Épisodes

  • Edward Stanley et. al., "A North American Tour Journal 1824-1825: The Making of a Prime Minister" (Sutton Publishing, 2025)
    Sep 6 2025
    A North American Tour Journal 1824-1825: The Making of a Prime Minister (Sutton Publishing, 2025) follows Edward Stanley's 1824-25 journey through North America, a formative tour that profoundly shaped his political ideals.In July 1824, Edward Geoffrey Smith Stanley arrived in New York City at the end of a month-long voyage from Liverpool. The young MP and future 14th earl of Derby had left England under a cloud. His political career was off to a rough start, and he was in love with a woman he was forbidden to marry. The lengthy tour of America that he was about to embark on--a 'banishment' as he called it--had been imposed upon him.From July 1824 into March 1825, Stanley travelled extensively throughout the eastern half of North America. He crossed mountains and lakes, journeyed up and down rivers, and trekked through pine barrens, swamps, and marshes. He travelled by stagecoach, steamboat, canoe, horseback, and sometimes on foot, studying every aspect of the towns and countryside he passed through. He was sometimes surprised, and sometimes shocked, by what he saw: the complex interactions between the Catholic French and their Protestant British neighbours in Canada; the horrifying lives of black slaves in the Southern states; the poverty of Irish immigrants in the North; the degradation of Native Americans everywhere. It left a deep impression on Stanley, shaping his future career as a political reformer and distinguished statesman. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    40 min
  • Angela C. Tozer, "The Debt of a Nation: Land and the Financing of the Canadian Settler State, 1820-73" (U of British Columbia Press, 2025)
    Aug 22 2025
    You’ve got to speculate to accumulate. We apply that notion to individuals in pursuit of wealth, but what about countries? The Debt of a Nation: Land and the Financing of the Canadian Settler State, 1820–73 (U of British Columbia Press, 2025) is the first comprehensive history of Canada’s nineteenth-century public debt. Beginning in the 1820s, loans gave British North American settler governments access to unprecedented amounts of capital at low interest rates. The credit for such loans derived from colonial appropriation of Indigenous territories, and this process essentially created a market value for stolen land. Dr. Angela Tozer explores the role of public debt financing in the consolidation of the Canadian settler state: Upper Canada’s first public debt, issued as securities on the London Stock Exchange; the unique government land tenure of Prince Edward Island and attendant impact on Mi’kmaw homelands; and the purchase of Rupert’s Land via a loan. She analyzes how an economic system centred on credit and debt relied on two factors: settlers had to become the risk bearers – though not necessarily the beneficiaries – of loans, and colonial governments had to have the power to appropriate Indigenous territories in order to appear creditworthy. This history of the intimate relationship between public debt and colonization underscores the importance of the appropriation of Indigenous lands to global markets. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h et 8 min
  • Sarah E. K. Smith, "Trading on Art: Cultural Diplomacy and Free Trade in North America" (UBC Press, 2025)
    Aug 2 2025
    hat is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associate Professor in the Faculty of Information and Media Studies at Western University and the Canada Research Chair (Tier 2) in Art, Culture and Global Relations, examines the history of cultural relations between Canada, the USA and Mexico at the turn of the twenty-first century. The book considers how North America was conceptualised by cultural practices such as art and video, as well as how the arts engaged and responded to free trade agreements in that period. As the world confronts a very different trading and cultural context, the book is essential reading for anyone interested in the future, as well as the past, of cross-national cultural exchange. The book will also be available open access in 2026 Learn more about your ad choices. Visit megaphone.fm/adchoices
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    34 min
  • Michael John Witgen, "Seeing Red: Indigenous Land, American Expansion, and the Political Economy of Plunder in North America" (UNC Press, 2021)
    Jul 20 2025
    Against long odds, the Anishinaabeg resisted removal, retaining much of their land in the Old Northwest—what’s now Michigan, Wisconsin, and Minnesota. Their success rested partly on their roles as sellers of natural resources and buyers of trade goods, which made them key players in the political economy of plunder that drove white settlement and US development in the region. But, as Michael Witgen demonstrates in Seeing Red: Indigenous Land, American Expansion, and the Political Economy of Plunder in North America (Omohundro Institute/UNC Press, 2021), the credit for Native persistence rested with the Anishinaabeg themselves. Outnumbering white settlers well into the nineteenth century, they leveraged their political savvy to advance a dual citizenship that enabled mixed-race tribal members to lay claim to a place in US civil society. Telling the stories of mixed-race traders and missionaries, tribal leaders and territorial governors, Witgen challenges our assumptions about the inevitability of US expansion. John Cable is assistant professor of history at Abraham Baldwin Agricultural College in Tifton, Georgia. He earned the Ph.D. in history at Florida State University in 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 min
