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Rowling Studies The Hogwarts Professor Podcast

Rowling Studies The Hogwarts Professor Podcast

Auteur(s): John Granger
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The Artistry and Meaning of J. K. Rowling and Other Greats

hogwartsprofessor.substack.comJohn Granger
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  • What do Tyler Powell, Rupert Fleetwood, Jolanda Lindvall, and Lady Jensen Have in Common?
    Mar 2 2026
    Nick Jeffery and John Granger met up last Sunday — St David’s Day in Wales and the Sunday of the Triumph of Orthodoxy — to talk about John’s first Hallmarked Man names post, ‘The Allegorical Cryptonyms of The Hallmarked Man, Part One: Ten Cratylic Character Names and their Embedded Meanings.’ In addition to reviewing the high points of that post, Nick offered his insights about the first names John tried to decipher and John added context to the ‘Name Game’ Rowling Readers globally have been playing for 29 years now, Saturn return.Seven high spots of their rollicking conversation:* Nick shared his belief that Rowling creates the character names she does as much for herself as a writer as for her readers. If the character matches the name, as he sees it, then she has a constant reminder of what that imaginary man or woman does, says, or won’t do or say;* John pushed back on that, first because we’ve been told she changed character names while writing them, but more because of what a name is, namely, an image or icon through which the reader experiences the archetypal reference to which Rowling is referring. He thought this was complementary to Rowling’s other Shed tools (alchemy, mythology, ring writing, Christian symbolism, etc.) and argued that, as with the other anagogical artistry, our work in consciously excavating the hidden meaning of names was in keeping with the Hogwarts Professor corrective mission (Eliot’s "We had the experience but missed the meaning" challenge in The Dry Salvages);* Nick through light into John’s American blind spots with respect to Rupert (Army jargon! and a comic strip bear), Jensen (a posh car in the 60’s that had maintenance issues), and the Welsh undercurrents of Tyler, Griffiths, Ian (Ianto!), and Powell. And the River Fleet, a now invisible tributary channel flowing through the heart of London to the Thames!* John supplemented what he wrote in the post about the mythological backdrop to the Lindvall, Powell, and Griffiths names with what he thinks now are Christian symbolism, too, especially with respect to the love Tyler shows to Jolanda/Chloe;* John expanded, too, on Names being another Rowling method of “exteriorization,” a subject he covered at length in his ‘The Christmas Pig: A Quadrigal Reading’ in that epic post’s anagogical section, and the importance of that artistry in working the magic of transformation readers experience in her work;* Nick put John’s mind at ease about ‘Ian Griffiths,’ the name of Hallmarked Man’s sex trafficking, short, psychopathic rape-murderer, being a cipher for ‘John Granger;’ and * The two agree in conclusion, after an intense back and forth about the Peter-John Rule in Rowling Studies as applied to Strike 8, that the first ten names that John discussed in his post seem to confirm the Hogwarts Professor working-hypothesis that the last three books will be a trilogy involving many of the same characters to resolve unresolved questions and mysteries of the first seven book ring-set.John and Nick both referenced the work of Professor Beatrice Groves: check out her exegetical work on the name of The Silkworm’s ‘Owen Quine’ here, her post about Rowling’s connections with the ‘Never Forget’ Campbell clan, and her chapter on Cratylic Names in Literary Allusion in Harry Potter.Nick is working on another ‘Rowling Reading’ segment about a Hallmarked Man epigraph source, Matthew Arnold’s Merope: A Tragedy, John has more Strike 8 names in queue to decipher, most notably Danny DeLeon and Oliver Branfoot, John and Nick are both charting Part Nine of Hallmarked in which the meaning of names plays a critical role, and Nick is writing the itinerary for a bonus trip to Rowling’s home town that will be a bonus in the Hogwarts Professor online class in preparation. As always, thank you for your subscription to Hogwarts Professor as well as thanks in advance for sharing your thoughts in the comment boxes below. Stay tuned!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
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    1 h et 27 min
  • What the Hallmarked Man Epigraphs Reveal About Rowling-Galbraith's Artistry and Meaning
    Feb 22 2026
    Nick Jeffery read Robert Browning’s The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger’s best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning’s poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning’s Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John’s track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.’ In brief, the murder in Browning’s poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith’s book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido’s control of Pompilia and Dino Longcaster’s control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope’s monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson’s crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil’s consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation’ he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading’ of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick’s ‘Rowling Reading’ articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick’s review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John’s explanation of why he was so confident that Browning’s poem was a template of some kind for Hallmarked Man even though only six of Strike8’s 139 epigraphs were taken from it;* Their survey of Rowling’s previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn’t yet been discovered);* Nick’s discussion of Rowling’s previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?’;* John’s best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick’s commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band’s albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John’s suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man’s Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs ...
