Series premiere! This week we leave The Shire behind to embark on our journey through Middle Earth and the epic fantasy genre!

In the spirit of Lord of the Rings, we’ve divided our miniseries into three parts, and we’re starting today with Part 1: The Road to Mordor. And that road begins with, you guessed it, Ray Harryhausen!

Peter Jackson’s trilogy would not exist without the sword-and-sandals stop-motion action of Harryhausen – so as we voyage towards Mordor, we must first trek the scorching sands of Ancient Greece, where harpies fly, gigantic statues terrorize, and gods try to kill us out of boredom! Oh, and spooky skeletons.

Next week, we spend some time with a different type kind of Hobbit in Rankin and Bass’s animated THE HOBBIT. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod

References:

• Special Features
  • Peter Jackson Commentary Track
• Peter Jackson on Ray Harryhausen
• Art UK Production History
• Ray Harryhausen/Bruce Eder Commentary Track 1992 Criterion Release
• Ray Harryhausen Talks Animating Skeletons
• Ray Harryhausen UK LaserDisc Interview
• Ray Harryhausen on Jerky Metal
• Bruce Eder on Jason and the Argonauts
• The New York Times Ray Harryhausen Feature
• Infinity Magazine Issue 41 Production History

Credits:

Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.

This episode was edited by Michael Gaspari.

This episode was researched by Parth Marathe.

Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop

The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.

Assistant programming and digital production by Nik Long.

Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.

Learn more at eyeoftheduckpod.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Run back the tape! We’re closing the book on yet another miniseries this week, and… revealing the journey that lies ahead!

It’s been a joy scrubbing through all the haunted camera recordings of these found footage horror movies, and we’re thrilled to tie off some loose ends, answer listener questions, and decide once and for all: is the Blair Witch even named Blair?

Next week, we start anew…listen to find out where we’ll be headed with our next miniseries!! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod

Credits:

Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.

This episode was edited by Michael Gaspari.

This episode was researched by Parth Marathe.

Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop

The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.

Assistant programming and digital production by Nik Long.

Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.

Learn more at eyeoftheduckpod.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Try to remember these times, listeners. Some of the best nights of our lives were being had in parking lots.

When Connor O’Malley brings a couple DV cameras to the suburban abyss of Tobyhanna, Pennsylvania, we simply have no choice but to watch. It’s somehow the culmination of every found footage film we covered in this series, and also one of the funniest feature-length films ever uploaded directly to YouTube… or anywhere, for the matter.

It’s RAP WORLD, baby. And we’re living in it!

Next week we wrap up our found footage miniseries, answer some listener questions, AND…announce our next series! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod

References:

• Vulture Conner O’Malley Interview
• Fader Production History
• Filmmaker Magazine Production History
• Screen Slate Conner O’Malley & Danny Scharar Interview
• Conner O’Malley Needs a Producer

Credits:

Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.

This episode was edited by Michael Gaspari.

This episode was researched by Parth Marathe.

Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop

The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.

Assistant programming and digital production by Nik Long.

Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.

Learn more at eyeoftheduckpod.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to the dark web! For the penultimate episode of our found footage miniseries, we’re making Eye of the Duck history and inviting a writer/director to come on and explore his own film!

Stephen Susco joins us to sail down the river and talk all things UNFRIENDED, such as transitioning the franchise from horror to thriller, the cursed search history of a professional screenwriter, the legacy of the screen life subgenre, and how easy it is to access the dark web! Really... apparently, anyone can do it.

Next week, it’s the deeply demented final film of our miniseries, RAP WORLD (2024). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod

References:

• The Q&A With Jeff Goldsmith Stephen Susco & Andrew Wesman Interview
• Thrillist Stephen Susco Interview
• Frightday Stephen Susco & Colin Woodell Interview
• The Hindu Kevin Stewart Interview
• Stephen Susco on “Unfriended 3”
• Unfriended Getting a Sequel

Credits:

Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.

