Peter and Andrew examine Joseph Mankiewicz's 1950 masterpiece All About Eve, exploring how this dialogue-driven drama about ambition and betrayal in the theater world remains timelessly relevant. They analyze the film's sharp wit, discuss the legendary performances that earned four female Oscar nominations, and examine how the story's themes of aging, power, and manipulation transcend its Broadway setting.

In their remake scenarios, they tackle a structural challenge: How do you update a dialogue-heavy classic? Could it work as a High School Musical-style family film? What would a no-budget version focus on? Would it work better as a modern TV series exploring social media fame versus traditional Hollywood? Plus, they discuss the film's influence on countless imitators.

The hosts also share their current viewing habits, including Dumb and Dumber and Avatar: Fire and Ash, while referencing May December, Saltburn, Braveheart, Mean Girls, Showgirls, The Substance, and various backstage dramas in their analysis.

Topics covered: Broadway vs. Hollywood prestige, the evolution of female roles in cinema, dialogue-driven storytelling, the cyclical nature of fame and replacement, and Greek myths.

Peter and Andrew explore Hayao Miyazaki's 2001 animated masterpiece Spirited Away, examining how it captures the essence of childhood through a young girl's journey in a magical spirit world. They discuss Miyazaki's unique animation style, the film's approach to fairy tale darkness, and why it resonates differently with audiences depending on their familiarity with Studio Ghibli's storytelling approach.

In their remake scenarios, they face a creative challenge: How do you adapt pure imagination? Could it work as a live-action horror film? What would a no-budget costume version look like? Would it be better as a TV series exploring the bathhouse world? Plus, they debate whether some films are too uniquely personal to remake.

The hosts also share their current viewing habits, including Marty Supreme and The Running Man, while referencing My Neighbor Totoro, Howl's Moving Castle, Pan's Labyrinth, Alice in Wonderland, Hansel and Gretel, Zootopia, Fantasia, Princess Bride, and various Miyazaki classics in their discussion.

Peter and Andrew explore Francis Ford Coppola's ambitious 1974 sequel The Godfather Part II, analyzing its groundbreaking dual timeline structure that tells both Vito's rise and Michael's fall. They discuss whether this complex narrative experiment improves on the original, examine Robert De Niro's performance as young Vito, and debate why the film feels more like a meditation on power than a traditional sequel.

In their remake scenarios, they tackle a structural puzzle: How do you adapt a three-hour epic with two storylines? Could the Vito story work as a standalone family film? What would a no-budget version focus on? Would it be better as a Netflix series exploring each timeline separately?

The hosts also share their current viewing habits, including 2046 by Wong Kar-wai and the latest Knives Out film Wake Up Dead Man, while referencing Chunking Express, In the Mood for Love, Eternity, Defending Your Life, Stalker, The Sopranos, Succession, The Young Indiana Jones Chronicles, and various crime epics in their analysis.

Topics covered: Sequel vs. prequel storytelling, the rise and fall narrative structure, Italian-American family dynamics, does complex always mean better