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    1 h et 37 min
  • 'Sleep Tight, Evangeline,' Miniature Psalters, and the Head of Persephone: A Conversation with Dimitra Fimi
    Feb 17 2026
    Last November Nick and John introduced Dimitra Fimi, the magnificent maven of Tolkien Studies and Professor of Fantasy and Children's Literature at the University of Glasgow, to students of J. K. Rowling’s work. In that discussion, ‘Reading Rowling as Myth Maker and Myth Re-Writer: A Conversation with Dr Dimitra Fimi,’ she shared her thoughts about Rowling’s creative use of mythology in Harry Potter but especially in the Cormoran Strike series.The Hogwarts Professor team asked her to join us again because of Rowling’s yuletide charm bracelet gift to Strike fandom and the recent announcement of the Strike 9 title, Sleep Tight, Evangeline. Her insights about the Longfellow poem as a possible even likely source of the next book’s epigraphs are engaging, but it is her expertise in the arcane area of miniature books as well as mythology and the light each shines on the two items attached to the last link of the charm bracelet that open up exciting possibilities.Her idea is that the Psalter on the ninth link of the charm bracelet may actually be, unlike the other tokens on the bracelet’s nine links, an object that will play a part in the story, a miniature book. It turns out that one inch high books were something of an industry as curios in the 19th and early 20th century, a means of demonstrating technological mastery.Dr Fimi discussed several projects she has been a part of in conjunctions with nano-technologists and the librarians at the University of Glasgow’s special collections division. The one that has the most obvious link to English literature is the ‘Tiny Alice project,’ a contemporary effort to minituarize Lewis Carroll’s Alice stories to unfathomable minuteness:The Tiny Alice Project has produced one of the world’s smallest books: a tiny reproduction of Lewis Carroll’s children’s classic Alice’s Adventures in Wonderland (1865). All 78 pages and 26,764 words of the story have been transposed on to a tiny silicon chip, with each page just the width of a human hair (60 microns). Each individual letter is just two microns high, and made from pure gold!Click on the icons below to find out more about the project, the technology behind it, and Lewis Carroll and his interest in the minuscule. Via the tabs above you can also discover the long tradition of miniature books, and teaching resources.Clip: Twixter link to tweet aboveYou can read Dr Fimi’s write-up of ‘Tiny Alice’ and the Miniature Book exhibition she curated at the University of Glasgow to highlight their special collection of these treasures at her 2019 blog post about them. Pictures that include annotated miniature books — copies in which their owners made notes in the miniscule margins of the printed pages — can be seen here.Later this week, Nick will be sharing his thoughts on Robert Browning’s The Ring and the Book as the Ironbridge Murder story’s template within Hallmarked Man, John, Nick, Sandy Hope, and Ed Shardlow will be parsing the ring within Strike8’s Part Seven, and more about Longfellow’s Evangeline — stay tuned!The Ten Questions Guiding Today’s Conversation with Dr Fimi with the Necessary Links for Fun Follow-Up:(Intro) So everything Serious Strikers are thinking and talking about this month made me think of you, Dimitra, and to write you hat-in-hand with an invitation for your return to HogwartsProfessor to share your perspective, knowledge, and first impressions. Thank you for making time to join us!1. (John) Jumping right in, then, two of the charms on the Strike9 or ‘Evangeline’ bracelet are Fimi areas of unique expertise: the Psalter and the Head of Persephone. I had urged readers to read your Miniature Books in Children’s Fantasy at A Kind of Elvish Craft: The Dimitra Fimi Substack Site in the links after our conversation here last November but I confess to being surprised still when you asked for the dimensions of the Psalter charm after Nick and I posted our thoughts on the subject. For those who haven’t read your ‘Miniature Books’ post, please share how one of the world authorities on the writing of J. R. R. Tolkien became interested in the smallest of texts, the ‘Little Books’ of 19th century printing.2. (Nick) So you asked for the dimensions of the Psalter, you weren’t thinking as we were that the Psalter charms would be a box holding a folded up paper with a psalm, maybe two, inside it. You’re thinking it might actually be a complete Coverdale Psalter? Is that possible?3. (John) What Nick and I hope to contribute to the nascent field of Rowling Studies, as you know, is a refocusing of the scholarship and the serious reader attention about her work on to her Lake Springs -- the biographical part of story inspiration -- her Shed Tools or intentional artistry, and the Golden Threads, the plot points and themes that run throughout her work, i.e., to bring Rowling Studies more in line with all literary scholarship about notable authors, living and ...
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    1 h et 23 min
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