This episode was edited by Michael Gaspari.

This episode was researched by Parth Marathe.

Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop

The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.

Assistant programming and digital production by Nik Long.

Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.

Learn more at eyeoftheduckpod.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It’s Late Night with Abraxas! Hosted by the one and only…. Mr. Wriggles!

This week we’re filming one VERY cursed television broadcast in front of a live studio audience! LATE NIGHT is perhaps the most popular found footage movie of the past few years, and we’re finally going to answer the question… is it really found footage? (Yes. The answer is yes). Don’t forget your sacrificial dagger!

Next week, we are joined by the writer and director of UNFRIENDED: DARK WEB, Stephen Susco, for a very special bonus episode! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod

References:

• Special Features
  • Q&A With Directors Colin and Cameron Cairnes
  • Behind the Scenes
• Fangoria Cairnes Brothers Interview
• NIDA Ian Bliss Interview
• Variety Production History
• Novastream Brothers Cairnes Interview
• Cairnes Brothers Explain AI Use
• Variety David Dastmalchian Interview
• Consequence David Dastmalcian Interview
• Filmmaker Magazine Matthew Temple Interview
• The Hollywood Reporter Cairnes Brothers Interview
• Craft Services Matthew Temple Interview Part 1

Credits:

Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.

This episode was edited by Michael Gaspari.

This episode was researched by Parth Marathe.

Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop

The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.

Assistant programming and digital production by Nik Long.

Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.

Learn more at eyeoftheduckpod.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We are so back! It’s the worst pandemic in modern history, and we couldn’t be more excited (and terrified) to be trapped on a Zoom call with you (and a demon) again.

Lockdown-era movies have been pretty unimpressive so far, but HOST is a VERY notable exception. This Zoom call has everything! A mopey quarantine boyfriend, a naughty grandpa, and… oh god is that a disembodied facetune filter?

Next week, we’ve got two tickets to the most satanic talk show in television -- it’s LATE NIGHT WITH THE DEVIL (2024)! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod

References:

• Special Features
  • Host Behind the Scenes
• Short of the Week Production History
• Yahoo Production History
• Rob Savage Happy Hour Prank
• The Telegraph Production History
• Shudder Producing Host
• Datebook Production History
• The Filmmakers Podcast Gemma Hurley Interview
• Nightmare on Film Street Rob Savage, Jed Shepard, and Gemma Hurley Interview
• Sci Fi Now Cast Interview

Credits:

Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.

This episode was edited by Michael Gaspari.

This episode was researched by Parth Marathe.

Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop

The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.

Assistant programming and digital production by Nik Long.

Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.

Learn more at eyeoftheduckpod.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The screen is life! The found footage genre infects MacOS this week with a truly horrific story of parenting, grief, and, of course, screens!!

Is John Cho the most oblivious father in movie history? Or is the internet a terrible place that preys on society’s most vulnerable youths? Probably a little of both… but hey, at least we still had Addicting Games Dot Com!

Next week, we fall even deeper into the screen abyss for Rob Savage’s HOST (2020). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod

References:

• Special Features
  • Commentary
• Timur Bekmambetov on Screenlife Films
• An Alien Invasion Under Our Noses
• Asian Cinevision Aneesh Chaganty and Sev Ohanian Interview
• We Need to Make John Cho Older
• Frame.io Editing Breakdown
• No Film School Aneesh Chaganty and Sev Ohanian Interview
• Glide Magazine Aneesh Chaganty and Sev Ohanian Interview
• Film School Rejects Juan Sebastián Barón Interview
• Filmmaker Magazine Juan Sebastián Barón Interview
• The Verge John Cho Interview
• The Columbia Dispatch Debra Messing Interview

Credits:

Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.

This episode was edited by Michael Gaspari.

This episode was researched by Parth Marathe.

Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop

The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.

Assistant programming and digital production by Nik Long.

Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.

Learn more at eyeoftheduckpod.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.