In our first ever episode dedicated to an actor we train our sights on the man, the myth, the legend that is Jack Nicholson. Specifically our focus is on his four 1975 calendrical releases: Ken Russell’s Tommy, Michelangelo Antonioni’s The Passenger, Mike Nichols’ The Fortune, and finally we top things off with a brief discussion of his Oscar Winning turn in One Flew Over the Cuckoo’s Nest. It’s a fun one! We talk about some weird movies, the hosts certainly get in a few attempts at Jack impressions, and everyone should leave with a little more knowledge of that marvelous year in film that was 1975. Topics include: Nicholson’s house on so-called “Bad Boy Lane”, Alana’s mom’s crush on Roger Daltrey, and the charms of a young Stocking Channard…I mean Stockard Channing.

For Elena’s Birthday this year we decided to break format and discuss the German New Wave classic Kings of the Road. This three hour Wim Wenders film is a quietly meditative look at West German cinema culture seen through the eyes of two aimless men. The hosts have a fun time discussing the history of German film from the 20s through the 70s and even make space to share a couple manifestos with each other. Topics include: Hitler candles, Werner Herzog’s level of self-awareness, and poop on screen.

In a surprising birthday TWIST, Sam has decided to make us cover not just one film for their birthday but FIVE! And guess what? They’re all delightfully quirky and weird. We set our sights on Robert Altman's 1977-1980 period during which - thanks to Alan Ladd Jr.’s protective stewardship of 20th Century Fox - Altman was able to operate with complete freedom, churning out weird movie after weird movie. Sure, all of them utterly tanked at the box office, but they certainly do make for some interesting conversation! In this ep we discuss: 3 Women, A Wedding, Quintet, A Perfect Couple, and HealtH. Topics include: Elena’s brief stint as a caterer, the music of Keepin’ ‘Em Off The Streets, and whether or not the game of Quintet seems fun.

The word “vamp” has multiple meanings. To some it might mean a seductive woman. To many it will bring to mind a sanguinarily obsessed undead creature with long fangs that sleeps in coffins. To others it connotes stretching out some nonsensical patter in order to fill time! We are happy to report that two out of these three working definitions will be in play for this episode we did on House of Dark Shadows, the 1970 film spinoff of the popular television soap opera Dark Shadows. We detail the various storylines that the film somehow both drags out and hopelessly rushes as we get to know Barnabas Collins, Maggie, and all those other beloved Collins’s of Collinsport and Collinswood. If that sounds like nonsense to you… don’t worry we barely understand any of it either. Topics include: Vampire Diaries, Soapnet, and the 2012 Tim Burton Adaptation’s overall suckiness.

Listen here you little twerps! We’re gonna getcha with this one. Elena and Sam are gonna show you no mercy as they discuss Wes Craven’s first feature film: The Last House on the Left. That’s right, we’re inaugurating the Halloween season here in this quiet little spot, and no one’s gonna hear you scream for mercy. Jeeze, gotta get out of this voice - uh, hey! This is a fun episode! We swear. It won’t be too disturbing at all. And only tastefully exploitative as we get into the semiotics of early slasher/revenge movies. Topics include: Tarot the Musical, whether Last House even counts as a horror film, and if early Swedish is similar to modern Swedish (spoiler: we didn’t actually look it up so we still don’t know).

Keep it under your hat but we got a good tip for ya: listen to the latest KYI, you might learn somethin’ useful. That is, if you consider hot goss about the sex lives of Peter Boyle and Robert Mitchum useful! Sam and Elena are joined by David Heath of the podcast Cinema Chat to dissect this talky, under-seen crime classic. A jolly good time is had by all as they take cracks at impressions of Hollywood luminaries, and even find time to mangle a few Boston accents. Topics include: hockey (is it boring?), Peter Yates’ interest in American cities, and whether or not Paul Monash was a nerd.

Check out David Heath's podcast Cinema Chat:

https://podcasts.apple.com/us/podcast/cinema-chat-with-david-heath/id1613847131

Or follow Cinema Chat on facebook:

https://www.facebook.com/share/19TVmKjMcP/?mibextid=wwXIfr

Who can say what dark magic brought together so many creative geniuses (and problematic ones at that) to make Rosemary’s Baby? Whatever dark forces may have conspired, their plan worked! The movie endures as a beloved classic and guidepost of the early New Hollywood period. Whether you want to hear about Paramount’s resurrection through Robert Evans or the difference between John Cassavetes’ independent cinema vs William Castle’s, this episode is for you! Topics include: questionable erotic fantasies, the history of the Dakota Hotel, and how much the prequel film Apartment 7A suckssss.

A true high point of the New Hollywood era gets the Kael Your Idols treatment this episode: Sidney Lumet’s Dog Day Afternoon. We attempt to get to the bottom of this true tale of a robbery-gone-wrong by putting together the character’s complex motivations piece by piece. Along the way we manage to show some love to Pacino, who puts in probably his best performance, and of course the legendary John Cazale as well. Other topics include: early portrayals of gay activism, Lumet’s book ‘Making Movies’, and Johnny Wojtowicz: the larger-than-life figure at the center of the actual event.