  • Shezan Muhammedi, "Gifts from Amin: Ugandan Asian Refugees in Canada" (U of Manitoba Press, 2022)
    Jul 9 2025
    In August 1972, military leader and despot Idi Amin expelled Asian Ugandans from the country, professing to return control of the economy to "Ugandan citizens." Within ninety days, 50,000 Ugandans of South Asian descent were forced to leave and seek asylum elsewhere; nearly 8,000 resettled in Canada. This major migration event marked the first time Canada accepted a large group of predominantly Muslim, non-European, non-white refugees. Shezan Muhammedi's Gifts from Amin: Ugandan Asian Refugees in Canada (U of Manitoba Press, 2022) documents how these women, children, and men--including doctors, engineers, business leaders, and members of Muhammedi's own family--responded to the threat in Uganda and rebuilt their lives in Canada. Building on extensive archival research and oral histories, Muhammedi provides a nuanced case study on the relationship between public policy, refugee resettlement, and assimilation tactics in the twentieth century. He demonstrates how displaced peoples adeptly maintain multiple regional, ethnic, and religious identities while negotiating new citizenship. Not passive recipients of international aid, Ugandan Asian refugees navigated various bureaucratic processes to secure safe passage to Canada, applied for family reunification, and made concerted efforts to integrate into--and give back to--Canadian society, all the while reshaping Canada's refugee policies in ways still evident today. As the numbers of forcibly displaced people around the world continue to rise, Muhammedi's analysis of policymaking and refugee experience is eminently relevant. The first major oral history project dedicated to the stories of Ugandan Asian refugees in Canada, Gifts from Amin explores the historical context of their expulsion from Uganda, the multiple motivations behind Canada's decision to admit them, and their resilience over the past fifty years. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h et 37 min
  • Cheryl Thompson, "Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1895" (Wilfrid Laurier UP, 2025)
    Jul 1 2025
    Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h et 15 min
  • Keith Merith, "A Darker Shade of Blue: A Police Officer's Memoir" (ECW Press, 2024)
    Jun 28 2025
    A transparent first-hand account of a Black officer maneuvering through three terrifying yet rewarding decades of policing, all while seeking reform in law enforcementWhen 16-year-old Keith Merith finds himself pulled over, berated, and degraded by a white police officer, he’s outraged. He’s done nothing wrong. But the officer has the power, and he doesn’t. From that day on, he vows to join a police service and effect change from within.Twelve years and a multitude of infuriating applications later, Merith is finally hired by York Regional Police. Subjected to unfair treatment and constant microaggressions, he perseveres and gradually rises through the ranks, his goal of systemic change carrying him through. After a stellar career, Merith retires at the rank of superintendent, but his desire for sustained and equitable reform is stronger than ever.In A Darker Shade of Blue: A Police Officer's Memoir (ECW Press, 2024), Merith shares both his gut-wrenching and heart-warming experiences and advocates for immediate police reform in a balanced and level-headed manner. He praises the people in blue, but he also knows on a visceral level that there are deep issues that need to be rectified — starting with recruitment. He knows that law enforcement agencies should reflect the communities they serve and protect, and that all citizens should be treated equally. Entrusted with the duty to serve, Merith delivers an evocative perspective of policing by providing the opportunity to walk in his shoes, as a Black man, and as a police officer on the front lines. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h et 12 min
  • L. Sasha Gora, "Culinary Claims: Indigenous Restaurant Politics in Canada" (University of Toronto Press, 2025)
    Jun 16 2025
    Culinary Claims: Indigenous Restaurant Politics in Canada (University of Toronto Press, 2025) by Dr. L. Sasha Gora explores the complex relationships between wild plants and introduced animals, Indigenous foodways, and Canadian regulations. Blending food studies with environmental history, the book examines how cuisines reflect social and political issues related to cultural representation, restaurants, and food sovereignty. Dr. Gora chronicles the rise of Indigenous restaurants and their influence on Canadian food culture, engaging with questions about how shifts in appetite reflect broader shifts in imaginations of local environments and identities. Drawing on a diverse range of sources – from recipes and menus to artworks and television shows – the book discusses both historical and contemporary representations of Indigenous foodways and how they are changing amid the relocalization of food systems. Culinary Claims tells a new story of settler colonialism and Indigenous resistance, emphasizing the critical role that restaurants play in Canada’s cultural landscape. It investigates how food shapes our understanding of place and the politics that underpin this relationship. Ultimately, the book asks, What insights can historians gain from restaurants – and their legacies – as reflections of Indigenous and settler negotiations over cultural claims to land? Culinary Claims presents a comprehensive history of Indigenous restaurants in Canada, highlighting their significant role in the evolution of Canadian food culture. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    56 min