This week we talk to Lisa Williams Kline (Between the Sky and the Sea, DragonBlade Publishing, February 2023). Previously an author of books for younger readers, Lisa decided to switch to adult fiction and she’s a proud pantser, even though she admits it takes more time to write without an outline. Her book was inspired by a real-life incident when a luxury liner (dubbed the “Titanic of the South”) sunk off the Carolina coast in 1838 and how she was hampered in her quest to do original research due to the pandemic, We discuss POV (she switched from third to first and then back to third), and how FB takeovers have proved her best technique for gaining exposure.

Lisa Williams Kline is the author of two novels for adults, Between the Sky and the Sea (Dragonblade), and Ladies’ Day (CamCat Books), as well as an essay collection entitled The Ruby Mirror (The Bridge) and a short story collection entitled Take Me (Main Street Rag). Her stories and essays have appeared in Literary Mama, Skirt, Sasee, Carolina Woman, moonShine review, The Press 53 Awards Anthology, Sand Hills Literary Magazine, and Idol Talk, among others. She is also the author of ten novels and a novella for young readers. She attended Duke University and received her MAC from UNC-Chapel Hill in Radio, Television and Motion Pictures, and her MFA from Queens University. She lives in Davidson with her veterinarian husband, a cat who can open doors, and a sweet chihuahua who has played Bruiser Woods in Legally Blonde: The Musical. She and her husband treasure frequent visits with their grown daughters and their husbands.

To learn more about Lisa, click here.

My guest this week is D. Liebhart (House On Fire, indie published, March 2023). Debra, whose novel examines the turmoil in a family when a mother, struggling with her husband’s dementia, asks her daughter for help in ending his life, is a speedy drafter, producing 2500 words per day, but a slow revisor, and a meticulous plotter who is nevertheless open to surprises as she writes. We discuss the changing landscape of publishing, how she doesn’t believe in writer’s block, and how she overcome her own prejudices against self-publishing to become a successful indie author.

D. Liebhart is a writer and a nurse. Her stories delve into the moral complexity of real life and ask readers to consider what they would do faced with the same situations. House on Fire, her first novel, won the 2023 Page Turner Award for both fiction and debut. It was long-listed for the 2022 Petrichor Prize and received an honorable mention from Writer’s Digest. Her essay Thalassophobia (a true account of a very out-of-the-ordinary honeymoon) won the 2021 Linda Julian Creative Nonfiction Prize from Emrys Journal.

To learn more about this author, click here.

This week we’re talking to D.K. Silver (The Weight of Flowers, indie published, February 2023). A costume designer for most of her career, Dana is a visual person so vivid descriptions come easily – in fact, the impetus to writing her debut was an image from a dream that was so striking it wouldn’t let her go. Not only a terrible speller but severely dyslexic, she struggled in the beginning, producing a 340,000 word opus that required serious editing, but eventually yielded a series. We discuss the fact that her protagonist resembled her personally in many ways, making her the most difficult character to write, and delve into the four major reasons an author might consider indie publishing rather than the traditional route.

D.K. Silver is the author of The Weight of Flowers, the first in a genre-bending saga. The series explores themes of sexual exploitation and dalliance, greed in its many guises and the quest for self-worth.

D.K. Silver is fearless in her determination to explore taboos, using her gifts to relentlessly dig below the surface. As a costume designer, she’s been trained to visually reveal a character’s truer nature—as a writer, she takes it to another level, passionate to unmask the deliciously decadent, the deviant, and the downright misguided aspects of our collective humanness. Her stories are paced like a slow-motion car crash that’s difficult to look away from.

To learn more about D.K., click here.