Does Dante in ‘Paradiso’ refer to a sort of transhumanism and why?
Brent talks with Jennifer Holberg about ‘Paradiso’ – the last part of ‘The Divine Comedy’.
Jennifer is professor and chair of the English Department at Calvin University in the States and co-director of the Calvin Center for Faith and Writing. She’s also the author of the book ‘Nourishing Narratives’.
- (1:10) The structure of ‘Paradiso’;
- (3:55) Dante’s aesthetic;
- (6:00) The warning;
- (10:00) Transhumanism;
- (14:50) Piccarda;
- (19:55) Politics and religious institutions.
Links mentioned in this episode:
World of Dante:
https://www.worldofdante.org/index.html)
Digital Dante:
https://digitaldante.columbia.edu/dante/divine-comedy
Dante Worlds:
https://danteworlds.laits.utexas.edu/
100 Days of Dante:
https://100daysofdante.com
Editions:
For all in one volume:
Mark Musa, ‘The Portable Dante’ (Penguin)
First rate notes:
Robert and Jean Hollander (Vintage/Anchor)
New poetic translation that retains the terza rima:
Michael Palma (Liveright)
Prose translation:
Charles S. Singleton (Princeton University Press)
Other notable translators:
Robin Kirkpatrick
John Ciarda
Allen Mandelbaum
Older translations by Dorothy L. Sayers
Henry Wadsworth Longfellow
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