Thirty films, countless drinks, and at least a few questionable life choices later… Season One of Inebriated Cinephiles is in the books. In this episode we’re taking a look back at the good, the bad, and the occasionally baffling—from the movies that blew us away to the ones that left us checking the wheel for a refund. We’ll also be revisiting the drinks that hit the spot, the ones that… didn’t, and everything in between. Pour something cheery and join us as we close out the season, reflect on the chaos, and look ahead to what’s coming next!

This week we’re getting into Weapons, a dark and cryptic mystery from director Zach Cregger. It begins with a disappearance, and from there the questions, and disappearances, only multiply. What happened? Who’s responsible? And why does every answer seem to lead somewhere even stranger? As is the formula in films like this, the town gets quieter, the music gets creepier, and absolutely no one seems willing to give a straight answer. Pour yourself something strong that goes down easy and join us as we sift through the clues, the tension, and the creeping suspicion that something very wrong is hiding just beneath the surface.

After nearly a full year of dodging it, roasting it, and cheekily predicting its cinematic destiny, the wheel finally served up a dish of fate for our Season One finale: Madame Web. From the moment it was announced, we had… questions, and for months, we’ve bantered about what we might be in for. We no longer have to imagine. Was it secretly misunderstood genius? Perhaps a bold expansion of the Spider-Verse? ...Maybe... Or might it be a masterclass in how to say lines that feel like they were translated twice and then left out in the desert sun in July? Pour something strong for yourself this week—preferably something that causes you to blackout and forget—and join us as we unravel spider-visions, baffling choices, and a pair of the most perfectly shaped redeeming qualities in the modern film age.