They Wrote the Hits: How Pop, Rock & Soul Icons Gave Their Best Songs Away explores the fascinating world of legendary artists who penned masterpieces—not for themselves, but for others who would turn those songs into global sensations. This compelling narrative reveals how icons like Prince, Carole King, Dolly Parton, and Stevie Wonder quietly shaped the soundtrack of generations through behind-the-scenes brilliance, crafting chart-topping hits that elevated the careers of fellow performers. It uncovers the creative decisions, industry dynamics, and unexpected partnerships that led these musical geniuses to let go of their greatest works, offering a rare look at the generosity, intuition, and artistic vision that defined their legacy. In celebrating these hidden stories, the topic highlights how some of the most unforgettable anthems were born not from center stage, but from the artistry of those who understood the magic of giving their best songs away.

Music writer / owner of independent music website BreakingAndEntering.net

Allen Halas is a music writer, radio host, and podcaster based in Milwaukee, WI. He currently works for OnMilwaukee, the largest digital media outlet in the city, and can be heard weekly on FM 102/1 in Milwaukee as the host of Love Local Radio. Allen is also the founder of Breaking And Entering, a music website that showcases talent in the Milwaukee music scene. Since 2014, Breaking And Entering has produced daily content based around independent music. In addition to those media outlets, Allen co-hosts the Hustling Sideways podcast, where he and Jim Love look at the side hustles and passion projects of entrepreneurs who maintain a regular 9-to-5 job as well.

The needle hits the vinyl, and with a crackle of anticipation, the 1970s rock album announces itself not with a gentle introduction, but with a declaration of intent. This was the decade where the opening track became an explosive art form, a concentrated blast designed to seize the listener by the collar and define the entire sonic journey to come. From the primal, stadium-shaking riff of Led Zeppelin's "Black Dog" to the sleek, paranoid overture of The Rolling Stones' "Brown Sugar," these were more than just songs; they were opening statements. They could be the complex, virtuosic fury of Queen's "Brighton Rock," a gauntlet thrown down to aspiring musicians, or the raw, jet-fueled ignition of Iggy and the Stooges' "Search and Destroy," a three-minute manifesto of punk nihilism years before its time. In an era of album-oriented rock, the first track was the gateway, and 197s artists mastered the craft of making it unforgettable, explosive, and utterly undeniable.