The Murder of Anna Moriah Wilson (2022) is a cinematic, forensic-style retelling of one of the most haunting homicide cases in modern American sports. Told in three precise chapters — The Last Ride, The Trail of Suspicion, and Flight and Capture — the narrative reconstructs the final days of a young professional cyclist whose life and career were cut short in Austin, Texas.

Set against the backdrop of elite endurance racing, the story unfolds through investigative realism. It opens with the shocking discovery of Wilson’s body inside a friend’s apartment and follows the meticulous forensic process that unraveled the mystery. Through timestamps, interviews, and evidence mapping, the investigation traces the intersection of passion, jealousy, and control that led to a calculated act of violence.

The second act builds intensity as digital forensics, ballistics, and surveillance footage converge to identify a suspect — yoga instructor Kaitlin Armstrong — whose swift disappearance turns the local case into an international manhunt. The chapter captures the methodical pursuit by detectives and U.S. Marshals as they piece together her route from Texas to Costa Rica, revealing how modern technology closed in on an increasingly desperate fugitive.

The final chapter resolves the arc with Armstrong’s capture, extradition, and eventual conviction. Beyond the procedural details, it reflects on the human cost — a life of extraordinary promise lost, a community shaken, and a justice system stretched across continents.

Rendered in forensic neutrality but with cinematic pacing, the piece mirrors the structure of a high-end true-crime documentary: clear facts, ethical storytelling, and emotional restraint. Each scene is driven by verified details and chronological precision, maintaining dignity for the victim while capturing the moral weight of obsession turned deadly.