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In The Garden

In The Garden

Auteur(s): Gordon Clinton Williams M.Ed.
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In The Garden is a daily journey through the Scriptures, an invitation to slow down, breathe deep, and walk with God in the garden of His Word.

Hosted by Gordon C. Williams, M.Ed. (usually called Clint), In The Garden blends biblical storytelling, poetic interpretation, ancient context, scientific curiosity, and Christ-centered teaching into a warm, reflective, and deeply accessible radio-style program. Each episode guides listeners through the Bible, from Genesis to Revelation, with the humility to honor both the literal and the literary beauty of the text.

Genesis, for example, is approached as many Christians across the centuries have read it: true, inspired, God-breathed Scripture, written in the rich language of Hebrew poetry and theology—not as a modern science textbook. Clint explores how creation’s “days” can be understood poetically, symbolically, and even scientifically, without dismissing the possibility of a literal seven-day creation. He invites listeners to consider how a timeless Creator, who stands outside of time, could shape a universe that feels ancient to us yet unfolds at His command.

Every episode follows a simple rhythm:

  • Listen to the story
  • Consider its original context
  • Explore its symbols and themes
  • Reflect on what it reveals about humanity
  • Look for how the story leads to Jesus

Throughout the journey, Clint draws from Hebrew word studies, the narrative structure of Scripture, historical and cultural background, and the words of Jesus Himself—always returning to the conviction that the whole Bible tells the One Story that leads to Christ.

Whether unpacking the symbolism of Adam and Eve, the spiritual psychology of Jacob and Esau, the rise of agriculture beneath the story of Cain and Abel, or the meaning of covenant in the life of Abraham, In The Garden offers thoughtful, accessible teaching for listeners from every background: lifelong Christians, curious seekers, new believers, recovering skeptics, and anyone longing to rediscover the beauty of Scripture.

In The Garden was born in West Texas and is broadcast locally on KCKM 1330 AM, where neighbors, families, truckers, farmers, teachers, and everyday people tune in weekly to hear the Word of God taught with tenderness, craftsmanship, and hope. The podcast version, released shortly after each broadcast, offers an extended edition for listeners who want to dig a little deeper.

Wherever you listen from, you are invited to step into the garden. Here, among the stories of Scripture, we learn how to cultivate the soil of the heart, plant seeds of wisdom, uproot the weeds that choke our joy, and walk with our Lord in the cool of the day.

This is In The Garden. Welcome. Your time here is holy ground.

Green Mission
Christianisme Pastorale et évangélisme Spiritualité
Épisodes
  • Genesis 7: The World Unmade
    Jan 10 2026

    Genesis 7 is not written like a disaster report. It is written like an undoing.

    The language deliberately echoes Genesis 1—but in reverse. Creation is not merely judged; it is unmade. The ordered world is returned to chaos, not because God has lost control, but because humanity has severed itself from the order that gives life.

    1. The Language of Unmaking

    In Genesis 1, God brings order by separating:

    • Light from darkness
    • Waters above from waters below
    • Sea from land

    In Genesis 7, those boundaries collapse.

    “All the fountains of the great deep burst forth, and the windows of the heavens were opened.” (Gen 7:11)

    The same waters God once restrained now return. This is not random violence—it is the reversal of creation itself. The Hebrew imagination sees chaos as unbounded water. To remove boundaries is to remove life.

    The flood is not primarily about rain. It is about everything breaking loose.

    2. Death as a Form of Truth

    Genesis is brutally honest:

    • Life that breathes dies.
    • Humanity’s violence does not endure.
    • Creation itself groans under the weight of human corruption.

    The text does not flinch. Extinction happens. Landscapes change. What once was familiar is gone.

    And yet, the point is not destruction for its own sake. The flood reveals a hard truth: a world severed from God’s ways cannot sustain itself.

    3. Noah and the Ark: Order Preserved in Chaos

    Amid unmaking, God preserves a seed of order.

    The ark is not a boat of escape—it is a floating sanctuary. Inside:

    • Pairs
    • Kinds
    • Ordered life
    • Measured space

    While the world outside dissolves into chaos, inside the ark creation is held together by obedience and trust.

    God does not abandon the world. He carries it through death.

    4. Baptism Before Resurrection

    Later Scripture will name what Genesis 7 only shows.

    Peter will call the flood a form of baptism. Paul will describe baptism as death before resurrection. Jesus will step into the Jordan, not because He needs cleansing, but because the world does.

    Genesis 7 is the earth’s baptism:

    • Death comes first.
    • Silence follows.
    • Waiting stretches on.

    But baptism is never the end of the story.

    5. Not Just Then — But Now

    This is not merely an ancient flood story echoed in other cultures. Genesis insists something deeper happened:

    • Humanity lost a world.
    • God preserved a future.
    • Creation passed through death toward renewal.

    Every generation lives somewhere between chaos and covenant.

    Genesis 7 asks us: What boundaries have we broken? What chaos have we normalized? And are we willing to pass through death—of pride, violence, illusion—to receive new life?

    Because Scripture’s pattern is consistent: God does not abandon His creation. He remakes it.

    Closing Reflection: The world was unmade—but not unloved. And the God who closed the ark will one day open the door again.

