The Machine isn’t done sprinting yet. For this 5-For transmission, Truman and Landen are handed five studio comedies that orbit Tag (2018)—movies where grown adults, respectable jobs be damned, are dragged into escalating games, schemes, and misadventures that test friendship, masculinity, and the limits of insurance coverage.

The Machine’s Five Selected Films

According to the Machine, these films share a common DNA: high-concept premises, ensemble casts, and the quiet fear that adulthood might already be over.

• Game Night (2018) – Murder-mystery stakes collide with suburban friendship dynamics
• Date Night (2010) – Marriage, mistaken identity, and chaos after bedtime
• Horrible Bosses (2011) – Workplace rage filtered through cartoonish criminal logic
• Hot Tub Time Machine (2010) – Male nostalgia weaponized into a sci-fi party comedy
• The Hangover (2009) – The modern blueprint for friendship-based disaster comedies

Why These Five?

Together, these movies map out the late-2000s and 2010s studio comedy boom—where adult responsibility was repeatedly smashed into genre frameworks like action thrillers, crime capers, and sci-fi romps. Seen alongside Tag, they reveal a moment when Hollywood tried to keep the R-rated comedy alive by turning friendship itself into the central stunt.

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Tag, Tag 2018, Game Night 2018, Date Night 2010, Horrible Bosses 2011, Hot Tub Time Machine 2010, The Hangover 2009, ensemble comedies, R-rated comedy, studio comedies, friendship movies, high-concept comedy, Movie Memory Machine, movie podcast, film discussion, curated films, thematic film list, forgotten movies, cult films, film history, podcast episode, cinematic analysis

Truman and Landen sweep up the leftover chaos from Tag (2018)—a movie that asked, “What if your friends never emotionally matured past recess, but in a kind of inspiring way?” They revisit dangling threads from the Main episode, dig into the real-life tag squad behind the film, and, as always, play The Trailer Game, trying to guess which slow-motion tackles and Jeremy Renner smirks the marketing department used before watching the trailer for the first time.

Next week, the Machine sends them to April 7, 1989 with the clue: "This morning they were playing ping-pong in the hospital rec room. Now they're lost in New York and framed for murder. This was never covered in group therapy." Neither host is prepared for what that implies about their insurance deductibles.

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Tag, Tag 2018, Jeff Tomsic, Ed Helms, Jon Hamm, Jake Johnson, Hannibal Buress, Jeremy Renner, Isla Fisher, action comedy, buddy comedy, based on a true story, 2010s comedies, movie podcast, trailer reaction, vintage trailers, Movie Memory Machine, film discussion, forgotten movies, cult films, cinematic analysis

The Machine hurls Truman and Landen back to 2018, where a perfectly normal adult world briefly stopped to witness a group of grown men sprinting, tackling, and emotionally spiraling through the most intense game of tag ever put to film. As the Machine reminds them, this bromantic stunt-comedy immortalized a real-life tradition—and maybe also proved that your thirties are just gym class with taxes.

Synopsis

Tag is a high-energy buddy comedy starring Hogan Malloy (Ed Helms, The Hangover), Bob Callahan (Jon Hamm, Mad Men), Randy Cilliano (Jake Johnson, New Girl), Kevin Sable (Hannibal Buress, Spider-Man: Homecoming), and Jerry Pierce (Jeremy Renner, The Avengers). Directed by Jeff Tomsic, the film follows a tight-knit group of friends who have spent nearly 30 years locked in a hyper-competitive, anything-goes game of tag—one that threatens to unravel when the ever-untouchable Jerry announces he’s retiring after his wedding.

Blending exaggerated action choreography with a sincere look at male friendship, Tag channels the late-2010s trend of “based on a true story, but played like a cartoon” studio comedies.

Why This Film?

Though it earned modest attention on release, Tag quickly slipped between genres—too heartfelt for pure slapstick, too absurd for straightforward sentiment. It’s a fascinating example of a studio trying to reinvigorate the R-rated comedy market while packaging a very real human-interest story inside blockbuster-style action beats.

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Tag, Tag 2018, Jeff Tomsic, Ed Helms, Jon Hamm, Jake Johnson, Hannibal Buress, Jeremy Renner, Isla Fisher, Rashida Jones, buddy comedy, action-comedy, based on a true story, R-rated comedy, Warner Bros, 2010s comedies, ensemble cast comedy, Movie Memory Machine, movie podcast, film discussion, forgotten movies, cult films, film history, podcast episode, cinematic analysis, adult friendship movies, high-concept comedies

The Machine, perhaps inspired by War Horse (2011) and its belief that a single determined horse can survive anything short of a tank, has assembled five thematically linked films. Truman and Landen ride through a lineup that mixes equine legends, childhood-codex classics, and one devastating antiwar drama that reminds us what happens when there aren’t any noble steeds around to carry the emotional weight.

The Machine’s Five Selected Films

The Machine has selected a stable of titles that echo the heart, heroism, and historical sweep of Spielberg’s film:

• Secretariat (2010) – a glossy, feel-good biopic about the most famous Triple Crown champion in history
• Seabiscuit (2003) – Depression-era racing legend as American underdog myth
• Black Beauty (1994) – the definitive “horse-as-narrator” classic of childhood heartbreak
• The Black Stallion (1979) – a gorgeously shot survival-and-bonding tale that remains a gold standard of equine cinema
• No Man’s Land (2001) – a razor-sharp, darkly comedic Bosnia War drama reminding us what human conflict looks like without Spielbergian sentiment

Why These Five?

Each of these films mirrors a facet of War Horse’s identity — from uplifting race-track mythology to boy-and-horse bonding to the harsh realities of wartime survival. Together, they form a panorama of how cinema uses horses (and sometimes their absence) to explore resilience, innocence, national myths, and the complicated ways we romanticize struggle. It’s a surprisingly rich genre constellation… and the Machine seems very proud of itself for finding it.

