And then when Robert started opening wonderful, independent bookshops, because that was huge for those of us who love his style of bookselling, and this one is very dear to me, because, you know, I grew up in Fife, and to have a bookshop like this in Fife would have been an absolute dream for me growing up. The first time I came into the shop, I just fell in love with the shelves, beautiful shelves, all handmade, different levels, and beautiful beading.  I said to my partner, I said, “We need to have a house that will go with these shelves”.  Subsequently, we do now, we have a townhouse in Edinburgh, and we have sorted shelves all over the house.  We have a library basically on the first floor that was made by the same joiners who installed the shelves here. We have ladders that go around corners.  It's lovely, and it's what I've always dreamed of, I suppose, to have that kind of place, to have a room of books in that way.  I walk in there and sit down in my reading chair, and I just think it's all worthwhile.   Ben Holden: And Michael, can you speak a little bit more to the history of the store?   Michael Grieve: Well, as Val was talking about, Robert used to run Manchester Deansgate, and it was by all accounts the best stocked, most richly diverse Waterstones in the country at the time.  And it was when they started slimming down their operation, when they were taken over by HMV.  Robert refused to slim down with them, and was shown the door, and he decided to set up to show them how to do it, and opened the first bookshop, first Topping and Company in Ely ...
    Voir plus Voir moins
    47 min
  • Bobby Seagull in East Ham Library
    Dec 24 2019
    As a child, Bobby Seagull would be taken to his local library in East Ham, London, every Saturday afternoon. Without fail. He would get lost in the books there for hours on end, cross-legged on the floor. These trips would prove life-changing. In Bobby’s own words during this episode: ‘East Ham Library is the number one reason that I have this career today… it was absolutely pivotal, in terms of making me who I am.’ So much so that today he is officially ‘Libraries Champion’ for CILIP (Chartered Institute of Librarians and Information Professionals), following in the footsteps of Stephen Fry and Mary Beard. Bobby is known otherwise for his immense range of general knowledge, having gained cult fame via University Challenge. This breadth of knowledge itself in good part stems from those hours spent absorbing the local library’s multitude of wonders. Alongside libraries and quizzing, he is also evangelical about maths and numeracy, which he continues to teach to secondary school kids and also study part-time at doctorate level in Cambridge, specifically the issue of ‘Maths Anxiety’ (the vexation that so many of us feel when presented with arithmetic, however basic). Bobby’s passion for these varying pursuits of knowledge is infectious. In this episode, he explains how we can use numbers to make sense of the world (from the use of stats during elections to Panini sticker books) - as well as touching on his beloved West Ham United, that precious childhood library routine, and how to win a pub quiz. Joining Ben and Bobby for this episode is Library Development Officer, Deborah Peck. It was recorded in the quite new East Ham Library building in Newham but includes a short, touching visit to the nearby site of the former East Ham Library, which was such a seminal home-from-home for both guests during their childhoods.       ...   A transcript for this episode of Ex Libris, featuring Bobby Seagull, follows below:   Introduction Ben Holden: Bobby Seagull, - great name or what? -, recently co-presented a BBC Radio broadcast about polymaths, people who like to learn about everything.  It could be used to describe him too, this term.  Bobby is a part-time teacher here in East London.  He's studying for a doctorate in Cambridge.  He was the happiest contestant ever on University Challenge, according to social media.  He's also a TV presenter, alongside fellow University Challenge alumni, Eric Monkman, the author of the infectious ‘Life Changing Magic of Numbers’, and that's his real passion - numeracy.  He's an advocate for maths, and now, in keeping with his thirst for knowledge generally, currently a libraries champion.  Busy Man.  Oh, and last but certainly not least, he's a hardcore West Ham United supporter. Today, though, we are in East Ham library.  We're going to be joined for our discussion by Deborah Peck, library development officer, here in Newham.  So let's go and meet them both now, Bobby and Deborah.   Interview   Ben Holden: Thank you both for joining us on Ex Libris.  Bobby, this library is very special to you personally, I know, and you immediately chose this venue for our location to meet today.  Could you tell our listeners about it, that relationship, why it's special to you, and perhaps describe it a little bit, give us a bit of background as to why East Ham library?   Bobby Seagull: I am an East Ham person, born and bred.  I was born in Newham General Hospital, but I call it East Ham, and growing up, every Saturday, we’d spend in East Ham library.  We're actually in the new premises which have been open, Deborah, I'm thinking since 2014?  There are 42 computer terminals, which you all know is the answer to the question, what's the meaning of life?  So this library is the new incarnation of the library I visited from my childhood, which is actually just two minutes around the corner.  I had a sort of ritualistic routine, that, I guess my father played an influential part, so, every Saturday, we would usually have a South Indian lunch, my mum would cook a delicious lunch, and then we’d be sort of shipped off into the world, or to East Ham, and the primary objective was, from my mother's perspective, was to do shopping.  So we’d take a shopping trolley, we'd come to the library for two, three hours, and we’d sit there, in East Ham library, the old one, and again, it's a really beautiful building.  The old East Ham library was connected to East Ham's landmark clocktower, which was an early 1900s red brick building, really beautiful, and when I have friends visiting me in East Ham, as one does, they’ll often comment, “Wow, your town hall is stunning”, and that was connected to the old library, so that every Saturday, we'd end up there.  I’d sit on the library floor for hours, sprawled on the floor cross legged, I was going to do a rendition of it, but I'm sitting down on the chair, and we'd read anything, you know, books on Aztec...
