There is a span of nearly six decades between the first and last of the compositions on this album of piano music by Czech composer Alois Hába, with works written during various creative periods and with differing intentions. As a whole, they document both the development of the composer’s musical thinking and goals and the diversity of approach to composing for the piano in the 20th century.

Vasari Singers, one of the UK's pre-eminent choirs, have titled their new album The Music Never Ends, referencing Michel Legrand and his celebrated song How do you Keep the Music Playing? And by the end of the album's twenty-one tracks, you'll wish it could be so. Raymond Bisha dips into the programme's multi-faceted offerings, while didgeridoo players should be on immediate standby to make a contribution. Listen up, and listen on.

Composer/poet Oscar Lorenzo Fernandez was born in Rio de Janeiro in 1897. He went on to become a leading figure in the development of Brazil's classical music scene, as a composer, conductor, musicologist, and a professor of harmony in the National Music Institute in Rio de Janeiro, as well as other institutions. Along with Francisco Mignone and other prominent musicians, he was a founding member of the new Conservatório Brasileiro de Música, and together with Villa-Lobos he helped innovate music teaching in Brazil. His considerable musical legacy includes 48 songs, two symphonies, the orchestral suite Reisado do Pastoreio, the opera Malazarte, numerous chamber works, and around 80 piano pieces. A selection of the latter forms the basis of this podcast discussion between pianist Clélia Iruzun and Raymond Bisha.