Épisodes

  • Georgios Boudalis, "On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean" (Legacy Press, 2022)

    Georgios Boudalis, "On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean" (Legacy Press, 2022)
    Mar 15 2026
    On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean by Dr Giorgios Boudalis (Legacy Press, 2022). The term endbands designates the two bands worked with thread(s) at the head and tail edges of the spine of a book. The techniques with which they are worked and the ways with which they are connected to a bound codex vary greatly over time and geography. The purpose of this book is to identify, classify and describe several of these different techniques used in manuscript books bound within different cultures in the Eastern Mediterranean from Late Antiquity until the 20th century. The book is richly illustrated with full-colour photographs and technical drawings explaining how these endbands were made and how they can be replicated. The guest on the podcast was Dr Giorgios Boudalis. Dr Boudalis studied conservation of art in Florence and Athens, and Fine Arts in Thessaloniki, Greece, where he lives. In 2005 he completed his Ph.D. at the University of the Arts, London, on the evolution of Byzantine and post-Byzantine bookbinding, and he has since been researching and publishing on the topics of bookbinding history and manuscript conservation. Since 1997 he has been working in book conservation for public and private institutions and collections. His research focuses on the study of the manuscript book in the Eastern Mediterranean using physical, written and iconographical evidence, and he is especially interested in the making of the codex and its relation to other crafts and artefacts. Since 2006 he has been teaching courses on various aspects of Eastern Mediterranean bookbinding structures both on an historical and technical level. He is a co-editor of the Language of Bindings Thesaurus of the Ligatus Research Centre, and he was a visiting scholar and an adjunct professor at Bard Graduate Center in New York where in 2018 he curated the exhibition, The Codex and Crafts in Late Antiquity, and published a book with the same title. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. Her current research focuses on cleaning gilded wooden frames using gels. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    33 min
  • Margaret S. Graves, "Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics" (Princeton UP, 2026)

    Margaret S. Graves, "Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics" (Princeton UP, 2026)
    Feb 27 2026
    In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    58 min
  • Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

    Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)
    Feb 3 2026
    Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h et 20 min
  • Melissa Adler, "Peculiar Satisfaction: Thomas Jefferson and the Mastery of Subjects" (Fordham UP, 2025)

    Melissa Adler, "Peculiar Satisfaction: Thomas Jefferson and the Mastery of Subjects" (Fordham UP, 2025)
    Jan 27 2026
    As the United States approaches the 250th anniversary of the Declaration of Independence, Peculiar Satisfaction: Thomas Jefferson and the Mastery of Subjects (Fordham UP, 2025) examines how the ideals and contradictions of the nation’s founding live on in libraries, archives, and museums. Thomas Jefferson championed an informed citizenry as essential to democracy, yet the systems he built to organize knowledge reinforced racial and ideological hierarchies that persist today. Melissa Adler explores Jefferson’s lasting influence on public institutions, from his personal library, which became the foundation of the Library of Congress, to his archival practices in gov­ernment record-keeping and his museum at Monticello as a site of colonial knowledge production. Through an interdisciplinary lens, she reveals how his methods of classification and preservation shaped national memory and democratic participation. Drawing from archival research and critical theory, Peculiar Satisfaction exposes the paradoxes of access, exclusion, and control embedded in information systems. As censorship and disinformation threaten democracy, Adler argues that understanding these foundational structures is essential to defending the role of knowledge in public life. Melissa Adler is Associate Professor at Western University (London, Ontario) in the Fac­ulty of Information & Media Studies. She is the author of Cruising the Library: Perversities in the Organization of Knowledge (Fordham) Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).  Learn more about your ad choices. Visit megaphone.fm/adchoices
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    54 min
  • Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)

    Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)
    Jan 26 2026
    In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein’s experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    47 min
  • Helen Graham, "Deconstituting Museums: Participation’s Affective Work" (UCL Press, 2024)

    Helen Graham, "Deconstituting Museums: Participation’s Affective Work" (UCL Press, 2024)
    Jan 16 2026
    What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, History of Art and Cultural Studies at the University of Leeds, considers the current state of the sector and stresses the need for significant change. Drawing on both professional reflections and academic analysis, the book introduces the concept of the museum constitution as a key site for struggle within the institution. It shows the challenge of making participation meaningful, and the scale of transformation needed to reframe museums’ central ideas and activities. Essential reading for both academics and museum professionals, as well as audiences, the book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices
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    45 min
  • Abigail Bainbridge, "Conservation of Books" (Routledge, 2023)

    Abigail Bainbridge, "Conservation of Books" (Routledge, 2023)
    Dec 28 2025
    Editor Abigail Bainbridge and contributing author Sonja Schwoll join this discussion of Conservation of Books (Routledge 2023), the highly anticipated reference work on global book structures and their conservation. Offering the first modern, comprehensive overview on this subject, this volume takes an international approach. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illustrate the structures and treatments examined throughout the book. Ultimately, readers gain an in-depth understanding of the materiality of books in numerous global contexts and reflect on the practical considerations involved in their analysis and treatment. Our conversations in this episode discuss how this book is a key reference text for the field, how it fuels important conversations about decision-making and ethics, and what approaches it encourages to learning the practicalities of book conservation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    32 min
  • Riley Linebaugh, "Curating the Colonial Past: The 'Migrated Archives' and the Struggle for Kenya's History" (Cambridge UP, 2025)

    Riley Linebaugh, "Curating the Colonial Past: The 'Migrated Archives' and the Struggle for Kenya's History" (Cambridge UP, 2025)
    Dec 23 2025
    In the early 1960s, British colonial administrations in East Africa organized the systematic destruction and removal of secret documents from colonies approaching independence. The Colonial Office in London arranged the deposit of these documents in high security facilities, where they remained inaccessible until 2011 following a compensation suit by Kenyan survivors of British colonial rule against the Foreign and Commonwealth Office. Curating the Colonial Past: The ‘Migrated Archives' and the Struggle for Kenya's History (Cambridge University Press, 2025) presents the first full length exploration of these 'migrated archives', chronicling the struggle between British attempts to conceal and Kenyan efforts to reveal evidence of the colonial past. Neither displayed nor destroyed, Dr. Riley Linebaugh explores how these records formed an archival limbo in which the British government delayed moral and legal judgement of empire. Yet, these practices did not go unchallenged. Dr. Linebaugh demonstrates how disputes over the 'migrated archives' facilitated the continuation of anticolonial sovereignty struggles beyond independence, struggles which persist into the present. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    51 min