    Voir plus Voir moins
    52 min
  • Benjamin Zephaniah in Newham Bookshop
    Dec 17 2019
    Benjamin Zephaniah speaks truth-to-power like nobody else. A Kung Fu stylist, dub musician, Peaky Blinder, renegade activist, vegan force-of-nature, and  much-loved ‘people’s poet’, Benjamin has lived many lifetimes. He tells Ex Libris in inimitably raw but sonorous manner about how poetry saved his life; of his mother’s Windrush Generation and its Caribbean oral tradition; being dyslexic and finding a path away from prison; slamming the phone down on Nelson Mandela and exchanging notes with Bob Marley; and why there should be a library on every high street. Zephaniah also speaks touchingly of the great personal debt - both financial and artistic - that he owes his fellow Ex Libris guest, celebrated bookseller Vivian Archer; not to mention her legendary store Newham Bookshop, which Benjamin fondly calls a ‘home-from-home’. The shop has been a mainstay in the community for 40 years. It is vital to the local area and widely lauded within the UK book trade at-large. Many other writers have found the place to be of indispensable inspiration.  Iain Sinclair, for example, called it ‘a beacon’. This year’s Booker Prize winner Bernadine Evaristo describes it as: ‘a fantastic community bookshop run by the wonderful Vivian Archer whose knowledge and love of books stand unrivalled. It is now an institution where everyone is welcome and all kinds of literature can be found for all kinds of reader. In today’s declining world of independent bookshops, this one should be cherished. Long may it flourish.’   ...   Please find below a full transcript of this episode of Ex Libris, featuring Benjamin Zephaniah:   Ben Holden: It's a sunny day here in East London, I'm on the Barking Road. I've just walked past what used to be the old Boleyn ground; I remember going there as a gooner, standing in the away fans section against West Ham, - we won - past Upton Park. Yes, it’s now flats, there’s sprouting cranes and awnings, of course. Turn right just past the Bobby Moore statue, where he’s holding the Jules Rimet trophy amongst his teammates, and you'll find another East London institution, Newham bookshop. I'm here to meet with Vivian Archer, proprietor, and also her close friend, Benjamin Zephaniah. He doesn't really need much of an introduction. You might know him as ‘Jeremiah Jesus’, you might know him as a Kung Fu stylist, a dub poet, musician, artist, vegan. He speaks truth to power like you can, or do. Let's go inside Newham Bookshop and get talking.   Interview   Ben Holden: Thank you both very, very much for joining us on Ex Libris. Benjamin, this place obviously has a special place in your heart. Can you explain why, and why you've chosen today to be here, of all the bookshops and all the libraries in all the world?   Benjamin Zephaniah: Well, because it has a special place in my heart. You see, when I came down from Birmingham, I kind of lived in South London for a while and then I moved to East London. And I got involved in a cooperative, it was a kind of food cooperative, book cooperative, and they published my first book, actually. The shop was called ‘The Whole Thing’, the publisher was called ‘Page One Books’, and it was very hippy and alternative, but we always knew about this place, and it wasn't like competition, you know, you would share information and stuff, and we'd hear about the legendary Vivian Archer. That place closed down, and then, much later on, I moved to a house, which is not far from here, and I was always very keen on kind of keeping myself to myself. So, I came here a couple of times, and, what's the word, incognito? Nobody knew. I’d just buy some books and stuff like that. I think, one day, you recognised me, didn’t you? One day, she said, “I know who you are”. And then from that day, we just had a great relationship. You see, for me, this was like, what a bookshop should be like, you know, I don't know how she does it, but you come in and you’d ask Vivian about a book, or you're going through something in your life, and you tell her what you're going through, and there's always a book that she can recommend for you. She's either just completely read it, or got a friend that's read it and reviewed it, but she knows about it, you know, and it was at a time when all these, I won't mention any names, but bigger shops were springing up, but you’d go there and people, most of the time, didn't know the book, you know, they were just shop assistants, not all, and also, the kind of community events that happened here, or that were generated from here. I've always been passionate about people that don't like books and don't like book shops, and they came here, that's been my passion for ages, trying to get people to read that don't normally read. I mean, in a sense, I owe this place a lot of money, because I technically had a room upstairs that I do all my interviews in. We just became family and it was the only thing that really saddened ...
