If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!

My guest for the season five finale is D.C. rapper and model El Cousteau. We spoke about The Godfather series, The Sopranos, The Wood, The Best Man, putting on for Black cinema, coming up in the D.C. rap scene, his modeling career, his connections to A$AP Rocky and MIKE and his 10k Global label, solidifying his sound, and the creative process behind his last two projects—Merci, Non Merci and this past summer’s Dirty Harry 2. Thank y’all so much for a fantastic season 5, now for the last time this year, come fuck with us.

Dirty Harry 2 is available now wherever music is sold, streamed, or stolen. Follow Cousteau on Instagram, Twitter, and TikTok: @elcousteau

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!

My guests this week are Baltimore rapper, producer, and podcaster Height Keech and New York rapper-producer Nosaj of New Kingdom, who together are known as Wave Generators. We spoke about One Battle After Another, Yorgos Lanthimos’s Bugonia, various observations about the surveillance state, the mechanics and economics of indie rap, a brief retrospective on their early careers, how Wave Generators has introduced them to new audiences, and the creative process behind their latest album Run Away With A Wild And A Rare One. Come fuck with us.

Run Away With A Wild And A Rare One is available now wherever music is sold, streamed, or stolen. Consider copping directly from their Bandcamp page. Follow Wave Generators on Instagram and Twitter: @wavegenerators. Follow Height on Instagram (@height_keech) and Twitter (@HeightKeech). Follow Nosaj on Instagram: @jasonfurlow23

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!

My guest this week is New York journalist and author, Thomas Golianopoulos. We spoke about watching movies on cable, the virtues of the movie theater experience, a handful of moments from his career as a journalist for outlets like Complex, Pitchfork, and Grantland, all things John Singleton—from his films to his personal life and as much as we could fit into this conversation—and the creative process behind Golianopoulos’s debut book, The Life of Singleton: From Boyz N The Hood to Snowfall, out now via AndScape Books and Penguin House Publishing. Come fuck with us.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms.

Support the show