As impossible as it seems, there are people who can still do original things with superheroes - and it's no surprise that one of those people is Boots Riley. One part of the deliciously funky activist hip-hop act The Coup, he turned to directing with 2018's outrageous comedy Sorry to Bother You and followed it up with this singular Amazon Prime series about a reclusive giant teenager who yearns of being like his favourite superhero.

There's more to it than that, of course, and the series takes aim at the one element of superhero stories that this famously self-mocking genre rarely touches, namely their politics. As well as featuring Walton Goggins as a billionaire superhero whose attitudes are more in line with America's actual billionaire class than Batman or Iron Man, the show also gives Graham and Rob the opportunity to talk about class, disability, lost media, animation, practical effects and - in Graham's case - make a truly, truly unfortunate slip of the tongue.

Show solidarity with us by donating to our Patreon, where you can get a bonus episode of this show every month, plus a whole other podcast - the unclassifiable miscellany that is Last Night... - and weekly reviews of The X-Files, The Twilight Zone and the side-projects of Doctor Who stars in Outside the Blue Box. Follow us on Instagram, Bluesky and Facebook for more info

Pavement are a scrappy, bewildering band, so it's only fair that they get a scrappy, bewildering biopic - or is it? A hybrid of documentary, spoof, situationist prank and an off-Broadway jukebox musical that somehow actually happened in reality, Alex Ross Perry's Pavements throws the ultimate slacker band into a hall of mirrors in order to ask the question: what does it mean to never sell out?

This week on Pop Screen, Graham and Simon tackle all four dimensions (it'll make sense later, probably) of Perry's film: Simon from the viewpoint of an ARP fan who wasn't previously familiar with the band, and Graham... well, you'll find out on the episode, as well as discussions of the difference between West and East Coast snark, the lost original cut of the film, the unexpected afterlife of the band in Beabadoobee songs and Spotify weirdness, and Graham's sensible opinions about New York.

There is no castration fear, but there is a Patreon where you can get a bonus episode of this show every month - we've just done Ice Cube's instantly notorious War of the Worlds - as well as weekly written reviews of The Twilight Zone, The X-Files and Doctor Who. We also have an end-of-month round-up podcast, Last Night, for everything that doesn't fit anywhere else. Follow us on Instagram and Facebook to find out more.

We've covered the odd world of The Comic Strip Presents... on Pop Screen before, when Mark and Graham looked at their Kate Bush-starring TV epic Les Dogs. But they also made big-screen films, the first of which featured even more pop stars - Lemmy, Paul McCartney, Shane MacGowan, Bill Wyman, Sandie Shaw, Jools Holland and more - and made even less sense.

This week, Mark and Graham reconvene to discuss Peter Richardson's Eat the Rich, it's baffling casting decisions, infectious tabloid satire and quite a lot besides. As well as the film, we also talk about Bob Vylan at Glastonbury, Richardson's unmade Comic Strip film on Boris Johnson, Fiona Richmond, the pleasures of old episodic TV, Alex Cox's beef with The Comic Strip team, and the clashing rhetorical styles of Britain's godforsaken current crop of party leaders. Listen before we're arrested!

If you want to help fund our legal defences, you can donate to our Patreon where you'll get a bonus episode of this show every month - we've just covered Amazon's instantly-notorious War of the Worlds adaptation - plus weekly written articles on Doctor Who, The Twilight Zone, The X-Files and a whole exclusive podcast - Last Night... - that you can't get anywhere else. Follow us on Instagram and Facebook for more.