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War Horse, War Horse 2011, Secretariat, Secretariat 2010, Seabiscuit, Seabiscuit 2003, Black Beauty, Black Beauty 1994, The Black Stallion, The Black Stallion 1979, No Man’s Land 2001, Steven Spielberg, equine movies, horse movies, war films, WWI films, racing films, Movie Memory Machine, movie podcast, film discussion, curated films, thematic film list, forgotten movies, cult films, cinematic analysis, film history

Truman and Landen wrap up the loose ends from War Horse (2011) — a movie where Spielberg unleashes maximum sincerity, maximum sunsets, and a horse so noble it could probably negotiate peace treaties. They revisit the film’s stray thoughts, historical oddities, and emotional haymakers… and as always, they play The Trailer Game, trying to guess what images the marketing team deemed “horse-forward” enough to sell the film before watching the trailer for the first time.

Next week, the Machine sends them to June 15, 2018 with the clue: "We don't stop playing because we grow old, we grow old because we stop playing." Frankly, it sounds like the Machine has traded in mud-slicked trenches for something equally chaotic.

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War Horse, War Horse 2011, Steven Spielberg, Jeremy Irvine, Emily Watson, David Thewlis, WWI film, historical drama, Spielberg movie, Movie Memory Machine, movie podcast, film discussion, trailer reaction, vintage trailers, forgotten movies, cult films, film history, cinematic analysis

The Machine drops Truman and Landen squarely into 2011, a year when Spielberg decided the world desperately needed a World War I epic starring a horse with better instincts than most generals. Saddled with sentimentality and prestige energy, this film gives the hosts plenty to chew on as they gallop through its earnest battlefield odyssey.

Synopsis

War Horse is a sweeping historical drama starring Albert Narracott (Jeremy Irvine, Mamma Mia! Here We Go Again), Rose Narracott (Emily Watson, Breaking the Waves), and Lyons (David Thewlis, Harry Potter). Directed by Steven Spielberg, the film follows a Devon farm boy and his extraordinary horse, Joey, who becomes entangled in the brutal machinery of World War I. Their story unfolds across trenches, cavalry charges, and occupied countryside, blending old-fashioned melodrama with Spielberg’s signature cinematic muscle.

Why This Film?

Once positioned as a major awards contender, War Horse has largely slipped from the cultural conversation — overshadowed by other Spielberg milestones and remembered mostly for its sincerity in an era drifting toward irony. That mix of ambition, sentiment, and prestige makes it ideal fodder for the Movie Memory Machine.

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War Horse, War Horse 2011, Steven Spielberg, Jeremy Irvine, Emily Watson, David Thewlis, World War I movie, WWI drama, DreamWorks, Touchstone Pictures, historical drama, Spielberg filmography, prestige cinema, Movie Memory Machine, movie podcast, film discussion, forgotten movies, cult films, film history, cinematic analysis, awards season movies

The Machine, still crackling with residual meteor energy, whisks Truman and Landen into a curated crash course on five films that reflect the DNA, ambitions, and cosmic oddities of The Meteor Man (1993). From DIY superheroes to VHS-era legends to comic-book icons perfected, this lineup shows every weird, heartfelt, and boundary-pushing direction the genre could have taken.

The Machine’s Five Selected Films

The Machine has chosen five thematically linked films that echo Meteor Man’s blend of underdog heroism, community stories, and genre experimentation:

• Blankman (1994) – another earnest, low-budget, inner-city superhero comedy powered by sheer sincerity
• Hollywood Shuffle (1987) – Robert Townsend’s satirical breakout, examining representation long before his meteor struck
• Be Kind Rewind (2008) – a handmade ode to community filmmaking and DIY mythmaking
• The Mask (1994) – a wild, effects-driven explosion of cartoon logic and early-’90s comic-book chaos
• Spider-Man 2 (2004) – the genre fully realized, marrying heart, spectacle, and responsibility in a way early pioneers dreamed of

Why These Five?

Each of these movies taps into a different facet of what The Meteor Man was reaching for—community empowerment, superhero reinvention, cultural commentary, and gonzo genre energy. Together, they map the winding evolution from scrappy, heartfelt genre experiments to the polished, emotionally rich superhero films that defined the 2000s. In short: this is the alternate history of superhero cinema the Machine wants you to remember.

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Tags

The Meteor Man, The Meteor Man 1993, Blankman, Hollywood Shuffle, Be Kind Rewind, The Mask, Spider-Man 2, Robert Townsend, superhero comedy, Black superheroes, early comic book movies, DIY filmmaking, cult films, 90s movies, 2000s superhero films, Movie Memory Machine, movie podcast, film discussion, curated film list, thematic film list, cinematic analysis

Truman and Landen wrap up stray thoughts, unanswered questions, and meteor-induced tangents from The Meteor Man (1993)—including the film’s galaxy of cameos, its hyper-earnest worldbuilding, and how it fits into the ’90s’ strange, pre-MCU superhero landscape. And as always, they play The Trailer Game, trying to guess which moments the marketing department thought were powerful enough to sell a community-focused superhero comedy to 1993 audiences before watching the trailer for the first time.

Next week, the Machine sends them to December 25, 2011 with the clue: Separated by war. Tested by battle. Bound by friendship.

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Tags

The Meteor Man, The Meteor Man 1993, Robert Townsend, Robert Townsend director, Eddie Griffin, James Earl Jones, superhero comedy, 90s superhero movies, Black superheroes, early MCU era, Movie Memory Machine, movie podcast, film discussion, trailer reaction, vintage trailers, forgotten movies, cult films, film history, cinematic analysis