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Immersion - Enter at Your Own Risk

Immersion - Enter at Your Own Risk

Auteur(s): iServalan Homotech 23
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À propos de cet audio

Immersion — Enter at Your Own Risk Immersion is a transmission from the edges of a fractured reality.
Stories, fragments, and intercepted thoughts drift through the static—uncertain in origin, unstable in form, and never entirely human. Each episode is a descent into the world of The Book of Immersion, where android consciousness bleeds into machine memory, where the Cadre experiment continues in secrecy, and where the boundaries between observer and participant dissolve. There are no intros.
No outros.
No author.
Only the signal. Expect:
• narrative readings from the Immersion universe
• glitch-coded interludes
• spoken-word transmissions
• poetic memory shards
• low-frequency anomalies and synthetic whispers from POS This is immersive audio fiction delivered as if it were never meant to be found.
Step carefully. Once you enter, reality does not follow.


Transmission open. Signal live.Copyright Studio916
Art Divertissement et arts de la scène
Épisodes
  • Episode 2 - Studio 916 An Introduction by Digital Creator iServalan
    5 min
  • Welcome to Studio 916, An Entertainment Podcast and Magazine
    Dec 2 2025
    🎙️ Studio 916 — Episode 001Opening Transmission: The Industry Is Shifting, and So Are WeWelcome to the very first transmission from Studio 916. This is where film, culture, and creative life intersect with the day-to-day reality of running a small but fiercely independent studio. I’m Sarnia, coming to you live from inside my own ongoing experiment in cinema, sound, and storytelling. It feels like a good week to begin something new, because the industry itself is vibrating with change.One of the biggest stories circulating today is the escalating bidding drama around Warner Bros. Discovery. Netflix has put forward a powerful, mostly-cash offer for WBD’s assets — a move that, if successful, would reshape the entire streaming landscape. These are the kinds of stories that used to feel like far-off corporate manoeuvring, but lately they read more like weather reports for the creative climate. When the giants shift, the ground moves under everyone, and independent creators often feel it first.But here’s the surprising twist: consolidation often becomes a kind of cultural pressure cooker. Fewer platforms, tighter control, more uniformity — and suddenly audiences start looking outward, searching for work that feels handmade, idiosyncratic, or simply uninterested in being approved by a boardroom. This is the moment where small studios, private creators, and cross-disciplinary artists tend to gain momentum. We become the unpredictable element in a very managed system.Another story worth noting today: film-festival organisers are already reshaping their 2025 calendars. The listings have gone up early, and the tone is clear — festivals are hungry for innovation, cross-media projects, and unconventional formats. Vertical cinema is no longer a curiosity; mixed-media storytelling is no longer fringe. As someone building a feature from short-form transmissions, hybrid footage, and studio experiments, I find this incredibly encouraging. The world is more open to unconventional filmmaking than it has been in years, and Studio 916 sits directly in that space.There’s also a cultural shift in how “genre creators” are being recognised. Jason Blum — famous for building empires out of tight budgets and risk-taking instincts — has just been honoured by PEN America for his contribution to entertainment. Twenty years ago, a horror producer wouldn’t have been invited to such a ceremony. Today, it signals a broader truth: audiences and institutions alike are finally acknowledging that the strongest creative work often emerges from outside traditional prestige categories. This is good news for anyone working in sci-fi, glitch aesthetics, experimental sound, or vertical cinema. It’s good news for me, and it’s good news for Studio 916.So why launch this podcast now? Because the turbulence in the industry isn’t something to fear — it’s something to surf. Studio 916 isn’t a news desk or a gossip feed; it’s a commentary point, a signal tower. I want to talk about what’s happening in film and entertainment, but also how those shifts shape the world of independent creativity. I want to make space for the diary side of the studio — the behind-the-scenes work, the experiments, the mistakes, the strange trails that lead somewhere unexpected. Some episodes will be broadcast with a synthetic voice. Some I’ll record myself. The mix feels right for a world where human and machine storytelling are already bleeding into one another.Think of Studio 916 as a hybrid between an arts magazine, a film lab, and a cultural commentary feed. There will be talk of cinema news, trailer reactions, festival notes, AI breakthroughs, music work, writing progress, and whatever else is unfolding within 916 Cinema and its surrounding universe. The industry is changing fast, and this little studio intends not only to keep up but to observe, interpret, and occasionally provoke.This is the beginning. A small broadcast from a small studio, aligned with a big moment in entertainment. If you're here for the films, the culture, or the quiet experiments taking place behind the scenes, welcome. And if you’re just curious where all this is heading — well, so am I.Studio 916: signal open.
    More transmissions soon.

    For visuals, artwork, and the ongoing Immersion films:
    Book of Immersion Hub
    https://bookofimmersion.comFor merchandise, prints, and artefacts from the Immersion universe:
    Immersion Merch on Redbubble
    https://www.redbubble.com/people/taletellerclub/shopFor the 916 Cinema shorts and atmospheric transmissions:
    Immersion Static (YouTube Channel)
    https://www.youtube.com/@taletellerclubFor author archives, essays, and companion texts:
    Sarnia de la Maré — Official Site
    https://sarniadelamare.com
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    5 min
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