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    5 min
  • Genesis 6 — Greatness Without Goodness
    Jan 9 2026

    Genesis 6 is one of the most unsettling chapters in Scripture—not because it is confusing, but because it is clear. Humanity has grown great, but not good.

    The chapter opens with expansion: people multiplying, cities rising, culture advancing. This is the fulfillment of Genesis 1’s command to “be fruitful and multiply.” But something has gone wrong. Growth has outpaced faithfulness. Power has outpaced wisdom.

    We meet the Nephilim—figures wrapped in mystery, remembered as “mighty men of old, men of renown.” Scripture does not linger on their biology or origin. Instead, it tells us what mattered: reputation, strength, greatness. These were heroes in the eyes of the world—and yet the chapter immediately pivots to God’s grief.

    “The LORD saw that the wickedness of man was great in the earth…”

    Greatness is repeated. So is wickedness.

    This is the central tension of Genesis 6: humanity achieves greatness without goodness.

    Cities grow. Technology advances. Lineages strengthen. But hearts decay. Genesis tells us that every intention of the thoughts of man’s heart was only evil continually. Not ignorance. Not weakness. Intention.

    This corruption is not random—it follows a trajectory. The descendants of Cain built cities apart from God, cultures defined by human achievement rather than divine dependence. Violence escalated. Pride hardened. Humanity no longer walked with God, but away from Him—together.

    God’s response is not rage, but sorrow.

    “And the LORD regretted that He had made man on the earth, and it grieved Him to His heart.”

    This is not divine surprise. It is divine heartbreak.

    From a poetic and historical lens, Genesis 6 reads like an ancient warning etched into memory: civilizations can flourish outwardly while rotting inwardly. From a scientific perspective, unchecked power without moral constraint always leads toward collapse—environmental, social, and spiritual.

    Genesis 6 is not about monsters. It is about misaligned humanity.

    And then—quietly—we meet Noah.

    No speeches. No heroics. Just this:

    “Noah walked with God.”

    In a world obsessed with renown, Noah is remembered for relationship. While humanity pursued greatness, Noah pursued goodness. While culture accelerated, Noah slowed his steps to match God’s.

    Genesis 6 reminds us that judgment is not God’s first move—mercy is. God warns. God waits. God preserves a remnant. Even the flood, terrible as it is, comes only after patience is exhausted.

    This chapter invites us to ask uncomfortable questions: Where have we mistaken progress for righteousness? Where have we celebrated power without character? Where have we built cities—and lives—without God?

    Genesis 6 stands as a mirror. And it whispers the same truth today:

    Greatness without goodness always ends in grief. But walking with God still preserves life.

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    6 min
  • Genesis 5: A Poem Written in Years
    Jan 8 2026

    Welcome back to In The Garden. Today, we step into the genealogy of Genesis 5—a chapter that, at first glance, reads like a long list of names and numbers. But if we pause and lean into it as poetry, the chapter transforms. It’s not just history; it’s a carefully crafted meditation on life, legacy, and the faithful unfolding of God’s creation.

    Genesis 5 traces the line from Adam to Noah, giving each man a name, an age at the birth of his son, and the age at which he dies. These aren’t just data points. In Hebrew, names carry meaning. Adam, the earthling, gives birth to Seth, “appointed,” a replacement, a promise continued. Enosh, meaning “mortal,” reminds us of humanity’s fragile state. Kenan, “possession,” marks inheritance. Mahalalel, “praise of God,” speaks of worship threaded into life. Jared, “descent,” hints at the downward arc of humanity, yet still pointing forward. Enoch, “dedicated,” stands out—not for his years but for walking with God. Methuselah, “his death shall bring,” holds the tension of mortality and hope. Lamech, “powerful,” anticipates Noah, “rest” or “comfort,” the deliverer in God’s design.

    Now, let’s talk about the numbers. Ages like 930 for Adam, 969 for Methuselah, and 600 for Noah are staggering. Are they literal? Perhaps. But in the poetry of Genesis, the literal is secondary. The structure of these years is rhythmic, accentuating the names and their meanings. Each age functions like a beat in a song, a stress in a line of verse, echoing the continuity of life from Adam to Noah.

    Poetically, the genealogy invites us to reflect on two themes: the persistence of life and the transmission of God’s promises across generations. These men may have lived centuries, but more importantly, their lives are part of a poetic cadence—a chain of being, each name a note in God’s unfolding story. The rhythm of years marks not just the passage of time but the continuity of God’s faithfulness.

    We can also notice that some of Noah’s ancestors were still alive when he was born. Adam, Seth, Enosh, Kenan, and others overlapped, showing a living network, a community of generations, not a simple line. This layering reinforces the poetic quality: life stretches, overlaps, and echoes through time, each life enriching the next.

    As you read Genesis 5, let it wash over you like a hymn. Let the meanings of the names linger on your tongue. Let the long years of life be the music of the poem. And remember, whether literal or symbolic, the chapter celebrates God’s providence: life continues, God’s promises persist, and ultimately, Noah emerges as the rest in a world preparing for renewal.

    In the garden of Genesis, even numbers are sacred. Even lifespans speak. Even names sing. Genesis 5 reminds us that God’s story is woven across generations, and poetry, not just chronology, helps us hear it.

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    6 min
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