In this episode, we talk to Danielle de Niese. The internationally acclaimed soprano has dazzled audiences since childhood – from her breakthrough on the TV show Young Talent Time at just nine years old to starring on the world’s greatest opera stages. She joins us to chat about her life in music, and what keeps her voice – and spirit – so vibrant. Following a remarkable path which also includes an early Emmy win and teenage debut with the Los Angeles Opera, de Niese now has a passion for making opera feel fresh, cool and accessible to new audiences. Hosting this conversation – about everything from backstage rituals and vocal care to what it truly feels like to stand under stage lights and inhabit a role – is Spectrum editor Melanie Kembrey.

See omnystudio.com/listener for privacy information.

In this episode, we speak with Mark Dapin. Dapin is a veteran true crime writer, with a career including a stint as editor of the lad mag Ralph - but also as a columnist for Good Weekend. He has spent many, many hours with infamous hardened criminals, and now - for a story in the current issue of Good Weekend - has flipped sides to see through the eyes of aspiring police officers. Dapin - an irreverent but incisive and insightful writer - joins us today for a chat about that piece, but also the wild popularity of the true crime genre more generally, touching on his own encounters with the likes of hit man Chopper Read, and con man Jack Karlson (of “succulent Chinese meal” fame). And hosting this conversation - about kidnappers and murderers, and the darkness in us all - is Good Weekend acting editor Greg Callaghan.

See omnystudio.com/listener for privacy information.

In this episode, we talk to Vincent Fantauzzo – the Melbourne portrait artist famous for hyperrealist renderings of a long list of prominent people. He’s painted movie stars (like Hugh Jackman), underworld figures (like Mick Gatto), politicians (like Julia Gillard), sporting heroes (like Oscar Piastri) and icons (like Michael Gudinski). Good Weekend senior writer Konrad Marshall profiled Fantauzzo for a June cover story – "Keeping it real" – about not just his prize-winning works but his rough-and-tumble beginnings, which included more than mere brushes with violence and crime. As they discuss in this emotionally charged conversation, Fantauzzo endured a dysfunctional early life, not to mention an unhealthy dose of insecurity and shame over a learning disorder he kept hidden. He overcame all that to receive plaudits – and occasional brickbats – for his work so far, but his real mission is both simple and grand: “To Jamie Oliver the art world”.

See omnystudio.com/listener for privacy information.