    Voir plus Voir moins
    1 h
  • Rachel Seiffert in The Wiener Holocaust Library
    Dec 10 2019
    The library featured in this episode of Ex Libris is truly inspirational and remarkable. It is a shrine, a beacon, a memorial. Sacred ground, no less. Moreover, the conversation that takes place there - with acclaimed novelist Rachel Seiffert - is visceral and compelling. The Wiener Holocaust Library - found in an elegant Russell Square townhouse in Central London - holds one of the world's leading and most extensive archives on the Holocaust and Nazi era. Formed in 1933, the Library's unique collection of over one million items includes published and unpublished works, press cuttings, photographs and eyewitness testimony. It is a place that holds huge resonance for Seiffert: a fertile ground of inspiration and a professional home-from-home. Moreover, the library afforded her a voyage of self-discovery at a key time. Rachel first entered The Wiener in the hope of discovering the truth as to her German grandfather’s activities during the Second World War, in which he served as part of the Waffen SS. That visit - as a somewhat ‘lost’ 20-something - would change her life. For Rachel found not only acceptance of that existential need to excavate her family’s past but also a pathway toward becoming a writer. The debut novel that emerged from her family research, The Dark Room, would be shortlisted for the Booker Prize. Rachel has since been shortlisted multiple times for the Women’s Prize, won the prestigious EM Forster Award, and been selected as one of Granta’s ‘Best Young British Novelists’. She here charts that journey, as well as her own research and writing processes, with tremendous verve, speaking very movingly of her own family history. With the help of Howard Falksohn, the Library’s Senior Archivist, Ben and Rachel explore The Wiener's fascinating past and crucial ongoing legacy. The expansive conversation takes in the parallels between our own age and that Nazi era of the 1930s, as well as an exploration of how history doesn’t so much repeat itself as send the present warnings. Biblioclasm - the burning of books and historic destruction of libraries - is discussed too, as well as the positive lessons of restitution and reconciliation that institutions such as The Wiener can provide to us. Plus Howard Falksohn explains the fascinating, exacting processes of how his team go about sourcing - even sometimes from rubbish skips! - the personal documents that preserve ‘the lives of others’. Howard elucidates how he sets about archiving for posterity the genocidal crimes of yesteryear. Lest we, or future generations, should ever forget.   ...   A full transcript follows below of this episode of Ex Libris, featuring Rachel Seiffert:   Welcome to Ex Libris, the podcast that, with the help of the greatest writers around, champions libraries and bookshops. These are our society’s safe spaces, particularly libraries - they are palaces for the people, free of charge, where everyone is welcome and nobody judged, yet they are in peril. My name is Ben Holden, writer and producer, and, more to the point, fed up with this state of affairs, so in each episode of Ex Libris, I will be meeting a great author in a library or bookshop of their choice, somewhere that has become resonant for them, and I hope that after you have listened to this episode, it will feel special to you too.   Introduction   Ben Holden: Here I am in Russell Square, Bloomsbury, among the University College London and SOAS students walking by. I'm about to enter one of the stately old town houses here, for quietly behind the elegant, but unassuming, facade is a very special library. I say library, but this place is also a shrine, a memorial, a beacon. It's a really sobering and serious institution, yet also a truly inspirational and humbling place to visit. I'm thrilled that Rachel Seiffert, the greatly acclaimed novelist who’s been up for Booker and women's prizes for her fiction multiple times, as well as being one of Granta’s best young British novelists and the recipient of the prestigious E.M Forster award from the American Academy of Arts and Letters is speaking with us today, alongside the library’s head archivist, Howard Falksohn, and they're ready to talk with us inside, so in we go.   Interview:   Ben Holden: Rachel, Howard, thank you both so much for joining us today here in the Wiener Holocaust Library. Rachel, this is a very special place. What does it mean to you, personally? I know you have a strong attachment and history here.   Rachel Seiffert: Well, actually, I first came to the Wiener in its old location on Devonshire Road which was a townhouse; there it was a dark, cosy, a bit dilapidated, I say that very fondly, place full of books and full of fascinating people who could guide you through the labyrinth that is the Holocaust. I researched my first novel there while I was very young, I was in my twenties and a bit lost and a bit in need of guidance, and so the Wiener, despite the fact ...
    Voir plus Voir moins
    58 min